{"id":10823,"date":"2021-10-23T06:33:13","date_gmt":"2021-10-23T06:33:13","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/invitati-speciali\/"},"modified":"2023-10-18T12:18:20","modified_gmt":"2023-10-18T12:18:20","slug":"invitati-speciali","status":"publish","type":"page","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/fr\/invitati-speciali\/","title":{"rendered":"Invita\u021bi speciali"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background gradient-container-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-width-medium:100%;--awb-order-medium:0;--awb-width-small:100%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-separator\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-bottom:20px;width:100%;max-width:30%;\"><div class=\"fusion-separator-border sep-shadow\" style=\"--awb-height:20px;--awb-amount:20px;background:radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-webkit-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-moz-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-o-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);\"><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background philibert gradient-container-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-1 .element-bottomshadow:before,.reading-box-container-1 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-1\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Nicolas Philibert<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">R\u00e9alisateur de documentaires internationalement reconnu, Nicolas Philibert r\u00e9alise son premier long-m\u00e9trage documentaire en 1978, <\/span><b><i>La Voix de son ma\u00eetre<\/i><\/b><span style=\"font-weight: 400;\">, dans lequel douze grands patrons d\u2019industrie (L\u2019Or\u00e9al, IBM, Thomson, Elf\u2026) parlent du pouvoir, de la hi\u00e9rarchie, du commandement\u2026 esquissant peu \u00e0 peu l\u2019image d\u2019un monde domin\u00e9 par la finance.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">De 1985 \u00e0 1987, il tourne plusieurs films d&rsquo;aventure sportive pour la t\u00e9l\u00e9vision,\u00a0puis se lance dans la r\u00e9alisation de longs-m\u00e9trages documentaires qui seront tous distribu\u00e9s en salles : <\/span><b><i>La Ville Louvre<\/i><\/b><span style=\"font-weight: 400;\"> (1990), <\/span><b><i>Le Pays des sourds<\/i><\/b><span style=\"font-weight: 400;\"> (1992), <\/span><b><i>Un animal, des animaux\u00a0<\/i><\/b><span style=\"font-weight: 400;\">(1995),\u00a0<\/span><b><i>La Moindre des choses\u00a0<\/i><\/b><span style=\"font-weight: 400;\">(1996), <\/span><b><i>Qui sait\u00a0?<\/i><\/b><span style=\"font-weight: 400;\"> (1999), <\/span><b><i>Retour en Normandie<\/i><\/b><span style=\"font-weight: 400;\"> (2006) ou <\/span><b><i>N\u00e9nette <\/i><\/b><span style=\"font-weight: 400;\">(2009), sur une femelle orang-outan en captivit\u00e9 depuis 37 ans dans un zoo parisien.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">En 2002, son film <\/span><b><i>\u00catre et avoir<\/i><\/b><span style=\"font-weight: 400;\">, tourn\u00e9 dans l\u2019\u00e9cole \u00ab\u00a0\u00e0 classe unique\u00a0\u00bb d\u2019un petit village d\u2019Auvergne, pr\u00e9sent\u00e9 en s\u00e9lection officielle au Festival de Cannes, recontrera un immense succ\u00e8s en France et dans une quarantaine de pays.<\/span><\/p>\n<p style=\"text-align: justify;\"><b><i>La Maison de la radio<\/i><\/b><span style=\"font-weight: 400;\"> (2013), nous plonge au c\u0153ur de Radio France, \u00e0 la d\u00e9couverte de ce qui \u00e9chappe habituellement aux regards\u00a0: les myst\u00e8res et les coulisses d\u2019un media dont la mati\u00e8re m\u00eame, le son, reste invisible.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Avec <\/span><i><span style=\"font-weight: 400;\">De chaque instant<\/span><\/i><span style=\"font-weight: 400;\"> (2018) Nicolas Philibert rend hommage au monde infirmier, et dans <\/span><i><span style=\"font-weight: 400;\">Sur l\u2019Adamant <\/span><\/i><span style=\"font-weight: 400;\">(2022), il nous entra\u00eene en psychiatrie, dans un centre de jour atypique, install\u00e9 sur la Seine, au c\u0153ur de Paris, sur un b\u00e2timent flottant.