{"id":16683,"date":"2023-10-05T11:45:23","date_gmt":"2023-10-05T11:45:23","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/?p=16683"},"modified":"2023-10-23T12:58:30","modified_gmt":"2023-10-23T12:58:30","slug":"scurtmetraje","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/scurtmetraje\/","title":{"rendered":"Scurtmetraje"},"content":{"rendered":"

SCURTMETRAJE <\/b><\/p>\n<\/div>

<\/div><\/div>

CALUP 1<\/strong><\/h3>\n
\n

PERFECT TWO<\/b><\/p>\n

de Xandra Popescu (15 min)<\/b><\/p>\n

O excursie pitoreasc\u0103, r\u0103t\u0103cire, o \u00eencurc\u0103tur\u0103 nea\u0219teptat\u0103, vise irosite, teroarea mortalit\u0103\u021bii.<\/span><\/p>\n

\n

VOR VENI PLOI BL\u00c2NDE\/THERE WILL COME SOFT RAINS<\/b><\/p>\n

de Lucia Chico\u0219 (2022, Rom\u00e2nia, 18 min)<\/b><\/p>\n

Maria \u0219i Vlad petrec o ultim\u0103 noapte \u00een camera de c\u0103min unde au locuit \u00eempreun\u0103 p\u00e2n\u0103 acum. C\u0103ldura, emo\u021biile ne\u00eemp\u0103rt\u0103\u0219ite \u0219i g\u0103l\u0103gia din spatele c\u0103minului nu-i las\u0103 pe cei doi s\u0103 se apropie sau s\u0103 doarm\u0103. Vlad cite\u0219te cu voce tare o povestire scurt\u0103 SF despre o planet\u0103 pe care plou\u0103 ne\u00eencetat, timp \u00een care Maria adoarme. A doua zi, p\u0103rin\u021bii lui Vlad \u00eei ajut\u0103 s\u0103-\u0219i mute ultimele lucruri, iar povestea citit\u0103 de acesta se dovede\u0219te a fi o incanta\u021bie.<\/span><\/p>\n

\n

B 777 ADF<\/b><\/p>\n

de Vl\u0103du\u021b Iosef (2022, Rom\u00e2nia, 14 min)<\/b><\/p>\n

Un instructor auto saboteaz\u0103 examenul studentului s\u0103u pentru a petrece mai mult timp \u00eempreun\u0103.<\/span><\/p>\n

\n

CROCHIU DE NATUR\u0102 MOART\u0102\/ SKETCHES OF STILL LIFE<\/b><\/p>\n

de Vlad Popa (34 min)<\/b><\/p>\n

\u00centr-un atelier \u00eemp\u0103r\u021bit cu o firm\u0103 de servicii funerare, un t\u00e2n\u0103r pictor a\u0219teapt\u0103 p\u0103reri despre ultima sa lucrare, \u00eens\u0103 diversele comentarii primite \u00eel las\u0103 cu o impresie general\u0103 incert\u0103.<\/span><\/p>\n

\n

IORGU<\/b><\/p>\n

de Matei Preda (2022, Rom\u00e2nia, 19 min)<\/b><\/p>\n

\u00centr-un garaj de la marginea Bucure\u0219tiului se desf\u0103\u0219oar\u0103 singurele meciuri de Pro Wrestling din Rom\u00e2nia. Acest documentar este un portret hands-on al lui Iorgu Aggressor, campionul acestui fenomen necunoscut publicului rom\u00e2nesc care, al\u0103turi de fratele s\u0103u Denis \u0219i de Tom, fondatorul promo\u021biei de wrestling, ofer\u0103 o explorare a obstacolelor pe care le \u00eenfrunt\u0103 cel mai bun performer dintr-un sport de ni\u0219\u0103, dar, \u0219i mai important, r\u0103spunde la \u00eentrebarea \u201eDe ce ai face a\u0219a ceva?\u201d.<\/span><\/p>\n<\/div>

CALUP 2<\/strong><\/h3>\n
\n

EDUCA\u021aIE SENTIMENTAL\u0102\/SENTIMENTAL EDUCATION<\/b><\/p>\n

de Alma Buhagiar (2023, Rom\u00e2nia, 28 min)<\/b><\/p>\n

O sear\u0103 \u00een familie scoate la iveal\u0103 mai multe dileme nerezolvate.<\/span><\/p>\n

\n

DANSEZ \u0218I EU LA NUNTA PARINTILOR MEI\/DANCING AT MY PARENTS\u2019 WEDDING\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/b><\/p>\n

de Andreea Chiper (2022, Rom\u00e2nia, 23 min)<\/b><\/p>\n

La 25 ani dup\u0103 nunta p\u0103rin\u021bilor ei, o regizoare descoper\u0103 \u00eenregistrarea VHS a evenimentului. Vizion\u00e2nd \u0219i relu\u00e2nd imaginile, ea \u00eencearc\u0103 s\u0103 descopere mai multe despre familia ei, dar \u00een cele din urm\u0103 se simte captiv\u0103 \u00eentr-o lume de amintiri ascunse.<\/span><\/p>\n

