{"id":17602,"date":"2023-10-08T12:38:35","date_gmt":"2023-10-08T12:38:35","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/invitati-timisoara\/"},"modified":"2023-10-18T11:55:40","modified_gmt":"2023-10-18T11:55:40","slug":"invitati-timisoara","status":"publish","type":"page","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/invitati-timisoara\/","title":{"rendered":"Guests"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background gradient-container-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-width-medium:100%;--awb-order-medium:0;--awb-width-small:100%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-separator\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-bottom:20px;width:100%;max-width:30%;\"><div class=\"fusion-separator-border sep-shadow\" style=\"--awb-height:20px;--awb-amount:20px;background:radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-webkit-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-moz-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-o-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);\"><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"ma\u00efwenn\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background gradient-container-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Ma\u00efwenn\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn.jpg\" alt class=\"img-responsive wp-image-16428\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn-400x448.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn.jpg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-1 .element-bottomshadow:before,.reading-box-container-1 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-1\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Ma\u00efwenn<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\">Born in 1976 in a Parisian suburb, Ma\u00efwenn Le Besco, by her stage name Ma\u00efwenn, began acting at a very young age, her first major role being at the age of 6, in L&#8217;\u00e9t\u00e9 meurtrier \/ One Deadly Summer ( 1983), by Jean Becker, with Isabelle Adjani. Ten years later he had a role in L\u00e9on (1994), alongside Natalie Portman. For the general public, the role that consecrated her was the unforgettable appearance of Diva Plavalaguna in Besson&#8217;s international hit, The Fifth Element (1997). Roles followed in mainstream films such as High Tension \/ Haute Tension (2003), but also in Les Parisiens (2004) and Le Courage d&#8217;aimer (2005) by Claude Lelouch.<\/p>\n<p style=\"text-align: justify;\">In 2001, Ma\u00efwenn created and performed in a very personal one-woman show, Le Pois Chiche\/The Chickpea. It inspired her directorial debut, Pardonnez-moi \/Forgive Me (2006), in which she also plays the lead role. It was followed by Le bal des actresses \/ All About Actresses in 2009, a mockumentary in which Ma\u00efwenn plays herself as a director, casting a cast that includes Charlotte Rampling, Julie Depardieu, Karin Viard and many other well-known names of French cinema. The 2011 film Polisse brought him the Jury Prize at Cannes and huge success at the box office. In 2015, the film Mon roi\/My King, on which he worked for 10 years, was in competition at Cannes. Her next film, ADN \/ DNA (2020), in which Fanny Ardant is the mother of the character played by Ma\u00efwenn, was supposed to premiere at Cannes in 2020, which did not happen due to restrictions related to the Covid 19 pandemic. Jeanne du Barry has opened the Cannes Film Festival in 2023, marking the return of actor Johnny Depp on the Cruise, starring Ma\u00efwenn.<\/p>\n<p style=\"text-align: justify;\">Synopsis Jeanne du Barry<\/p>\n<p style=\"text-align: justify;\">Jeanne Vaubernier, the daughter of a seamstress, determined to climb the social ladder, uses her charm to escape poverty in France in the last years before the French Revolution. Her lover, the Comte de Barry, enriched by Jeanne&#8217;s amorous intrigues, wants to introduce her to the king and orchestrates a meeting with the help of the influential Duke de Richelieu. The plan works, the king falls in love, and Jeanne becomes the official favorite. It&#8217;s just that no one at court wants a street girl to have influence at Versailles.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"lubna\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container has-pattern-background has-mask-background philibert gradient-container-3 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-2 .element-bottomshadow:before,.reading-box-container-2 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-2\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Lubna Playoust <\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\">&#8220;Is cinematography a language about to be lost, a dying art?&#8221;. Room 999\/Chambre 999 is a remake of Wim Wenders&#8217; cult film Room 666\/Chambre 666 (1982), which interrogates, one by one, in the same hotel room, 16 great directors of the time about the future of cinema under the threat of television. 