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Depuis 2002, plus de 130 hommages et r\u00e9trospectives de ses films ont \u00e9t\u00e9 organis\u00e9es de par le monde.<\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Photo Nicolas Philibert\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/09\/Photo-Nicolas-Philibert.jpeg\" alt class=\"img-responsive wp-image-16219\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/09\/Photo-Nicolas-Philibert-200x224.jpeg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/09\/Photo-Nicolas-Philibert-400x448.jpeg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/09\/Photo-Nicolas-Philibert.jpeg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><div id=\"ma\u00efwenn\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container has-pattern-background has-mask-background gradient-container-3 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-2 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Ma\u00efwenn\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn.jpg\" alt class=\"img-responsive wp-image-16429\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn-400x448.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn.jpg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-2 .element-bottomshadow:before,.reading-box-container-2 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-2\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Ma\u00efwenn<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">N\u0103scut\u0103 \u00een 1976 \u00eentr-o suburbie parizian\u0103, Ma\u00efwenn Le Besco, pe numele ei de scen\u0103 Ma\u00efwenn, a \u00eenceput s\u0103 joace de la o v\u00e2rst\u0103 foarte fraged\u0103, primul ei rol mare fiind la 6 ani, \u00een <\/span><i><span style=\"font-weight: 400;\">L\u2019\u00e9t\u00e9 meurtrier \/ One Deadly Summer<\/span><\/i><span style=\"font-weight: 400;\"> (1983), al lui Jean Becker, cu Isabelle Adjani. Zece ani mai t\u00e2rziu a avut un rol \u00een <\/span><i><span style=\"font-weight: 400;\">L\u00e9on<\/span><\/i><span style=\"font-weight: 400;\"> (1994), al\u0103turi de Natalie Portman. Pentru publicul larg rolul care a consacrat-o a fost apari\u021bia de neuitat Diva Plavalaguna \u00een hitul interna\u021bional al lui Besson, <\/span><i><span style=\"font-weight: 400;\">The Fifth Element<\/span><\/i><span style=\"font-weight: 400;\"> (1997). Au urmat roluri \u00een filme de public ca <\/span><i><span style=\"font-weight: 400;\">High Tension \/ Haute Tension<\/span><\/i><span style=\"font-weight: 400;\"> (2003), dar \u0219i \u00een <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Les_Parisiens\"><i><span style=\"font-weight: 400;\">Les Parisiens<\/span><\/i><\/a><span style=\"font-weight: 400;\"> (2004) \u0219i <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Le_Courage_d%27aimer\"><i><span style=\"font-weight: 400;\">Le Courage d&rsquo;aimer<\/span><\/i><\/a><span style=\"font-weight: 400;\"> (2005)<\/span> <span style=\"font-weight: 400;\">\u00a0ale lui Claude Lelouch.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u00cen 2001, Ma\u00efwenn a creat \u0219i jucat \u00eentr-un one-woman show foarte personal, <\/span><i><span style=\"font-weight: 400;\">Le Pois Chiche\/The Chickpea<\/span><\/i><span style=\"font-weight: 400;\">. Acesta i-a inspirat filmul de debut ca regizoare, <\/span><i><span style=\"font-weight: 400;\">Pardonnez-moi \/Forgive Me<\/span><\/i><span style=\"font-weight: 400;\"> (2006), \u00een care joac\u0103 \u0219i rolul principal. I-a urmat <\/span><i><span style=\"font-weight: 400;\">Le bal des actrices \/ All About Actresses<\/span><\/i><span style=\"font-weight: 400;\"> \u00een 2009, un fals documentar \u00een care Ma\u00efwenn se joac\u0103 pe sine ca regizoare, d\u00e2nd un casting la care particip\u0103 Charlotte Rampling, Julie Depardieu, Karin Viard \u0219i multe alte nume cunoscute ale cinematografiei