{"id":10833,"date":"2021-10-23T07:27:24","date_gmt":"2021-10-23T07:27:24","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/special-guests\/"},"modified":"2023-10-23T10:13:48","modified_gmt":"2023-10-23T10:13:48","slug":"special-guests","status":"publish","type":"page","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/special-guests\/","title":{"rendered":"Special Guests"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background gradient-container-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-width-medium:100%;--awb-order-medium:0;--awb-width-small:100%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-separator\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-bottom:20px;width:100%;max-width:30%;\"><div class=\"fusion-separator-border sep-shadow\" style=\"--awb-height:20px;--awb-amount:20px;background:radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-webkit-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-moz-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);background:-o-radial-gradient(ellipse at 50% -50% , #e2e2e2 0px, rgba(255, 255, 255, 0) 80%) repeat scroll 0 0 rgba(0, 0, 0, 0);\"><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background philibert gradient-container-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-1 .element-bottomshadow:before,.reading-box-container-1 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-1\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Nicolas Philibert<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Documentary filmmaker internationally renowned, Nicolas Philibert directed his first documentary feature in 1978, <\/span><b><i>His Master&#8217;s Voice<\/i><\/b><span style=\"font-weight: 400;\">, in which a dozen bosses of leading industrial groups (L\u2019Or\u00e9al, IBM, Thomson, Elf\u2026) talk about power, hierarchy, control\u2026 gradually sketching out the image of a future world ruled by the financial sector.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">From 1985 to 1987, he shot various sports adventure films for TV, then started directing documentary features that would all obtain a theatrical release : <\/span><b><i>Louvre City<\/i><\/b><span style=\"font-weight: 400;\"> (1990), <\/span><b><i>In The Land of The Deaf<\/i><\/b><span style=\"font-weight: 400;\"> (1992),<\/span> <b><i>Animals<\/i><\/b><span style=\"font-weight: 400;\"> (1995), <\/span><b><i>Every Little Thing<\/i><\/b> <span style=\"font-weight: 400;\">(1996), <\/span><b><i>Who Knows?<\/i><\/b><span style=\"font-weight: 400;\"> (1999), <\/span><b><i>Back to Normandy<\/i><\/b><span style=\"font-weight: 400;\"> (2006) or <\/span><b><i>N\u00e9nette <\/i><\/b><span style=\"font-weight: 400;\">(2009), about a female orang-utan aged 40, in captivity for 37 years in a parisian zoo.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">In 2002, his film <\/span><b><i>To Be and To Have<\/i><\/b><span style=\"font-weight: 400;\">, about daily life in a &#8220;single class&#8221; school in a mountain village, screened as part of the Official Selection at the Cannes Festival, was a huge success in France and forty other countries.<\/span><\/p>\n<p style=\"text-align: justify;\"><b><i>La Maison de la Radio<\/i><\/b> <span style=\"font-weight: 400;\">(2013) is a journey into the heart of Radio France to discover what usually escapes our gaze : the mysteries and the wings of a media whose very matter, sound, remains invisible.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">With <\/span><b><i>Each and Every Moment<\/i><\/b><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">De chaque instant, 2018<\/span><\/i><span style=\"font-weight: 400;\">), shot in a Nursing Training Institute, Nicolas Philibert pays homage to the nursing profession. And in his new film, <\/span><b><i>On the Adamant<\/i><\/b><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">Sur l\u2019Adamant, 2022<\/span><\/i><span style=\"font-weight: 400;\">), he takes us into psychiatry by filming in an atypical Parisian day center installed on the Seine, in a floating structure.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Since 2002, more than one hundred thirty tributes and retrospectives of his films have been set up all over the world.<\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Photo Nicolas Philibert\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/09\/Photo-Nicolas-Philibert.jpeg\" alt class=\"img-responsive wp-image-16218\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/09\/Photo-Nicolas-Philibert-200x224.jpeg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/09\/Photo-Nicolas-Philibert-400x448.jpeg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/09\/Photo-Nicolas-Philibert.jpeg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><div id=\"ma\u00efwenn\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container has-pattern-background has-mask-background gradient-container-3 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-2 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Ma\u00efwenn\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn.jpg\" alt class=\"img-responsive wp-image-16428\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn-400x448.