40 years later, director Lubna Playoust revisits Wenders&#8217; question in the context of streaming platforms, to 30 of today&#8217;s most exciting directors aged 29 to 80, including Wim Wenders, Claire Denis, David Cronenberg , Asghar Farhadi, Alice Rohrwacher, Olivier Assayas and others.<\/p>\n<p style=\"text-align: justify;\">Born in Italy, raised in Paris, Lubna Playoust is a French director and actress. Between 2016 and 2019 he studied directing with Abbas Kiarostami in Cuba and Lucrecia Martel in Barcelona, experiences that translated into several short films, available online, including Waltz for Three, in which he stars alongside two mythical actors of the Nouvelle Vague era , Jean-Pierre Marielle and Agathe Natanson. She is the curator of a MK2 streaming platform, her short film The Cormorant \/ Le Cormoran (2021) was selected at the San Sebastian festival. Room 999 \/ Chambre 999 is her first feature film.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-2 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Lubna Playoust\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust.jpg\" alt class=\"img-responsive wp-image-16432\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust-400x448.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust.jpg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 fusion-flex-container has-pattern-background has-mask-background corsini gradient-container-4 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-5 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-3 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Catherine Corsini\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini.jpg\" alt class=\"img-responsive wp-image-16435\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini-400x448.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini.jpg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-6 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-3 .element-bottomshadow:before,.reading-box-container-3 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-3\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Catherine Corsini<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\">Catherine Corsini has been a fixture at film festivals since 1999, when her film La Nouvelle \u00c8ve was presented at the Berlin Film Festival followed by La R\u00e9p\u00e9tition, selected in Official Competition at Cannes in 2001. Her seventh film , Leaving\/Partir, starring Kristin Scott Thomas, was a remarkable success in cinemas in France and around the world. It was followed by Three Worlds \/Trois Mondes (2012), Summertime\/La Belle Saison (2016), a love story between two women in 1970s France, and An Impossible Love \/ Un Amour Impossible, adapted from Christine Angot&#8217;s novel of the same name . Two years later, he made The Divide\/La Fracture, a political comedy about the violent protests in France, experienced in the hospital by a woman abandoned by her lover. Catherine Corsini returned to competition at Cannes in 2023 with Le Retour, presented at Les Films de Cannes.<\/p>\n<p style=\"text-align: justify;\">Le Retour follows Kh\u00e9didja, who works for a wealthy Parisian family who sends her to Corsica to look after their children during the summer. She also takes her teenage daughters, Jessica and Farah, with Corsica being the island they left 15 years ago under tragic circumstances. The film is a coming-of-age, emotional and humorous family story that touches and questions the way lies can structure a family.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"lubna\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-5 fusion-flex-container has-pattern-background has-mask-background philibert gradient-container-5 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-7 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-4 .element-bottomshadow:before,.reading-box-container-4 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-4\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Delphine Gleize<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\">Delphine Gleize, a native of Saint-Quentin, studied classical literature at Condorcet in Paris, graduating with a master&#8217;s degree in modern literature. In 1994, she entered the scriptwriting department of the FEMIS, marking the start of her film career.<\/p>\n<p style=\"text-align: justify;\">She has directed several short films, including &#8220;Sale Battars,&#8221; which won several awards, including at the Clermont-Ferrand and Angers festivals, and at the 2000 C\u00e9sar awards. Among her achievements, &#8220;Un Ch\u00e2teau en Espagne&#8221; was selected for the Directors&#8217; Fortnight at Cannes, &#8220;Les M\u00e9duses&#8221; was presented at the Semaine de la Critique in Cannes in 2001.<\/p>\n<p style=\"text-align: justify;\">Her first feature, &#8220;Carnages,&#8221; won the Prix de la Jeunesse at the 2002 Cannes Film Festival. Subsequently, she directed &#8220;L&#8217;Homme qui r\u00eavait d&#8217;un enfant,&#8221; a feature film released in 2007, starring Darry Cowl and Artus de Penguern, which was selected for international festivals. Delphine Gleize is also a screenwriter for other filmmakers. She recently co-wrote the film &#8220;Cet \u00e9t\u00e9-l\u00e0,&#8221; directed by Eric Lartigau, to be released in January 2023, starring Marina Fo\u00efs, Gael Garcia Bernal and Chiara Mastroianni. She is also finishing co-writing Louis-Julien Petit&#8217;s next feature, &#8220;L&#8217;Histoire de sa vie,&#8221; scheduled for release in 2024 and produced by Gaumont.