\n

KARINA de Ilinca H\u0103rnu\u021b (2023, Rom\u00e2nia, 19 min)<\/b><\/p>\n

Karinei \u00eei place totul la Dan, post\u0103rile de pe Insta, muzica pe care o compune, conversa\u021biile pe care le au online. \u00cen seara asta a avut loc primul concert al forma\u021biei lui de c\u00e2nd a \u00eenceput pandemia \u0219i Karina are \u00een sf\u00e2r\u0219it ocazia s\u0103-l cunoasc\u0103 live. \u00cens\u0103 \u00een fa\u021ba barului \u00eel a\u0219teapt\u0103 \u0219i sora \u0219i cumnatul lui, a\u0219a c\u0103 cei patru sf\u00e2r\u0219esc prin a-\u0219i petrece seara \u00eempreun\u0103. Karina e cam t\u00e2n\u0103r\u0103 pentru Dan \u0219i, oric\u00e2t de mult ar \u00eencerca to\u021bi cei de fa\u021b\u0103 s\u0103 treac\u0103 asta cu vederea, \u00een cele din urm\u0103 prezen\u021ba ei va pune la \u00eencercare moralitatea celor implica\u021bi.<\/span><\/p>\n

\n

A.I. POETRIES OF FEMALE AND NON-FEMALE BEINGS IN GAS STATIONS AT NIGHT<\/b><\/p>\n

de Cristina Iliescu (2022, Rom\u00e2nia, 18 min)<\/b><\/p>\n

Cum s\u0103 parcurgi \u00eendeaproape experien\u021ba feminin\u0103 \u0219i non-binar\u0103 folosindu-te de intermedierea virtual\u0103? Acest documentar experimental practic\u0103 un tip de privire care transcede grani\u021bele realit\u0103\u021bii concrete, c\u0103ut\u00e2nd factorul uman \u00een tehnologii general accesibile.<\/span><\/p>\n<\/div>

CALUP 3<\/strong><\/h3>\n
\n

OUR SUMMER BREAK\/ EXERCI\u021aIU DE CONCEDIU \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/b><\/p>\n

de Lara Ionescu (2023, Rom\u00e2nia, 22 min)<\/b><\/p>\n

Ana \u0219i mama ei se re\u00eent\u00e2lnesc \u00eentr-o vacan\u021b\u0103 la malul m\u0103rii, dup\u0103 ani de zile \u00een care nu \u0219i-au vorbit. Marea \u0219i peisajele s\u0103lbatice refac leg\u0103turile de familie suspendate \u00een timp.<\/span><\/p>\n

\n

REMOTE \/ LA DISTAN\u021a\u0102<\/b><\/p>\n

de Dana Rogoz (2023, Rom\u00e2nia, 2023)<\/b><\/p>\n

O femeie pleac\u0103 cu prietena ei \u00eentr-o excursie \u00een zona rural\u0103, unde sper\u0103 s\u0103-\u015fi g\u0103seasc\u0103 o cas\u0103, \u00een care s\u0103 se mute cu partenerul ei. Pentru o experien\u021b\u0103 autentic\u0103, aleg s\u0103 doarm\u0103 \u00een casa unei b\u0103tr\u00e2ne, \u00een locul unei pensiuni turistice. Un localnic apare \u00een toiul nop\u021bii la u\u0219a lor.<\/span><\/p>\n

\n

I\u2019M OK WITH YOUR LAST WISHES<\/b><\/p>\n

de Catrinel D\u0103n\u0103ia\u021b\u0103 (2022, Rom\u00e2nia, 15 min)<\/b><\/p>\n

Paul, un t\u00e2na\u0306r care vine pe litoral \u00een ca\u0306utarea unui weekend de distract\u0326ie, ia un drum secundar care \u00eel duce \u00eentr-un loc retras unde ghidat, atras s\u0326i sedus de o femeie misterioasa\u0306, intra\u0306 \u00eentr-un univers fantastic. Un univers \u00een care binele s\u0326i ra\u0306ul sunt greu de distins, un univers \u00een care Paul tra\u0306ies\u0326te o aventura\u0306 dincolo de timp s\u0326i spat\u0326iu care \u00eel va marca pentru totdeauna…<\/span><\/p>\n

\n

\u00ceNTRE MARGINILE ZILEI\/ BETWEEN THE EDGES OF THE DAY<\/b><\/p>\n

de Andreea L\u0103c\u0103tu\u0219 (2023, Rom\u00e2nia, 19 min)<\/b><\/p>\n

Un taxi intr\u0103 \u00een Bucure\u0219ti \u00een miez de noapte; Mara \u0219i mama ei merg s\u0103 se ad\u0103posteasc\u0103 la rude. Ca un pasager atent, Mara observ\u0103 adul\u021bii din jur \u0219i \u00eencepe s\u0103-\u0219i piard\u0103 \u00eencrederea \u00een ei.<\/span><\/p>\n

\n

TOATE NEAMURILE<\/b><\/p>\n

de Alexandra Diaconu (2022, Rom\u00e2nia, 22 min)<\/b><\/p>\n

\u00cen timpul pandemiei, o familie aflat\u0103 \u00een doliu \u00ee\u0219i g\u0103se\u0219te alinarea prin intermediul umorului negru \u0219i al \u00eent\u00e2lnirilor online cu rudele din str\u0103in\u0103tate.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":16691,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[87],"tags":[],"class_list":["post-16683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filme"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/posts\/16683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/comments?post=16683"}],"version-history":[{"count":7,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/posts\/16683\/revisions"}],"predecessor-version":[{"id":18985,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/posts\/16683\/revisions\/18985"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/media\/16691"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/media?parent=16683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/categories?post=16683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/tags?post=16683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}