{"id":9931,"date":"2021-10-19T21:45:35","date_gmt":"2021-10-19T21:45:35","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/?page_id=9931"},"modified":"2023-10-23T10:13:30","modified_gmt":"2023-10-23T10:13:30","slug":"invitati-speciali","status":"publish","type":"page","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/invitati-speciali\/","title":{"rendered":"Invita\u021bi speciali"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background gradient-container-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-width-medium:100%;--awb-order-medium:0;--awb-width-small:100%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-separator\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-bottom:20px;width:100%;max-width:30%;\"><div class=\"fusion-separator-border sep-shadow\" style=\"--awb-height:20px;--awb-amount:20px;background:radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-webkit-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-moz-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-o-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);\"><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background philibert gradient-container-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-1 .element-bottomshadow:before,.reading-box-container-1 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-1\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Nicolas Philibert<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Nicolas Philibert, cunoscutul regizor de film documentar, a debutat \u00een lumea lungmetrajelor documentare \u00een 1978 cu filmul intitulat <\/span><b><i>La Voix de son ma\u00eetre, <\/i><\/b><span style=\"font-weight: 400;\">\u00een care aproximativ doisprezece lideri ai unor grupuri industriale de top (L&#8217;Or\u00e9al, IBM, Thomson, Elf&#8230;) discut\u0103 despre putere, ierarhie, control&#8230;contur\u00e2nd treptat imaginea unui viitor dominat de sectorul financiar.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u00centre 1985 \u0219i 1987, el a realizat diverse filme de aventur\u0103 pentru televiziune, iar apoi a \u00eenceput s\u0103 regizeze lungmetraje documentare care au fost lansate \u00een cinematografe: <\/span><b><i>La Ville Louvre<\/i><\/b><span style=\"font-weight: 400;\"> (1990), <\/span><b><i>Le Pays des sourds<\/i><\/b><span style=\"font-weight: 400;\"> (1992), <\/span><b><i>Un animal, des animaux\u00a0<\/i><\/b><span style=\"font-weight: 400;\">(1995),\u00a0<\/span><b><i>La Moindre des choses\u00a0<\/i><\/b><span style=\"font-weight: 400;\">(1996), <\/span><b><i>Qui sait\u00a0?<\/i><\/b><span style=\"font-weight: 400;\"> (1999), <\/span><b><i>Retour en Normandie<\/i><\/b><span style=\"font-weight: 400;\"> (2006) ou <\/span><b><i>N\u00e9nette <\/i><\/b><span style=\"font-weight: 400;\">(2009), ultimul despre o femel\u0103 de urangutan \u00een v\u00e2rst\u0103 de 40 de ani, \u021binut\u0103 \u00een captivitate timp de 37 de ani \u00eentr-o gr\u0103din\u0103 zoologic\u0103 din Paris.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u00cen 2002, filmul s\u0103u <\/span><b><i>\u00catre et avoir <\/i><\/b><span style=\"font-weight: 400;\">care prezint\u0103 via\u021ba cotidian\u0103 \u00eentr-o \u0219coal\u0103 cu o singur\u0103 clas\u0103 dintr-un sat de munte, a fost proiectat \u00een cadrul selec\u021biei oficiale a Festivalului de la Cannes, bucur\u00e2ndu-se de un succes imens \u00een Fran\u021ba \u0219i ]n alte 40 de \u021b\u0103ri.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><b><i>La Maison de la Radio<\/i><\/b> <span style=\"font-weight: 400;\">(2013) este o c\u0103l\u0103torie \u00een inima postului Radio France pentru a descoperi ceea ce de obicei ne scap\u0103 din vedere: misterele \u0219i aripile unei forme de comunicare a c\u0103rei esen\u021b\u0103, sunetul, r\u0103m\u00e2ne invizibil\u0103.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Prin <\/span><b><i>De chaque instant (2018)<\/i><\/b><b>,<\/b><span style=\"font-weight: 400;\"> filmat \u00eentr-un Institut de Formare \u00een Asisten\u021b\u0103 Medical\u0103, Nicolas Philibert aduce un omagiu profesiei de asistent medical. Iar \u00een noul s\u0103u film,<\/span><b><i> Sur l&#8217;Adamant (2022)<\/i><\/b><span style=\"font-weight: 400;\">, ne introduce \u00een lumea psihiatriei prin realizarea film\u0103rilor \u00eentr-un azil parizian atipic, instalat pe Sena, \u00eentr-o structur\u0103 plutitoare.