<\/p>\n<p style=\"text-align: justify;\">She is currently working on her next feature film, an adaptation of Clara Dupont Monod&#8217;s novel &#8220;S&#8217;adapter&#8221;, published by Stock, due to start shooting next year.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-8 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-4 hover-type-none has-mask\"><img decoding=\"async\" width=\"1066\" height=\"1600\" title=\"delphine gleize LFDC (1)\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/delphine-gleize-LFDC-1.jpg\" alt class=\"img-responsive wp-image-18014\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/delphine-gleize-LFDC-1-200x300.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/delphine-gleize-LFDC-1-400x600.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/delphine-gleize-LFDC-1-600x901.jpg 600w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/delphine-gleize-LFDC-1-800x1201.jpg 800w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/delphine-gleize-LFDC-1.jpg 1066w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-6 fusion-flex-container has-pattern-background has-mask-background corsini gradient-container-6 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-9 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-5 hover-type-none has-mask\"><img decoding=\"async\" width=\"1066\" height=\"1600\" title=\"poza Dana Rogoz (1) (1)\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/poza-Dana-Rogoz-1-1.jpeg\" alt class=\"img-responsive wp-image-17599\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/poza-Dana-Rogoz-1-1-200x300.jpeg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/poza-Dana-Rogoz-1-1-400x600.jpeg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/poza-Dana-Rogoz-1-1-600x901.jpeg 600w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/poza-Dana-Rogoz-1-1-800x1201.jpeg 800w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/poza-Dana-Rogoz-1-1.jpeg 1066w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-10 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-5 .element-bottomshadow:before,.reading-box-container-5 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-5\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Dana Rogoz<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Dana Rogoz is a Romanian actress and public figure. She started her acting career as a child, starring in numerous children\u2019s films and different TV series. In 2008 she graduated the National University of Theatre and Film &#8220;I.L.Caragiale&#8221;. In 2013 she performed together with Christoph Waltz and Lucas Hedges in &#8220;The Zero Theorem&#8221; directed by Terry Gilliam. Many other roles followed in theater and film. In 2019 she had the premiere in main competition at Sarajevo Film Festival with the film MO\/INDECENCY directed by Radu Dragomir, as the lead actress, a role that brought her several nominations and awards for best actress and also international acclaim. This year she had her debut as a director and scriptwriter with her short film REMOTE [La distan\u021b\u0103], which has already been officialy selected in competition at Namur FIFF, Tirana International Film Festival and Nice European Short Film Festival.<\/span><\/p>\n<p style=\"text-align: justify;\">\u00cen 2013, a c\u00e2ntat \u00eempreun\u0103 cu Christoph Waltz \u0219i Lucas Hedges \u00een \u201eThe Zero Theorem\u201d regizat de Terry Gilliam. Au urmat multe alte roluri \u00een teatru \u0219i film. \u00cen 2019 a avut premiera \u00een competi\u021bia principal\u0103 a Festivalul de Film de la Saraievo cu filmul MO\/INDECENCY \u00een regia lui Radu Dragomir, ca actri\u021b\u0103 principal\u0103, rol care i-a adus mai multe nominaliz\u0103ri \u0219i premii pentru cea mai bun\u0103 actri\u021b\u0103 \u0219i, de asemenea, aprecieri interna\u021bionale.<\/p>\n<p style=\"text-align: justify;\">Anul acesta a debutat ca regizor \u0219i scenarist cu scurtmetrajul REMOTE [La distan\u021b\u0103], care a fost deja selectat oficial \u00een competi\u021bie la Namur FIFF, Festivalul Interna\u021bional de Film de la Tirana \u0219i Festivalul european de scurtmetraj de la Nisa.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"lubna\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-7 fusion-flex-container has-pattern-background has-mask-background philibert gradient-container-7 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-11 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-6 .element-bottomshadow:before,.reading-box-container-6 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-6\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Catrinel D\u0103n\u0103ia\u021b\u0103<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\">Catrinel D\u0103n\u0103i\u0103\u021b\u0103 lect. Univ. Dr. at the National University of Theater and Cinematography &#8220;I.L. Caragiale&#8221;, Bucharest &#8211; Faculty of Film (Film Directing Department, production) graduated in 2006 with the specialization in Film and TV Directing at the National University of Theater and Cinematography &#8220;I.L. Caragiale&#8221; &#8211; Bucharest.