{"id":19323,"date":"2023-11-01T12:51:23","date_gmt":"2023-11-01T12:51:23","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/?p=19323"},"modified":"2023-11-01T13:25:59","modified_gmt":"2023-11-01T13:25:59","slug":"20-000-de-spectatori-in-salile-de-cinema-la-les-films-de-cannes-14","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/20-000-de-spectatori-in-salile-de-cinema-la-les-films-de-cannes-14\/","title":{"rendered":"20.000 de spectatori \u00een s\u0103lile de cinema la Les Films de Cannes #14"},"content":{"rendered":"

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20.000 de spectatori \u00een s\u0103lile de cinema la Les Films de Cannes #14<\/span><\/h2>\n
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20.000 de spectatori au fost \u00een s\u0103lile de cinema \u00een cadrul edi\u021biei\u00a0Les Films de Cannes, la Timi\u0219oara, Bucure\u0219ti, Cluj \u0219i Arad. Doar la Bucure\u0219ti au fost 13.000 de spectatori, unde s-au v\u00e2ndut 4.000 de bilete \u00een primele 24 de ore de la punerea lor \u00een v\u00e2nzare, cifr\u0103 record fa\u021b\u0103 de celelalte edi\u021bii ale festivalului.<\/p>\n

Premiul publicului\u00a0Les Films de Cannes \u00e0 Bucarest\u00a0a mers c\u0103tre filmul\u00a0Horia, debutul \u00een lungmetraj al Ana-Mariei Com\u0103nescu, pe care spectatorii l-au putut vedea pentru prima oar\u0103 \u00een sec\u021biunea competitiv\u0103\u00a0Avanpremierele toamnei,\u00a0program prezentat de Groupama. Premiul const\u0103 \u00een 2.500 euro, oferit de c\u0103tre DACIN SARA, pentru sus\u021binerea lans\u0103rii \u00een cinematografe.<\/p>\n

C\u00e2\u0219tig\u0103torii sec\u021biunii dedicate industriei de film\u00a0Works in Progress\u00a02023 sunt\u00a0Ink Wash\u00a0de Sarra Tsorakidis \u0219i\u00a0Leo Records: Strictly for Our Friends\u00a0de Ioana Grigore, care vor primi servicii de post-produc\u021bie din partea Avanpost \u0219i\u00a0Blindsight, de Adrian Sitaru, care va beneficia de servicii de post-produc\u021bie din partea Abator. Juriul a fost format din selec\u021bionerii Anna Hoffmann de la Festivalul de film de la Berlin, Paolo Bertolin de la Festivalul de Film de la Vene\u021bia, Stefan Ivan\u010di\u0107, selec\u021bioner la Festivalul de film de la Locarno, \u00eempreun\u0103 cu agentul de v\u00e2nz\u0103ri interna\u021bionale Wouter Jensen, CEO Square Eyes.<\/p>\n

C\u00e2\u0219tig\u0103torii\u00a0Write a Screenplay for… (WSF)\u00a0sunt \u0218erban Racovi\u021beanu \u0219i Alex \u021aibu pentru proiectul\u00a0Trafic\u00a0la categoria\u00a0miniserie TV \u0219i Zsigmond Kungl pentru proiectul\u00a0Andor, Liza and the Boy Who Didn’t Want to Have Sex\u00a0la categoria lungmetraj fic\u021biune. Fiecare dintre ei a primit c\u00e2te un premiu \u00een valoare de 6.000 de euro (1.000 de euro din partea Asocia\u021biei Cinemascop, 5.000 de euro din partea PRO TV \u0219i Pepsi Rom\u00e2nia). Proiectul de miniserie TV va \u00eencheia un contract de dezvoltare cu PRO TV, iar proiectul de lungmetraj fic\u021biune va intra \u00een a doua etap\u0103 de dezvoltare pentru a intra ulterior \u00een pre-produc\u021bie. WSF este un laborator-concurs de scenarii organizat de Asocia\u021bia Cinemascop, cu sprijinul PRO TV, iar juriul este format din Gabriela Iacob,\u00a0Head of Scripted Content Development\u00a0PRO TV \u0219i Cristian Mungiu, regizor \u0219i scenarist. Pe parcursul anului, finali\u0219tii au beneficiat de o serie de sesiuni de dezvoltare, \u021binute de membrii juriului \u0219i de Marietta von Hausswolf von Baumgarten,\u00a0script consultant\u00a0\u0219i scenarist din Suedia. A 6-a edi\u021bie a programului va fi lansat\u0103 \u00een 2024 \u00een cadrul American Independent Film Festival (AIFF).<\/p>\n<\/div>

