{"id":22535,"date":"2024-10-22T20:20:44","date_gmt":"2024-10-22T20:20:44","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2024\/?p=22535"},"modified":"2024-10-22T20:20:44","modified_gmt":"2024-10-22T20:20:44","slug":"program-scurtmetraje-2-92-min","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2024\/program-scurtmetraje-2-92-min\/","title":{"rendered":"PROGRAM SCURTMETRAJE 2 (92 min)"},"content":{"rendered":"

DANSEAZ\u0102, REGINA <\/b>de Maria Mitulescu <\/span>+ Q&A cu echipa filmului<\/span><\/i><\/p>\n

O noapte perfect pr\u0103jit de obi\u0219nuit\u0103 pentru un grup de adolescen\u021bi afla\u021bi \u00een Vama Veche, p\u00e2n\u0103 nu mai e. Sasha navigheaz\u0103 disconfortul \u00eentr-o c\u0103l\u0103torie fantasmagoric\u0103 ce-i treze\u0219te asocieri de senza\u021bii la care nu s-ar fi a\u0219teptat…<\/span><\/p>\n

SOMNORO\u0218II<\/b> de Tudor Jurgiu <\/span>+ Q&A cu echipa filmului<\/span><\/i><\/p>\n

Titi prime\u0219te un telefon de la mama sa care lucreaz\u0103 \u00een Italia. El \u00eencepe s\u0103 vorbeasc\u0103 prostii cu ea \u0219i, de asemenea, o interogheaz\u0103 cu privire la o nou\u0103 pereche de cercei. Sorin, care ascult\u0103 toate discu\u021biile, este singurul prieten al lui Titi \u0219i pare atras de el. Dup\u0103 ce beau \u0219i pierd timpul \u00eempreun\u0103, Titi o sun\u0103 pe mama sa la miezul nop\u021bii \u0219i \u00eencepe s\u0103 \u00eentrebe despre presupusul ei iubit italian.\u00a0<\/span><\/p>\n

LUCKY GIRL SYNDROME<\/b> de Raya al Souliman <\/span>+ Q&A cu echipa filmului<\/span><\/i><\/p>\n

\u201cLucky girl syndrome\u201d surprinde un moment specific din viata autoarei, relocarea in alta tara si relatia cu noul oras. O lucrare la limita dintre documentar si imaginatie, o reflectie asupra propriei persoane, un colaj de stari si observatii intr-un Zurich poetic si alienant.\u00a0<\/span><\/p>\n

THE LIFE AND MIRACLES OF SAINT NICODEMUS OF TISMANA<\/b> de Liviu B\u0103rbulescu <\/span>+ Q&A cu echipa filmului\u00a0<\/span><\/i><\/p>\n

Saint Nicodemus of Tismana was a XIV century monk from Romania who performed what could be argued are funny miracles: he transformed pork steak into fish, floated over the Danube on his cusack, cursed a village etc. But his biography also harbours a dark secret that the church would rather not talk about.<\/span><\/p>\n

CAMERAS DO NOT RECORD SUCH THINGS<\/b> de Alexandru Solomon <\/span>+ Q&A cu echipa filmului\u00a0<\/span><\/i><\/p>\n

The documentary filmmaker is filming an old <\/span>Securitate<\/span><\/i> officer with a hidden camera. He suspects that, 60 years ago, the officer had followed and photographed a famous monk turned civilian – a real character, now about to be sanctified. The former spy is now being spied upon, but things turn out badly.<\/span><\/p>\n

\u2002\u2002<\/span><\/p>\n

BIMBOS AGAINST CAPITALISM<\/b> de Ana Floares\u00a0 <\/span>+ Q&A cu echipa filmului\u00a0<\/span><\/i><\/p>\n

Is art activism? Can art be feminine or feminist? The new hypersexual approach to the outdated bimbo counteracts the patriarchal society that women are still fighting.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":21794,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[851],"tags":[],"class_list":["post-22535","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2024\/wp-json\/wp\/v2\/posts\/22535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2024\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2024\/wp-json\/wp\/v2\/comments?post=22535"}],"version-history":[{"count":1,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2024\/wp-json\/wp\/v2\/posts\/22535\/revisions"}],"predecessor-version":[{"id":22536,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2024\/wp-json\/wp\/v2\/posts\/22535\/revisions\/22536"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2024\/wp-json\/wp\/v2\/media\/21794"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2024\/wp-json\/wp\/v2\/media?parent=22535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2024\/wp-json\/wp\/v2\/categories?post=22535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2024\/wp-json\/wp\/v2\/tags?post=22535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}