<\/p>\n<p style=\"text-align: justify;\">In 2015, her debut film &#8220;Dublu&#8221; was selected at the Sarajevo Film Festival &#8211; CineLink Work in Progress Sessions and in 2016 &#8220;Dublu&#8221; had its international premiere at the Karlovy Vary International Film Festival in the East of the West &#8211; Competition. &#8220;Dublu&#8221; circulated in several film festivals both in the country and abroad, it had three nominations at the Gopo Awards Gala (Best Debut Film, Best Picture, Best Actor in a Leading Role), a nomination at the UCIN Awards Gala \u2013 Opera Prima Debut Award &#8220;Alexandru Tatos&#8221; and was distributed by both Romanian and foreign TV stations.<\/p>\n<p style=\"text-align: justify;\">In 2017 Catrinel won the award for the best director in the international section at the Terra di Siena Film Festival.<\/p>\n<p style=\"text-align: justify;\">Catrinel is a member of the European Film Academy, Dacin Sara and UCIN.<\/p>\n<p style=\"text-align: justify;\">In September 2023 the short film I&#8217;M OK WITH YOUR LAST WISH directed by her, won the ex aequo International Short Award at the 27th Terra di Siena International Film Festival.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-12 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-6 hover-type-none has-mask\"><img decoding=\"async\" width=\"1014\" height=\"1102\" title=\"Catrinel D\u0103n\u0103ia\u021b\u0103\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catrinel-Danaiata.jpeg\" alt class=\"img-responsive wp-image-17681\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catrinel-Danaiata-200x217.jpeg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catrinel-Danaiata-400x435.jpeg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catrinel-Danaiata-600x652.jpeg 600w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catrinel-Danaiata-800x869.jpeg 800w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catrinel-Danaiata.jpeg 1014w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-8 fusion-flex-container has-pattern-background has-mask-background corsini gradient-container-8 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-13 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-7 hover-type-none has-mask\"><img decoding=\"async\" width=\"1066\" height=\"1456\" title=\"ammlfdc (1)\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/ammlfdc-1.jpg\" alt class=\"img-responsive wp-image-17984\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/ammlfdc-1-200x273.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/ammlfdc-1-400x546.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/ammlfdc-1-600x820.jpg 600w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/ammlfdc-1-800x1093.jpg 800w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/ammlfdc-1.jpg 1066w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-14 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-7 .element-bottomshadow:before,.reading-box-container-7 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-7\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Anamaria Marinca<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\">Anamaria Marinca is a Romanian stage and screen actress who played main characters in award-winning television and film productions such as <em>Sex Traffic<\/em> (2005) and <em>4 Months, 3 Weeks and 2 Days <\/em>(2007). Throughout her career, she has moved effortlessly between authorial films and blockbuster studio productions. Her latest screen appearances were in <em>Ghost in the Shell,\u00a0 Nico,1988<\/em> (Orizzonti Award in Venice 2017), <em>You Won\u2019t Be Alone<\/em> (which premiered in Sundance 2022), <em>Housekeeping for Beginners<\/em> (Queer Lion in Venice 2023) and in tv series such as <em>Mars, Tin Star\u00a0and\u00a0Temple.<\/em><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"lubna\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-9 fusion-flex-container has-pattern-background has-mask-background philibert gradient-container-9 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-15 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-8 .element-bottomshadow:before,.reading-box-container-8 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-8\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Alina \u0218erban<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\">Alina \u0218erban is a writer, an actress, film director and the first Roma director whose theatre play \u201c<em>The best child in the world\u201d<\/em> entered the permanent repertoire of the National Theatre of Bucharest. Alina was the first one in her family to graduate from Highschool. Nevertheless, she succeeded in obtaining a