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Crooked, al lui Tudor Botezatu, a c\u00e2\u0219tigat Premiul Juriului Filminute, iar\u00a0Heatwaves\u00a0al lui Mirel Bran Premiul Publicului Filminute. Colaborarea cu\u00a0Filminute – Festivalul Interna\u021bional de Film de un Minut, a prezentat spectatorilor anul acesta, \u00eenainte de proiec\u021biile din cadrul\u00a0Les Films de Cannes \u00e0 Bucarest, cele mai bune filme de un minut rom\u00e2ne\u0219ti din istoria festivalului.<\/p>\n

16 dintre filmele pe care spectatorii le-au putut vedea \u00een avanpremier\u0103 la\u00a0Les Films de Cannes\u00a0vor intra \u0219i \u00een cinematografe.\u00a0Anatomia unei pr\u0103bu\u0219iri\u00a0(r. Justine Triet),\u00a0Palme d\u2019Or\u00a0la Cannes intr\u0103 pe marile ecrane pe 03 noiembrie,\u00a0Jeanne du Barry\u00a0(r. Ma\u00efwenn) pe 10 noiembrie, iar\u00a0Fallen Leaves\u00a0(r. Aki Kaurism\u00e4ki) pe 01 decembrie.\u00a0Killers of the Flower Moon\u00a0(r. Martin Scorsese) ruleaz\u0103 deja \u00een cinematografele din Rom\u00e2nia.<\/p>\n

\u00cen primul trimestru al lui 2024 ne vom putea bucura \u00een cinema de\u00a0The Old Oak\u00a0(r. Ken Loach) – 05 ianuarie,\u00a0About Dry Grasses\u00a0(r. Nuri Bilge Ceylan) – 12 ianuarie,\u00a0Four Daughters\u00a0(r. Kaouther Ben Hania) – 12 ianuarie,\u00a0Perfect Days\u00a0(r. Wim Wenders) – 26 ianuarie,\u00a0A Brighter Tomorrow\u00a0(r. Nanni Moretti) – 02 februarie,\u00a0Poor Things\u00a0(r. Yorgos Lanthimos) –\u00a0Leul de Aur\u00a0la Vene\u021bia, 09 februarie,\u00a0The Zone of Interest\u00a0(r. Jonathan Glazer) – 16 februarie,\u00a0Pot-au-Feu\u00a0(r. Tran Anh Hung) – 22 februarie,\u00a0Pe Adamant\u00a0(r. Nicolas Philibert) –\u00a0Ursul de Aur\u00a0la Berlin, 15 martie,\u00a0\u00a0The Book of Solutions\u00a0(r. Michel Gondry) – 22 martie.\u00a0Club Zero\u00a0(r. Jessica Hausner) \u0219i\u00a0Only the River Flows\u00a0(r. Wei Shujun) nu au \u00eenc\u0103 datele confirmate.<\/p>\n

