{"id":28618,"date":"2026-10-01T15:10:20","date_gmt":"2026-10-01T15:10:20","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/director-kirill-serebrennikov-and-actress-india-hair-are-special-guests-at-the-17th-edition-of-les-films-de-cannes-a-bucarest\/"},"modified":"2026-10-01T15:10:20","modified_gmt":"2026-10-01T15:10:20","slug":"director-kirill-serebrennikov-and-actress-india-hair-are-special-guests-at-the-17th-edition-of-les-films-de-cannes-a-bucarest","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/en\/director-kirill-serebrennikov-and-actress-india-hair-are-special-guests-at-the-17th-edition-of-les-films-de-cannes-a-bucarest\/","title":{"rendered":"Director Kirill Serebrennikov and actress India Hair are special guests at the 17th edition of Les Films de Cannes \u00e0 Bucarest."},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling gradient-container-1\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-width-medium:100%;--awb-order-medium:0;--awb-width-small:100%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><h3 style=\"text-align: center;\"><strong>Director Kirill Serebrennikov and actress India Hair<\/strong><br \/>\n<strong>Special guests at the 17th edition of Les Films de Cannes \u00e0 Bucarest<\/strong><\/h3>\n<\/p>\n<p style=\"text-align: justify;\">\nKirill Serebrennikov is one of contemporary cinema\u2019s most powerful and controversial voices. Rising to prominence in the mid-2000s with a distinctive style, he quickly established a unique profile through films that challenge authority and explore the complex tensions between individual desire and societal constraints. A regular presence at Cannes\u2014with a body of work defined by the exploration of artistic freedom and the conflict between the individual and society\u2014Kirill Serebrennikov comes to Les Films de Cannes \u00e0 Bucarest to meet the audience. The two films featured in the festival\u2019s &#8220;Focus&#8221; section are distinguished by his unmistakable directorial power.<\/p>\n<\/p>\n<p style=\"text-align: justify;\">*The Disappearance of Josef Mengele*, starring August Diehl, follows the life of the controversial SS doctor from Auschwitz after he fled Europe at the end of World War II. Mengele takes refuge in South America and attempts to forge a new identity, living in hiding for years. The story tracks both his efforts to evade the authorities and his relationships with his family, particularly his son. The film is constructed largely from Mengele\u2019s perspective, without romanticizing the character.<\/p>\n<\/p>\n<p style=\"text-align: justify;\">*Tchaikovsky\u2019s Wife* focuses on the life of Antonina Miliukova, a young woman who marries Pyotr Ilyich Tchaikovsky for love, only to see their marriage rapidly devolve into a devastating obsession. Serebrennikov reconstructs the relationship between the two in 19th-century Russia, placing particular emphasis on Antonina\u2019s obsession and the psychological deterioration caused by the relationship. *Tchaikovsky\u2019s Wife* competed for the Palme d&#8217;Or in the Official Competition at Cannes in 2022.<\/p>\n<\/p>\n<p style=\"text-align: justify;\">India Hair is a French actress known for her versatile roles in film, television, and theater. With a French, American, and English cultural background, she brings a unique perspective to every role she plays. In 2021, she was nominated for a C\u00e9sar Award in the Most Promising Actress category for her role in *Poissonsexe*. Bucharest festival audiences will have the opportunity to see India Hair in *Marvellous Mornings* and *Parallel Tales* and to participate in a discussion with the guest at selected screenings.<\/p>\n<\/p>\n<p style=\"text-align: justify;\">*Marvellous Mornings*, Avril Besson\u2019s directorial debut, unfolds partly as a road movie set to disco music. Charlie sets out to deliver a box of vinyl records to a mysterious dancer. The journey brings back memories of her mother\u2019s dance moves and leads her to Marina, a charming waitress dreaming of a life beyond the small-town pizzeria where she works. *Le Monde* wrote: &#8220;There are films where the director&#8217;s generous gaze upon their actors shines beyond the screen. *Marvellous Mornings* is one of those films.