franceze. Filmul <\/span><i><span style=\"font-weight: 400;\">Polisse<\/span><\/i><span style=\"font-weight: 400;\"> din 2011 i-a adus <\/span><i><span style=\"font-weight: 400;\">Premiul Juriului<\/span><\/i><span style=\"font-weight: 400;\"> la Cannes \u0219i un succes imens la box-office. \u00cen 2015, filmul <\/span><i><span style=\"font-weight: 400;\">Mon roi\/My King<\/span><\/i><span style=\"font-weight: 400;\">, la care a lucrat timp de 10 ani, a fost \u00een competi\u021bie la Cannes. Urm\u0103torul ei film, <\/span><i><span style=\"font-weight: 400;\">ADN \/ DNA <\/span><\/i><span style=\"font-weight: 400;\">(2020), \u00een care Fanny Ardant este mama personajului interpretat de Ma\u00efwenn, trebuia s\u0103 aib\u0103 premiera la Cannes \u00een 2020, ceea ce nu s-a mai \u00eent\u00e2mplat din cauza restric\u021biilor legate de pandemia Covid 19. <\/span><i><span style=\"font-weight: 400;\">Jeanne du Barry<\/span><\/i><span style=\"font-weight: 400;\"> a deschis Festivalul de Film de la Cannes \u00een 2023, marc\u00e2nd re\u00eentoarcerea actorului Johnny Depp pe Croazet\u0103, cu Ma\u00efwenn \u00een rolul principal.<\/span><\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Sinopsis Jeanne du Barry\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Jeanne Vaubernier, fiica unei croitorese, hot\u0103r\u00e2t\u0103 s\u0103 urce pe scara social\u0103, \u00ee\u0219i folose\u0219te farmecul pentru a sc\u0103pa de s\u0103r\u0103cie, \u00een Fran\u021ba ultimilor ani dinaintea Revolu\u021biei Franceze. Iubitul ei, contele de Barry, \u00eembog\u0103\u021bit datorit\u0103 intrigilor amoroase ale lui Jeanne, dore\u0219te s\u0103 o prezinte regelui \u0219i orchestreaz\u0103 o \u00eent\u00e2lnire cu ajutorul influentului duce de Richelieu. Planul func\u021bioneaz\u0103, regele se \u00eendr\u0103goste\u0219te, iar Jeanne devine favorita oficial\u0103. Doar c\u0103 nimeni de la curte nu dore\u0219te ca o fat\u0103 de pe strad\u0103 s\u0103 aib\u0103 influen\u021b\u0103 la Versailles.<\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"lubna\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 fusion-flex-container has-pattern-background has-mask-background philibert gradient-container-4 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-5 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-3 .element-bottomshadow:before,.reading-box-container-3 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-3\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Lubna Playoust <\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Lubna Playoust est une r\u00e9alisatrice et actrice fran\u00e7aise, dont le premier long-m\u00e9trage, <\/span><i><span style=\"font-weight: 400;\">Chambre 999<\/span><\/i><span style=\"font-weight: 400;\">, a fait sa premi\u00e8re en s\u00e9lection officielle cette ann\u00e9e \u00e0 Cannes Classics. Elle fait \u00e9galement partie du casting du film de la r\u00e9alisatrice canadienne Monia Chokri <\/span><i><span style=\"font-weight: 400;\">Simple comme Sylvain <\/span><\/i><span style=\"font-weight: 400;\">pr\u00e9sent\u00e9 \u00e9galement cette ann\u00e9e \u00e0 Cannes dans la section Un Certain Regard. Son court-m\u00e9trage <\/span><i><span style=\"font-weight: 400;\">Le Cormoran<\/span><\/i><span style=\"font-weight: 400;\"> \u00e9tait s\u00e9lectionn\u00e9 au Festival de Telluride en 2022 et aux festivals de Saint-S\u00e9bastien et de Clermont-Ferrand en 2021. Elle pr\u00e9pare actuellement son long-m\u00e9trage de fiction qui devrait se tourner \u00e0 Paris l\u2019hiver prochain.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Apr\u00e8s avoir travaill\u00e9 pour des collectifs d\u2019artistes et dans la mode \u00e0 Paris, elle se forme \u00e0 la r\u00e9alisation lors d\u2019ateliers de cin\u00e9ma avec Abbas Kiarostami (\u00e0 l\u2019ecole de Cinema \u00e0 Cuba) et Lucrecia Martel (\u00e0 Barcelone), durant lesquels elle r\u00e9alise, sous leurs directions, les courts-m\u00e9trages <\/span><i><span style=\"font-weight: 400;\">Zulia <\/span><\/i><span style=\"font-weight: 400;\">et <\/span><i><span style=\"font-weight: 400;\">O\u00f9 vont les canards en hiver ?