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u00cencep\u00e2nd cu 2002, au fost organizate mai mult de 130 de retrospective ale filmelor sale.<\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Photo Nicolas Philibert\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/09\/Photo-Nicolas-Philibert.jpeg\" alt class=\"img-responsive wp-image-16217\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/09\/Photo-Nicolas-Philibert-200x224.jpeg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/09\/Photo-Nicolas-Philibert-400x448.jpeg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/09\/Photo-Nicolas-Philibert.jpeg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><div id=\"ma\u00efwenn\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container has-pattern-background has-mask-background gradient-container-3 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-2 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Ma\u00efwenn\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn.jpg\" alt class=\"img-responsive wp-image-16427\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn-400x448.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn.jpg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-2 .element-bottomshadow:before,.reading-box-container-2 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-2\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Ma\u00efwenn<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">N\u0103scut\u0103 \u00een 1976 \u00eentr-o suburbie parizian\u0103, Ma\u00efwenn Le Besco, pe numele ei de scen\u0103 Ma\u00efwenn, a \u00eenceput s\u0103 joace de la o v\u00e2rst\u0103 foarte fraged\u0103, primul ei rol mare fiind la 6 ani, \u00een <\/span><i><span style=\"font-weight: 400;\">L\u2019\u00e9t\u00e9 meurtrier \/ One Deadly Summer<\/span><\/i><span style=\"font-weight: 400;\"> (1983), al lui Jean Becker, cu Isabelle Adjani. Zece ani mai t\u00e2rziu a avut un rol \u00een <\/span><i><span style=\"font-weight: 400;\">L\u00e9on<\/span><\/i><span style=\"font-weight: 400;\"> (1994), al\u0103turi de Natalie Portman. Pentru publicul larg rolul care a consacrat-o a fost apari\u021bia de neuitat Diva Plavalaguna \u00een hitul interna\u021bional al lui Besson, <\/span><i><span style=\"font-weight: 400;\">The Fifth Element<\/span><\/i><span style=\"font-weight: 400;\"> (1997). Au urmat roluri \u00een filme de public ca <\/span><i><span style=\"font-weight: 400;\">High Tension \/ Haute Tension<\/span><\/i><span style=\"font-weight: 400;\"> (2003), dar \u0219i \u00een <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Les_Parisiens\"><i><span style=\"font-weight: 400;\">Les Parisiens<\/span><\/i><\/a><span style=\"font-weight: 400;\"> (2004) \u0219i <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Le_Courage_d%27aimer\"><i><span style=\"font-weight: 400;\">Le Courage d&#8217;aimer<\/span><\/i><\/a><span style=\"font-weight: 400;\"> (2005)<\/span> <span style=\"font-weight: 400;\">\u00a0ale lui Claude Lelouch.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u00cen 2001, Ma\u00efwenn a creat \u0219i jucat \u00eentr-un one-woman show foarte personal, <\/span><i><span style=\"font-weight: 400;\">Le Pois Chiche\/The Chickpea<\/span><\/i><span style=\"font-weight: 400;\">. Acesta i-a inspirat filmul de debut ca regizoare, <\/span><i><span style=\"font-weight: 400;\">Pardonnez-moi \/Forgive Me<\/span><\/i><span style=\"font-weight: 400;\"> (2006), \u00een care joac\u0103 \u0219i rolul principal. I-a urmat <\/span><i><span style=\"font-weight: 400;\">Le bal des actrices \/ All About Actresses<\/span><\/i><span style=\"font-weight: 400;\"> \u00een 2009, un fals documentar \u00een care Ma\u00efwenn se joac\u0103 pe sine ca regizoare, d\u00e2nd un casting la care particip\u0103 Charlotte Rampling, Julie Depardieu, Karin Viard \u0219i multe alte nume cunoscute ale cinematografiei franceze. Filmul <\/span><i><span style=\"font-weight: 400;\">Polisse<\/span><\/i><span style=\"font-weight: 400;\"> din 2011 i-a adus <\/span><i><span style=\"font-weight: 400;\">Premiul Juriului<\/span><\/i><span style=\"font-weight: 