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Maiwenn.jpg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-2 .element-bottomshadow:before,.reading-box-container-2 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-2\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Ma\u00efwenn<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Born in 1976 in a Parisian suburb, Ma\u00efwenn Le Besco, known by her stage name Ma\u00efwenn, began acting at a very young age. Her first major role came at the age of 6 in <\/span><i><span style=\"font-weight: 400;\">L\u2019\u00e9t\u00e9 meurtrier\/One Deadly Summer<\/span><\/i><span style=\"font-weight: 400;\"> (1983) directed by Jean Becker, alongside Isabelle Adjani. Ten years later, she had a role in <\/span><i><span style=\"font-weight: 400;\">L\u00e9on<\/span><\/i><span style=\"font-weight: 400;\"> (1994) with Natalie Portman. The role that truly established her for a wider audience was her unforgettable appearance as Diva Plavalaguna in Luc Besson&#8217;s international hit <\/span><i><span style=\"font-weight: 400;\">The Fifth Element<\/span><\/i><span style=\"font-weight: 400;\"> (1997). She continued with roles in audience-favorite films like <\/span><i><span style=\"font-weight: 400;\">High Tension\/Haute Tension<\/span><\/i><span style=\"font-weight: 400;\"> (2003) and also in Claude Lelouch&#8217;s <\/span><i><span style=\"font-weight: 400;\">Les Parisiens<\/span><\/i><span style=\"font-weight: 400;\"> (2004) and <\/span><i><span style=\"font-weight: 400;\">Le Courage d&#8217;aimer <\/span><\/i><span style=\"font-weight: 400;\">(2005).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">In 2001, Ma\u00efwenn created and performed in a highly personal one-woman show, <\/span><i><span style=\"font-weight: 400;\">Le Pois Chiche\/The Chickpea<\/span><\/i><span style=\"font-weight: 400;\">. This inspired her directorial debut, <\/span><i><span style=\"font-weight: 400;\">Pardonnez-moi\/Forgive Me<\/span><\/i><span style=\"font-weight: 400;\"> (2006), in which she also played the lead role. This was followed by <\/span><i><span style=\"font-weight: 400;\">Le bal des actrices\/All About Actresses<\/span><\/i><span style=\"font-weight: 400;\"> in 2009, a mockumentary in which Ma\u00efwenn portrays herself as a director, conducting a casting that includes Charlotte Rampling, Julie Depardieu, Karin Viard, and many other well-known figures in French cinema. Her film <\/span><i><span style=\"font-weight: 400;\">Polisse<\/span><\/i><span style=\"font-weight: 400;\"> in 2011 earned her the Jury Prize at Cannes and tremendous success at the box office. In 2015, her film <\/span><i><span style=\"font-weight: 400;\">Mon roi\/My King<\/span><\/i><span style=\"font-weight: 400;\">, on which she worked for 10 years, competed at Cannes. Her next film, <\/span><i><span style=\"font-weight: 400;\">ADN\/DNA<\/span><\/i><span style=\"font-weight: 400;\"> (2020), in which Fanny Ardant plays the mother of Ma\u00efwenn&#8217;s character, was scheduled to premiere at Cannes in 2020 but was postponed due to Covid-19 restrictions. <\/span><i><span style=\"font-weight: 400;\">Jeanne du Barry<\/span><\/i><span style=\"font-weight: 400;\"> opened the Cannes Film Festival in 2023, marking Johnny Depp&#8217;s return to the Croisette, with Ma\u00efwenn in the lead role.<\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"lubna\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 fusion-flex-container has-pattern-background has-mask-background philibert gradient-container-4 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-5 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-3 .element-bottomshadow:before,.reading-box-container-3 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-3\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Lubna Playoust <\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Lubna Playoust is a French filmmaker and actress. Her debut feature film, <\/span><i><span style=\"font-weight: 400;\">Room 999<\/span><\/i><span style=\"font-weight: 400;\">, had its premiere in the official selection in 2023 at Cannes Classics. Additionally, she plays a role in the cast of Canadian director Monia Chokri&#8217;s film <\/span><i><span style=\"font-weight: 400;\">The Nature of Love (Simple comme Sylvain)<\/span><\/i><span style=\"font-weight: 400;\">, which also premiered in 2023 at Cannes in the Un Certain Regard section.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">In 2022, her short film <\/span><i><span style=\"font-weight: 400;\">Le Cormoran<\/span><\/i><span style=\"font-weight: 400;\"> was featured at the Telluride Festival, and in 2021, it garnered recognition at the San Sebastian and Clermont-Ferrand festivals. Currently, Lubna Playoust is in the process of preparing for her next feature film, scheduled to be filmed in Paris in Winter 2023.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Prior to her filmmaking pursuits, Lubna Playoust gained experience working with artists&#8217; collectives and in the fashion industry in Paris. She honed her filmmaking skills through workshops with notable figures such as Abbas Kiarostami, at the Film School in Cuba, and Lucrecia Martel, in Barcelona. Under their guidance, she directed the short films <\/span><i><span style=\"font-weight: 400;\">Zulia<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">O\u00f9 vont les Canards en hiver?<\/span><\/i><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Furthermore, Lubna Playoust is the founder and curator of the mk2 Curiosity platform, which showcases rare cinematic treasures from around the world on a weekly basis.<\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-6 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-3 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Lubna Playoust\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust.jpg\" alt class=\"img-responsive wp-image-16432\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust-400x448.