{"id":16686,"date":"2023-10-05T11:50:40","date_gmt":"2023-10-05T11:50:40","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/shorts\/"},"modified":"2023-10-23T13:04:55","modified_gmt":"2023-10-23T13:04:55","slug":"shorts","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/shorts\/","title":{"rendered":"Shorts"},"content":{"rendered":"

Shorts<\/b><\/p>\n<\/div>

<\/div><\/div>

CALUP 1<\/h3>\n
\n

PERFECT TWO<\/b><\/p>\n

de Xandra Popescu (15 min)<\/b><\/p>\n

A picturesque trip, getting lost, an unexpected entanglement, dashed dreams, the terror of mortality.<\/span><\/p>\n

\n

VOR VENI PLOI BL\u00c2NDE\/THERE WILL COME SOFT RAINS<\/b><\/p>\n

de Lucia Chico\u0219 (2022, Rom\u00e2nia, 18 min)<\/b><\/p>\n

Maria and Vlad spend their last night at the student dorm before moving out. They can\u2019t fall asleep because of the hot weather, the noisy neighborhood and the things they don\u2019t tell each other. Vlad reads to Maria a bedtime story about a planet where it rains endlessly, which later turns out to be an incantation.<\/span><\/p>\n

\n

B 777 ADF<\/b><\/p>\n

de Vl\u0103du\u021b Iosef (2022, Rom\u00e2nia, 14 min)<\/b><\/p>\n

A driving instructor sabotages his student’s practical test in order to spend more time together.<\/span><\/p>\n

\n

CROCHIU DE NATUR\u0102 MOART\u0102\/ SKETCHES OF STILL LIFE<\/b><\/p>\n

de Vlad Popa (34 min)<\/b><\/p>\n

In a studio shared with a funeral services company, a young painter awaits feedback on his latest work, but the various comments he receives leave him with an overall uncertain impression.<\/span><\/p>\n

\n

IORGU<\/b><\/p>\n

de Matei Preda (2022, Rom\u00e2nia, 19 min)<\/b><\/p>\n

In a garage on the outskirts of Bucharest, the only Pro Wrestling matches in Romania. This documentary is a hands-on portrait of Iorgu Aggressor, the champion of this unknown phenomenon for the Romanian audience, that alongside his brother Denis and the founder of the wrestling promotion Tom, gives a perspective about the obstacles that the best performer in a niche sport faces, but, more importantly, answers the question \u201cWhy do something like this?\u201d<\/span><\/p>\n<\/div>

CALUP 2<\/strong><\/h3>\n
\n

EDUCA\u021aIE SENTIMENTAL\u0102\/SENTIMENTAL EDUCATION<\/b><\/p>\n

de Alma Buhagiar (2023, Rom\u00e2nia, 28 min)<\/b><\/p>\n

A family evening brings back several unresolved dilemmas.<\/span><\/p>\n

\n

DANSEZ \u0218I EU LA NUNTA PARINTILOR MEI\/DANCING AT MY PARENTS\u2019 WEDDING\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/b><\/p>\n

de Andreea Chiper (2022, Rom\u00e2nia, 23 min)<\/b><\/p>\n

25 years after her parents\u2019 wedding, a filmmaker discovers the VSH recording of the event. By watching and rewatching the images,\u00a0 she tries to discover more about her family, but eventually finds herself trapped in a world of hidden memories..<\/span><\/p>\n

\n

KARINA de Ilinca H\u0103rnu\u021b (2023, Rom\u00e2nia, 19 min)<\/b><\/p>\n

Karina loves everything about Dan, his Instagram, his music, the conversations they have online. This was his band\u2019s first concert after the pandemic and she finally gets a chance to meet him in person. But his sister and brother in law are also meeting him in front of the venue, so the four of them end up spending the evening together. Karina is much too young for Dan, and even though everyone is trying to overlook the obvious, their morality will eventualy be put to the test.\u00a0<\/span><\/p>\n

\n

A.I. POETRIES OF FEMALE AND NON-FEMALE BEINGS IN GAS STATIONS AT NIGHT<\/b><\/p>\n

de Cristina Iliescu (2022, Rom\u00e2nia, 18 min)<\/b><\/p>\n

How should one closely navigate female and non-binary experience through virtual mediation? This experimental documentary casts a type of gaze that transcends the boundaries of concrete reality, looking for the human factor within generally accessible technologies.<\/span><\/p>\n<\/div>

CALUP 3<\/strong><\/h3>\n
\n

OUR SUMMER BREAK\/ EXERCI\u021aIU DE CONCEDIU\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0de Lara Ionescu (2023, Rom\u00e2nia, 22 min)<\/b><\/p>\n

Ana and her mother reunite on a holiday by the seaside after years of not speaking to each other. The sea and the wild landscapes rebuild the family ties suspended in time.<\/span><\/p>\n

\n

REMOTE \/ LA DISTAN\u021a\u0102<\/b><\/p>\n

de Dana Rogoz (2023, Rom\u00e2nia, 2023)<\/b><\/p>\n

A woman takes her friend on a trip to the rural area, where she hopes to find a house to move into with her partner. They prefer to sleep at the house of an old lady, instead of a touristic guesthouse. A local man appears at their door.<\/span><\/p>\n

\n

I\u2019M OK WITH YOUR LAST WISHES<\/b><\/p>\n

de Catrinel D\u0103n\u0103ia\u021b\u0103 (2022, Rom\u00e2nia, 15 min)<\/b><\/p>\n

Paul, a young man who comes to the seaside in search for a weekend of fun, takes a side road that leads him to an isolated place where, guided, attracted and seduced by a mysterious woman, he enters a fantastic universe. A universe where good and evil are difficult to distinguish, a universe where Paul experiences an adventure outside of time and space that will mark him forever…<\/span><\/p>\n

\n

\u00ceNTRE MARGINILE ZILEI\/ BETWEEN THE EDGES OF THE DAY<\/b><\/p>\n

de Andreea L\u0103c\u0103tu\u0219 (2023, Rom\u00e2nia, 19 min)<\/b><\/p>\n

A taxi car enters Bucharest in the middle of the night; Mara and her mom are seeking refuge with relatives. As an attentive passenger, Mara is observing the adults around her and starts doubting their reasoning.<\/span><\/p>\n

\n

TOATE NEAMURILE<\/b><\/p>\n

de Alexandra Diaconu (2022, Rom\u00e2nia, 22 min)<\/b><\/p>\n

During the pandemic, a grieving family finds solace in through dark humor and video calls with relatives abroad.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":16689,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[87],"tags":[],"class_list":["post-16686","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filme"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/posts\/16686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/comments?post=16686"}],"version-history":[{"count":5,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/posts\/16686\/revisions"}],"predecessor-version":[{"id":18987,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/posts\/16686\/revisions\/18987"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/media\/16689"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/media?parent=16686"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/categories?post=16686"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/tags?post=16686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}