master\u2019s degree from the Royal Academy of Dramatic Art \u00a0in London, after having graduated from a term at New York University &#8211; Tisch and a BA at the National University of Theatre and Film of Romania. Alina pioneered Roma feminist political theatre in Romania. For the past 14 years, Alina has been using film and theatre against all forms of discrimination in order to create and claim space for untold, marginalized stories. She is the supporting role in the Macedonian film \u201c<em>Housekeeping for beginners\u201d<\/em>, which won an award at Venice Film Festival (2023), it is Macedonia\u2019s choice for the Oscars and it is also nominated for European Film Awards. She received four times the Best Actress Award \u00een Germany for her leading role in \u201c<em>Gipsy Queen\u201d<\/em>, 2020 and a nomination for the German Film Academy Awards (LOLA), 2019. In 2018, Alina represented Romania at\u00a0 Cannes International Film Festival. She made her debut as a filmmaker with \u201c<em>Letter of Forgiveness<\/em> \u201c(2020), the first film about Roma slavery, written from a Roma perspective.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-16 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-8 hover-type-none has-mask\"><img decoding=\"async\" width=\"1066\" height=\"1600\" title=\"alina_serban_lfdc (1)\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/alina_serban_lfdc-1.jpg\" alt class=\"img-responsive wp-image-18011\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/alina_serban_lfdc-1-200x300.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/alina_serban_lfdc-1-400x600.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/alina_serban_lfdc-1-600x901.jpg 600w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/alina_serban_lfdc-1-800x1201.jpg 800w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/alina_serban_lfdc-1.jpg 1066w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"lubna\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-10 fusion-flex-container has-pattern-background has-mask-background philibert gradient-container-10 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-17 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-9 hover-type-none has-mask\"><img decoding=\"async\" width=\"500\" height=\"500\" title=\"Director Photo &#8211; Laura Georgescu Baron -500&#215;500 (1) (1)\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Director-Photo-Laura-Georgescu-Baron-500x500-1-1.png\" alt class=\"img-responsive wp-image-17596\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Director-Photo-Laura-Georgescu-Baron-500x500-1-1-200x200.png 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Director-Photo-Laura-Georgescu-Baron-500x500-1-1-400x400.png 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Director-Photo-Laura-Georgescu-Baron-500x500-1-1.png 500w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-18 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-9 .element-bottomshadow:before,.reading-box-container-9 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-9\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Laura Georgescu Baron <\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\">Catherine Corsini has been a fixture at film festivals since 1999, when her film La Nouvelle \u00c8ve was presented at the Berlin Film Festival followed by La R\u00e9p\u00e9tition, selected in Official Competition at Cannes in 2001. Her seventh film , Leaving\/Partir, starring Kristin Scott Thomas, was a remarkable success in cinemas in France and around the world. It was followed by Three Worlds \/Trois Mondes (2012), Summertime\/La Belle Saison (2016), a love story between two women in 1970s France, and An Impossible Love \/ Un Amour Impossible, adapted from Christine Angot&#8217;s novel of the same name . Two years later, he made The Divide\/La Fracture, a political comedy about the violent protests in France, experienced in the hospital by a woman abandoned by her lover. Catherine Corsini returned to competition at Cannes in 2023 with Le Retour, presented at Les Films de Cannes.<\/p>\n<p style=\"text-align: justify;\">Le Retour follows Kh\u00e9didja, who works for a wealthy Parisian family who sends her to Corsica to look after their children during the summer. She also takes her teenage daughters, Jessica and Farah, with Corsica being the island they left 15 years ago under tragic circumstances. The film is a coming-of-age, emotional and humorous family story that touches and questions the way lies can structure a family.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-17602","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/pages\/17602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/comments?post=17602"}],"version-history":[{"count":21,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/pages\/17602\/revisions"}],"predecessor-version":[{"id":18518,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/pages\/17602\/revisions\/18518"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/media?parent=17602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}