\u00a0<\/span><\/i><\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Lubna Playoust est \u00e9galement fondatrice et responsable de la programmation de la plateforme mk2 Curiosity, qui propose chaque semaine des raret\u00e9s du cin\u00e9ma mondial.\u00a0<\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-6 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-3 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Lubna Playoust\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust.jpg\" alt class=\"img-responsive wp-image-16433\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust-400x448.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust.jpg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-5 fusion-flex-container has-pattern-background has-mask-background corsini gradient-container-5 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-7 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-4 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Catherine Corsini\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini.jpg\" alt class=\"img-responsive wp-image-16436\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini-400x448.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini.jpg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-8 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-4 .element-bottomshadow:before,.reading-box-container-4 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-4\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Catherine Corsini<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Catherine Corsini se fait conna\u00eetre du grand public avec<\/span><i><span style=\"font-weight: 400;\"> La Nouvelle Eve<\/span><\/i><span style=\"font-weight: 400;\"> en 1999, pr\u00e9sent\u00e9 au festival de Berlin. <\/span><i><span style=\"font-weight: 400;\">La R\u00e9p\u00e9tition<\/span><\/i><span style=\"font-weight: 400;\"> est en comp\u00e9tition au Festival de Cannes en 2001. Son septi\u00e8me film, <\/span><i><span style=\"font-weight: 400;\">Partir<\/span><\/i><span style=\"font-weight: 400;\"> conna\u00eet un grand succ\u00e8s public en France et \u00e0 l\u2019\u00e9tranger, et est \u00e0 l\u2019honneur au festival de Toronto. Elle revient \u00e0 Cannes en 2013 avec <\/span><i><span style=\"font-weight: 400;\">Trois Mondes<\/span><\/i><span style=\"font-weight: 400;\">, pr\u00e9sent\u00e9 \u00e0 Un Certain regard puis \u00e0 Toronto. <\/span><i><span style=\"font-weight: 400;\">La Belle Saison<\/span><\/i><span style=\"font-weight: 400;\">, Prix Variety de la Piazza Grande \u00e0 Locarno, obtient deux nominations aux C\u00e9sar 2016. Avec <\/span><i><span style=\"font-weight: 400;\">Un Amour Impossible<\/span><\/i><span style=\"font-weight: 400;\">, adaptation du roman \u00e9ponyme de Christine Angot, Catherine Corsini a re\u00e7u les Prix SACD, Henri Langlois et Alice Guy. Le film est nomm\u00e9 quatre fois aux C\u00e9sar 2019. Deux ans apr\u00e8s <\/span><i><span style=\"font-weight: 400;\">La Fracture <\/span><\/i><span style=\"font-weight: 400;\">et ses six nominations aux C\u00e9sar, Catherine Corsini est de nouveau en Comp\u00e9tition au Festival de Cannes 2023, avec <\/span><i><span style=\"font-weight: 400;\">Le Retour<\/span><\/i><span style=\"font-weight: 400;\">. <\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-10823","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/fr\/wp-json\/wp\/v2\/pages\/10823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/fr\/wp-json\/wp\/v2\/comments?post=10823"}],"version-history":[{"count":12,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/fr\/wp-json\/wp\/v2\/pages\/10823\/revisions"}],"predecessor-version":[{"id":18524,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/fr\/wp-json\/wp\/v2\/pages\/10823\/revisions\/18524"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/fr\/wp-json\/wp\/v2\/media?parent=10823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}