400;\"> la Cannes \u0219i un succes imens la box-office. \u00cen 2015, filmul <\/span><i><span style=\"font-weight: 400;\">Mon roi\/My King<\/span><\/i><span style=\"font-weight: 400;\">, la care a lucrat timp de 10 ani, a fost \u00een competi\u021bie la Cannes. Urm\u0103torul ei film, <\/span><i><span style=\"font-weight: 400;\">ADN \/ DNA <\/span><\/i><span style=\"font-weight: 400;\">(2020), \u00een care Fanny Ardant este mama personajului interpretat de Ma\u00efwenn, trebuia s\u0103 aib\u0103 premiera la Cannes \u00een 2020, ceea ce nu s-a mai \u00eent\u00e2mplat din cauza restric\u021biilor legate de pandemia Covid 19. <\/span><i><span style=\"font-weight: 400;\">Jeanne du Barry<\/span><\/i><span style=\"font-weight: 400;\"> a deschis Festivalul de Film de la Cannes \u00een 2023, marc\u00e2nd re\u00eentoarcerea actorului Johnny Depp pe Croazet\u0103, cu Ma\u00efwenn \u00een rolul principal.<\/span><\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Sinopsis Jeanne du Barry\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Jeanne Vaubernier, fiica unei croitorese, hot\u0103r\u00e2t\u0103 s\u0103 urce pe scara social\u0103, \u00ee\u0219i folose\u0219te farmecul pentru a sc\u0103pa de s\u0103r\u0103cie, \u00een Fran\u021ba ultimilor ani dinaintea Revolu\u021biei Franceze. Iubitul ei, contele de Barry, \u00eembog\u0103\u021bit datorit\u0103 intrigilor amoroase ale lui Jeanne, dore\u0219te s\u0103 o prezinte regelui \u0219i orchestreaz\u0103 o \u00eent\u00e2lnire cu ajutorul influentului duce de Richelieu. Planul func\u021bioneaz\u0103, regele se \u00eendr\u0103goste\u0219te, iar Jeanne devine favorita oficial\u0103. Doar c\u0103 nimeni de la curte nu dore\u0219te ca o fat\u0103 de pe strad\u0103 s\u0103 aib\u0103 influen\u021b\u0103 la Versailles.<\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"lubna\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 fusion-flex-container has-pattern-background has-mask-background philibert gradient-container-4 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-5 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-3 .element-bottomshadow:before,.reading-box-container-3 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-3\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Lubna Playoust <\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Lubna Playoust este o regizoare \u0219i actri\u021b\u0103 francez\u0103. Lungmetrajul s\u0103u de debut, Room 999, a avut premiera \u00een selec\u021bia oficial\u0103 la Cannes Classics 2023. \u00cen plus, ea interpreteaz\u0103 un rol \u00een distribu\u021bia filmului <\/span><i><span style=\"font-weight: 400;\">The Nature of Love (Simple comme Sylvain<\/span><\/i><span style=\"font-weight: 400;\">) al regizoarei canadiene Monia Chokri, care a avut \u0219i el premiera \u00een 2023 la Cannes, \u00een sec\u021biunea Un Certain Regard.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u00cen 2022, scurtmetrajul s\u0103u <\/span><i><span style=\"font-weight: 400;\">Le Cormoran<\/span><\/i><span style=\"font-weight: 400;\"> a fost prezentat la Festivalul de Film de la Telluride, iar \u00een 2021 a primit laude la festivalurile de la San Sebastian \u0219i Clermont-Ferrand. \u00cen prezent, Lubna Playoust se preg\u0103te\u0219te pentru realizarea urm\u0103torului s\u0103u lungmetraj, programat s\u0103 fie filmat la Paris \u00een iarna anului 2023.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u00cenainte de a se dedica cinematografiei, Lubna Playoust a acumulat experien\u021b\u0103 lucr\u00e2nd cu grupuri de arti\u0219ti \u0219i \u00een industria modei din Paris. \u0218i-a dezvoltat abilit\u0103\u021bile \u00een cinematografie prin participarea la ateliere desf\u0103\u0219urate cu personalit\u0103\u021bi remarcabile precum Abbas Kiarostami, la \u0218coala de Film din Cuba, \u0219i Lucrecia Martel, la Barcelona. Sub \u00eendrumarea lor, a regizat scurtmetrajele <\/span><i><span style=\"font-weight: 400;\">Zulia<\/span><\/i><span style=\"font-weight: 400;\"> \u0219i <\/span><i><span style=\"font-weight: 400;\">O\u00f9 vont les Canards en hiver?<\/span><\/i><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">De asemenea, Lubna Playoust este fondatoarea \u0219i curatorul platformei mk2 Curiosity, care prezint\u0103 s\u0103pt\u0103m\u00e2nal comori cinematografice rare din \u00eentreaga lume.