&#8221;<\/p>\n<\/p>\n<p style=\"text-align: justify;\">*Parallel Tales*, directed by Asghar Farhadi, centers on Sylvie, a famous writer in search of inspiration who becomes fascinated by the lives of the neighbors across the street. When she hires the mysterious Adam as an assistant, her life is turned upside down. Featuring an exceptional cast that includes Isabelle Huppert, Virginie Efira, Vincent Cassel, Pierre Niney, and Adam Bessa, the film has been noted for the way it explores psychological and social conflicts while examining the fragile boundaries between reality, imagination, and fiction. *Time Out* describes it as &#8220;a captivating saga.&#8221;<\/p>\n<\/p>\n<p style=\"text-align: justify;\">New films that won over audiences and critics at Cannes in 2026<br \/>\n*Club Kid*, Jordan Firstman\u2019s directorial debut, premiered at Cannes in the *Un Certain Regard* section, where it received a seven-minute standing ovation. The film follows the life of a New York club scene promoter, which is upended by the arrival of the 10-year-old son he never knew he had. Described by *Screen Daily* as &#8220;an acerbic and bitingly funny portrait of New York\u2019s hedonistic world,&#8221; *Club Kid* promises to be a standout debut in independent cinema. The cast includes Jordan Firstman, Cara Delevingne, and Diego Calva. The film was nominated for the *Un Certain Regard* Award, the *Cam\u00e9ra d\u2019Or*, and the *Queer Palm*, and is set to hit Romanian cinemas on November 20.<\/p>\n<\/p>\n<p style=\"text-align: justify;\">*Amarga Navidad*, directed by Pedro Almod\u00f3var, tells the story of Elsa, a commercial director who throws herself into work to cope with her mother&#8217;s death. Meanwhile, screenwriter and director Ra\u00fal Dur\u00e1n writes a script inspired by Elsa\u2019s life, creating a meta-cinematic interplay where fiction and reality intertwine. The Hollywood Reporter wrote that Pedro Almod\u00f3var\u2019s elegant meditation on art and ethics is deeply personal.<\/p>\n<\/p>\n<p style=\"text-align: justify;\">In *El ser querido*, Rodrigo Sorogoyen brings to the fore the confrontation between Esteban Mart\u00ednez (Javier Bardem)\u2014a famous director haunted by a violent past\u2014<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling gradient-container-2\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-width-medium:100%;--awb-order-medium:0;--awb-width-small:100%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type=\"text\/css\">.elegant-image-filters-wrapper.elegant-image-filters-1 .elegant-image-filters-navigation-item.filter-active {color:;background-color:;}<\/style><div class=\"elegant-image-filters-wrapper elegant-image-filters-1 image-filter-navigation-layout-horizontal image-filter-navigation-align-center \"><ul class=\"elegant-image-filters-navigation image-filters-active-navigation-square\" role=\"menu\" aria-label=\"filters\" style=\"font-family: &#039;Montserrat&#039; ;font-weight: 600;font-size:16px;\"><li class=\"elegant-image-filters-navigation-item\" role=\"menuitem\"><a href=\"#\" data-filter=\"*\">#LFDC17<\/a><\/li><\/ul><div class=\"elegant-image-filters-content elegant-image-filter-grid-4\" style=\"opacity:0;\"><div class=\"elegant-image-filter-item elegant-image-portrait \" style=\"padding:5px;\"><div class=\"elegant-image-filter-title\" style=\"font-family: &#039;Montserrat&#039; ;font-weight: 600;font-size:15px;color:#000000;\">L\u2019INCONNUE<\/div><a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/linconnue\/\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/wp-content\/uploads\/2026\/10\/POSTER_LINCONNUE-1.jpg\" alt=\"POSTER_LINCONNUE-1.jpg\"\/><\/a><\/div><div class=\"elegant-image-filter-item elegant-image-portrait \" style=\"padding:5px;\"><div class=\"elegant-image-filter-title\" style=\"font-family: &#039;Montserrat&#039; ;font-weight: 600;font-size:15px;color:#000000;\">HISTOIRES DE LA