Anatomia unei pr\u0103bu\u0219iri,\u00a0About Dry Grasses,\u00a0Pe Adamant\u00a0\u0219i\u00a0Only the River Flows\u00a0sunt distribuite \u00een Rom\u00e2nia de Voodoo Films.\u00a0Jeanne du Barry,\u00a0The Old Oak\/La Stejarul b\u0103tr\u00e2n,\u00a0Pot-au-feu\/Dragoste la foc mic,\u00a0Club Zero\u00a0\u0219i\u00a0A Brighter Tomorrow\u00a0sunt distribuite \u00een Rom\u00e2nia de Independen\u021ba Film.\u00a0Fallen Leaves,\u00a0Perfect Days,\u00a0The Zone of Interest,\u00a0Four Daughters\u00a0\u0219i\u00a0The Book of Solutions\u00a0sunt distribuite \u00een Rom\u00e2nia de Bad Unicorn.\u00a0Killers of the Flower Moon\u00a0este distribuit \u00een Rom\u00e2nia de Ro Image 2000.\u00a0Poor Things\u00a0este distribuit de Forum Film Rom\u00e2nia.<\/p>\n

\u00cen 2024\u00a0Les Films de Cannes \u00e0 Bucarest\u00a0va reveni cu edi\u021bia aniversar\u0103 de 15 ani.<\/p>\n<\/div>

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\nFestivalul\u00a0Les Films de Cannes \u00e0 Bucarest\u00a0este prezentat de Orange Rom\u00e2nia, partener de tradi\u021bie al evenimentului.<\/p>\n

Sus\u021binut de: UniCredit Bank<\/p>\n

Cu sprijinul: Pepsi, Catena, Groupama, McDonald\u2019s, Apa Nova<\/p>\n

Proiect cultural finan\u021bat de: Centrul Na\u0163ional al Cinematografiei, Ministerul Culturii, SACD \/ Soci\u00e9t\u00e9 des Auteurs et Compositeurs Dramatiques, Ambasada Fran\u021bei \u0219i Institutul Francez din Rom\u00e2nia, Institutul Italian de Cultur\u0103, Dacin Sara,\u00a0Unifrance, Goethe Institut<\/p>\n

Parteneri: Renault, Mercure Hotel, SERVE, Avanpost, Abator, Cinema Muzeul \u021a\u0103ranului, Arhiva Na\u021bional\u0103 de Filme \u2013 Cinemateca Rom\u00e2n\u0103, Europa Cinemas, Aparterre, Air France, C\u0103rture\u0219ti, Ototo, Unika, Biciclop, Ritter Sport<\/p>\n

Proiect co-finan\u021bat de Prim\u0103ria Municipiului Bucure\u0219ti prin ARCUB \u00een cadrul Programului Bucure\u0219ti afectiv 2023. Pentru informa\u021bii detaliate despre programul de finan\u021bare al Prim\u0103riei Municipiului Bucure\u0219ti prin ARCUB, pute\u021bi accesa\u00a0www.arcub.ro<\/a>.<\/p>\n

Parteneri media: PRO TV, RockFM, Agerpres, Libertatea, Elle Rom\u00e2nia, Scena9, Revista Biz, Haute Culture Magazine, Zile \u0219i Nop\u021bi, IQads, Igloo, Cultura la Dub\u0103, Films in Frame, Observator Cultural, Cinemagia, Cinefan, Cinefilia, Cine Ghid<\/p>\n

Partener de monitorizare: MediaTrust<\/p>\n

Partener cultural: RFI Rom\u00e2nia<\/p>\n

\u00a0**Con\u0163inutul acestui material nu reprezint\u0103 \u00een mod necesar pozi\u0163ia oficial\u0103 a Prim\u0103riei Municipiului Bucure\u015fti sau ARCUB.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":19346,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1027],"tags":[],"class_list":["post-19323","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lfdc13"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/posts\/19323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/comments?post=19323"}],"version-history":[{"count":5,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/posts\/19323\/revisions"}],"predecessor-version":[{"id":19352,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/posts\/19323\/revisions\/19352"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/media\/19346"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/media?parent=19323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/categories?post=19323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/tags?post=19323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}