<\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-6 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-3 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Lubna Playoust\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust.jpg\" alt class=\"img-responsive wp-image-16431\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust-400x448.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust.jpg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-5 fusion-flex-container has-pattern-background has-mask-background corsini gradient-container-5 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-7 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-4 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Catherine Corsini\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini.jpg\" alt class=\"img-responsive wp-image-16434\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini-400x448.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini.jpg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-8 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-4 .element-bottomshadow:before,.reading-box-container-4 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-4\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Catherine Corsini<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Catherine Corsini a devenit cunoscut\u0103 publicului larg datorit\u0103 filmului s\u0103u <\/span><i><span style=\"font-weight: 400;\">La Nouvelle \u00c8ve<\/span><\/i><span style=\"font-weight: 400;\"> din 1999, care a fost prezentat la Festivalul de Film de la Berlin. <\/span><i><span style=\"font-weight: 400;\">La R\u00e9p\u00e9tition<\/span><\/i><span style=\"font-weight: 400;\"> a fost selectat \u00een Competi\u021bia Oficial\u0103 la Cannes \u00een 2001. Al \u0219aptelea ei film, <\/span><i><span style=\"font-weight: 400;\">Partir<\/span><\/i><span style=\"font-weight: 400;\">, a avut un succes remarcabil \u00een cinematografele din Fran\u021ba \u0219i din \u00eentreaga lume, fiind de asemenea prezentat la Festivalul de Film de la Toronto. Ea s-a \u00eentors la Cannes \u00een 2013 cu <\/span><i><span style=\"font-weight: 400;\">Trois Mondes<\/span><\/i><span style=\"font-weight: 400;\">, prezentat \u00een sec\u021biunea Un Certain Regard, iar apoi la Toronto. <\/span><i><span style=\"font-weight: 400;\">La Belle Saison<\/span><\/i><span style=\"font-weight: 400;\">, care a c\u00e2\u0219tigat Premiul Variety Piazza Grande la Locarno, a fost nominalizat la dou\u0103 categorii \u00een cadrul premiilor C\u00e9sar din 2016. Cu <\/span><i><span style=\"font-weight: 400;\">Un Amour Impossible<\/span><\/i><span style=\"font-weight: 400;\">, adaptat dup\u0103 romanul omonim al lui Christine Angot, Catherine Corsini a primit Premiul SACD, precum \u0219i premiile Henri Langlois \u0219i Alice Guy. Filmul a fost nominalizat la patru categorii \u00een cadrul premiilor C\u00e9sar din 2019. Doi ani mai t\u00e2rziu, <\/span><i><span style=\"font-weight: 400;\">La Fracture<\/span><\/i><span style=\"font-weight: 400;\"> a primit \u0219ase nominaliz\u0103ri la premiile C\u00e9sar. Catherine Corsini revine \u00een competi\u021bie la Festivalului de Film de la Cannes din 2023 cu<\/span><i><span style=\"font-weight: 400;\"> Le Retour.<\/span><\/i><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"lubna\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-6 fusion-flex-container has-pattern-background has-mask-background philibert gradient-container-6 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-9 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-5 .element-bottomshadow:before,.reading-box-container-5 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-5\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Mario Martone<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Mario Martone \u0219i-a \u00eenceput activitatea \u00een lumea teatrului de la o v\u00e2rst\u0103 fraged\u0103. \u00cen anii 1980, al\u0103turi de trupa sa de teatru Falso Movimento (Mi\u0219care Fals\u0103), a creat spectacole de avangard\u0103 inspirate din cinematografie, care s-au jucat \u00een turnee la nivel mondial. Primul s\u0103u