NUIT<\/div><a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/histoires-de-la-nuit\/\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/wp-content\/uploads\/2026\/10\/POSTER-HISTOIRES-DE-LA-NUIT.jpg\" alt=\"POSTER-HISTOIRES-DE-LA-NUIT.jpg\"\/><\/a><\/div><div class=\"elegant-image-filter-item elegant-image-portrait \" style=\"padding:5px;\"><div class=\"elegant-image-filter-title\" style=\"font-family: &#039;Montserrat&#039; ;font-weight: 600;font-size:15px;color:#000000;\">PARALLEL TALES<\/div><a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/parallel-tales\/\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/wp-content\/uploads\/2026\/10\/POSTER-PT-1.jpg\" alt=\"POSTER-PT-1.jpg\"\/><\/a><\/div><div class=\"elegant-image-filter-item elegant-image-portrait \" style=\"padding:5px;\"><div class=\"elegant-image-filter-title\" style=\"font-family: &#039;Montserrat&#039; ;font-weight: 600;font-size:15px;color:#000000;\">TCHAIKOVSKY\u2019S WIFE<\/div><a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/tchaikovskys-wife\/\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/wp-content\/uploads\/2026\/10\/POSTER_tchaikovskys-wife.jpg\" alt=\"POSTER_tchaikovskys-wife.jpg\"\/><\/a><\/div><div class=\"elegant-image-filter-item elegant-image-portrait \" style=\"padding:5px;\"><div class=\"elegant-image-filter-title\" style=\"font-family: &#039;Montserrat&#039; ;font-weight: 600;font-size:15px;color:#000000;\">AMARGA NAVIDAD<\/div><a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/amarga-navidad\/\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/wp-content\/uploads\/2026\/10\/POSTER-AN.jpg\" alt=\"POSTER-AN.jpg\"\/><\/a><\/div><div class=\"elegant-image-filter-item elegant-image-portrait \" style=\"padding:5px;\"><div class=\"elegant-image-filter-title\" style=\"font-family: &#039;Montserrat&#039; ;font-weight: 600;font-size:15px;color:#000000;\">CLUB KID<\/div><a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/club-kid\/\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/wp-content\/uploads\/2026\/10\/POSTER-CLUB-KID-1.jpg\" alt=\"POSTER-CLUB-KID-1.jpg\"\/><\/a><\/div><div class=\"elegant-image-filter-item elegant-image-portrait \" style=\"padding:5px;\"><div class=\"elegant-image-filter-title\" style=\"font-family: &#039;Montserrat&#039; ;font-weight: 600;font-size:15px;color:#000000;\">MARVELOUS MORNINGS<\/div><a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/marvelous-mornings\/\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/wp-content\/uploads\/2026\/10\/POSTER_Marvelous-Mornings-1.jpg\" alt=\"POSTER_Marvelous-Mornings-1.jpg\"\/><\/a><\/div><div class=\"elegant-image-filter-item elegant-image-portrait \" style=\"padding:5px;\"><div class=\"elegant-image-filter-title\" style=\"font-family: &#039;Montserrat&#039; ;font-weight: 600;font-size:15px;color:#000000;\">THE DISAPPEARANCE OF JOSEF MENGELE<\/div><a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/the-disappearance-of-josef-mengele\/\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/wp-content\/uploads\/2026\/10\/LFDCDJM_MG.jpg\" alt=\"LFDCDJM_MG.jpg\"\/><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":28532,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86],"tags":[],"class_list":["post-28618","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-comunicate-presa"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/en\/wp-json\/wp\/v2\/posts\/28618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/en\/wp-json\/wp\/v2\/comments?post=28618"}],"version-history":[{"count":2,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/en\/wp-json\/wp\/v2\/posts\/28618\/revisions"}],"predecessor-version":[{"id":28620,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/en\/wp-json\/wp\/v2\/posts\/28618\/revisions\/28620"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/en\/wp-json\/wp\/v2\/media\/28532"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/en\/wp-json\/wp\/v2\/media?parent=28618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/en\/wp-json\/wp\/v2\/categories?post=28618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/en\/wp-json\/wp\/v2\/tags?post=28618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}