lungmetraj, <\/span><i><span style=\"font-weight: 400;\">Morte di un matematico napoletano (Moartea unui matematician napolitan),<\/span><\/i><span style=\"font-weight: 400;\"> a fost invitat s\u0103 participe la competi\u021bia Festivalului de Film de la Vene\u021bia \u00een 1992, unde a c\u00e2\u0219tigat Premiul Mare al Juriului. Trei ani mai t\u00e2rziu, a concurat la Cannes <\/span><i><span style=\"font-weight: 400;\">cu L&#8217;amore molesto (Dragoste nesuferit\u0103),<\/span><\/i><span style=\"font-weight: 400;\"> bazat pe primul roman al Elenei Ferrante. \u00cen 1998, a revenit la Cannes cu <\/span><i><span style=\"font-weight: 400;\">Teatro di Guerra (Repeti\u021bie pentru r\u0103zboi),<\/span><\/i><span style=\"font-weight: 400;\"> iar \u00een 2004 cu <\/span><i><span style=\"font-weight: 400;\">L\u2019odore del sangue (Mirosul s\u00e2ngelui),<\/span><\/i><span style=\"font-weight: 400;\"> cu Fanny Ardant \u00een rol principal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Martone a avut nevoie de \u0219ase ani pentru a realiza unul dintre proiectele sale cele mai ambi\u021bioase, un lungmetraj despre conspira\u021bia italian\u0103 din secolul al XIX-lea, <\/span><i><span style=\"font-weight: 400;\">Noi credevamo (Credeam)<\/span><\/i><span style=\"font-weight: 400;\">, prezentat \u00een 2010 cu un mare succes public. Acesta a fost urmat de un succes \u0219i mai r\u0103sun\u0103tor<\/span><i><span style=\"font-weight: 400;\">, Il giovane favoloso (Leopardi),<\/span><\/i><span style=\"font-weight: 400;\"> despre poetul Giacomo Leopardi jucat de Elio Germano, care a adus mai mult de un milion de spectatori \u00een cinematografele din Italia, fiind de asemenea foarte apreciat \u00een Fran\u021ba \u0219i \u00een alte \u021b\u0103ri. Filmul despre o comunitate utopic\u0103 din \u00eenceputul secolului al XX-lea, <\/span><i><span style=\"font-weight: 400;\">Capri-Revolution<\/span><\/i><span style=\"font-weight: 400;\">, dateaz\u0103 din 2018. Ulterior, a realizat dou\u0103 filme conectate cu lumea teatrului napolitan<\/span><i><span style=\"font-weight: 400;\">, Il sindaco del rione Sanit\u00e0 (Primarul cartierului Sanit\u00e0)<\/span><\/i><span style=\"font-weight: 400;\"> de Eduardo De Filippo (2019) \u0219i <\/span><i><span style=\"font-weight: 400;\">Qui rido io (Regele r\u00e2sului)<\/span><\/i><span style=\"font-weight: 400;\"> cu Toni Servillo \u00een rolul principal. <\/span><i><span style=\"font-weight: 400;\">Qui rido io (Regele r\u00e2sului)<\/span><\/i><span style=\"font-weight: 400;\"> concureaz\u0103 la Vene\u021bia \u00een 2021, iar c\u00e2teva luni mai t\u00e2rziu, Martone este \u00een competi\u021bie la Cannes cu <\/span><i><span style=\"font-weight: 400;\">Nostalgia<\/span><\/i><span style=\"font-weight: 400;\">. De-a lungul anilor, Martone, care alterneaz\u0103 constant \u00eentre teatru \u0219i film, a realizat mai multe scurtmetraje, documentare \u0219i filme \u00een alte formate. Cel mai recent documentar al s\u0103u, despre regizorul \u0219i actorul Massimo Troisi, <\/span><i><span style=\"font-weight: 400;\">Laggi\u00f9 qualcuno mi ama (Cineva de acolo m\u0103 iube\u0219te),<\/span><\/i><span style=\"font-weight: 400;\"> a fost prezentat \u00een ultima edi\u021bie a Berlinale.<\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-10 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-5 hover-type-none has-mask\"><img decoding=\"async\" width=\"400\" height=\"448\" title=\"Martone\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Martone.jpg\" alt class=\"img-responsive wp-image-18962\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Martone-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Martone.jpg 400w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-9931","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/pages\/9931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/comments?post=9931"}],"version-history":[{"count":68,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/pages\/9931\/revisions"}],"predecessor-version":[{"id":18966,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/pages\/9931\/revisions\/18966"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-json\/wp\/v2\/media?parent=9931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}