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Lubna-Playoust.jpg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-5 fusion-flex-container has-pattern-background has-mask-background corsini gradient-container-5 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-7 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-4 hover-type-none has-mask\"><img decoding=\"async\" width=\"480\" height=\"538\" title=\"Catherine Corsini\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini.jpg\" alt class=\"img-responsive wp-image-16435\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini-400x448.jpg 400w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Catherine-Corsini.jpg 480w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-8 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-4 .element-bottomshadow:before,.reading-box-container-4 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-4\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Catherine Corsini<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Catherine Corsini became widely known to the public due to her 1999 film, <\/span><i><span style=\"font-weight: 400;\">La Nouvelle \u00c8ve<\/span><\/i><span style=\"font-weight: 400;\">, which was presented at the Berlin Film Festival. <\/span><i><span style=\"font-weight: 400;\">La R\u00e9p\u00e9tition<\/span><\/i><span style=\"font-weight: 400;\"> was selected in the Official Competition at Cannes in 2001. Her seventh film, <\/span><i><span style=\"font-weight: 400;\">Partir<\/span><\/i><span style=\"font-weight: 400;\">, achieved remarkable success in cinemas in France and worldwide, also being featured at the Toronto Film Festival. She returned to Cannes in 2013 with <\/span><i><span style=\"font-weight: 400;\">Trois Mondes<\/span><\/i><span style=\"font-weight: 400;\">, presented in the Un Certain Regard section, and later at Toronto. <\/span><i><span style=\"font-weight: 400;\">La Belle Saison<\/span><\/i><span style=\"font-weight: 400;\">, which won the Variety Piazza Grande Award at Locarno, was nominated in two categories at the 2016 C\u00e9sar Awards. With <\/span><i><span style=\"font-weight: 400;\">Un Amour Impossible<\/span><\/i><span style=\"font-weight: 400;\">, adapted from Christine Angot&#8217;s novel of the same name, Catherine Corsini received the SACD Award, as well as the Henri Langlois and Alice Guy awards. The film was nominated in four categories at the 2019 C\u00e9sar Awards. Two years later, <\/span><i><span style=\"font-weight: 400;\">La Fracture<\/span><\/i><span style=\"font-weight: 400;\"> received six nominations at the C\u00e9sar Awards. Catherine Corsini returns to competition at the 2023 Cannes Film Festival with <\/span><i><span style=\"font-weight: 400;\">Le Retour.<\/span><\/i><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"lubna\" class=\"fusion-container-anchor\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-6 fusion-flex-container has-pattern-background has-mask-background philibert gradient-container-6 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-center fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"max-width:calc( 1300px + );margin-left: calc(- \/ 2 );margin-right: calc(- \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-9 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-width-medium:75%;--awb-order-medium:0;--awb-width-small:75%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-5 .element-bottomshadow:before,.reading-box-container-5 .element-bottomshadow:after{opacity:0.7;}<\/style><div class=\"fusion-reading-box-container reading-box-container-5\" style=\"--awb-title-color:#212934;--awb-margin-top:0px;--awb-margin-bottom:20px;\"><div class=\"reading-box\" style=\"background-color:#f9f9fb;border-width:1px;border-color:rgba(226,226,226,0);border-left-width:3px;border-left-color:var(--primary_color);border-style:solid;\"><h2>Mario Martone<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\">\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Mario Martone began his work in the theater at a very young age. In the 1980s, with his group Falso Movimento (False Movement) he created avant-garde shows contaminated with cinema, which went on long tours worldwide. His first feature film, <\/span><i><span style=\"font-weight: 400;\">Morte di un matematico napoletano (Death of a Neapolitan Mathematician)<\/span><\/i><span style=\"font-weight: 400;\">, was invited to compete at the Venice Film Festival in 1992, where it won the Grand Jury Prize. Three years later he was in competition at Cannes with<\/span><i><span style=\"font-weight: 400;\"> L\u2019amore molesto (Nasty Love)<\/span><\/i><span style=\"font-weight: 400;\">, based on Elena Ferrante&#8217;s first book. He is again in Cannes in 1998 with <\/span><i><span style=\"font-weight: 400;\">Teatro di Guerra (Rehearsal for War)<\/span><\/i><span style=\"font-weight: 400;\">, and in 2004 with <\/span><i><span style=\"font-weight: 400;\">L\u2019odore del sangue (The Scent of Blood)<\/span><\/i><span style=\"font-weight: 400;\">, starring Fanny Ardant. It took him six years to realize one of his most ambitious projects, a long film on the Italian conspiracy in the 19th century, <\/span><i><span style=\"font-weight: 400;\">Noi credevamo (We Believed)<\/span><\/i><span style=\"font-weight: 400;\">, which was presented in 2010 to great public success, followed by an even more considerable success, <\/span><i><span style=\"font-weight: 400;\">Il giovane favoloso (Leopardi)<\/span><\/i><span style=\"font-weight: 400;\">, on the poet Giacomo Leopardi played by Elio Germano, which will bring more than a million spectators to the cinema in Italy, as well as being much loved in France and other countries. The film about a utopian commune of the early twentieth century, <\/span><i><span style=\"font-weight: 400;\">Capri-Revolution<\/span><\/i><span style=\"font-weight: 400;\">, is from 2018. He then made two films intertwined with the world of Neapolitan theatre, <\/span><i><span style=\"font-weight: 400;\">Il sindaco del rione Sanit\u00e0 (The Mayor of Rione Sanit\u00e0)<\/span><\/i><span style=\"font-weight: 400;\"> by Eduardo De Filippo (2019), and <\/span><i><span style=\"font-weight: 400;\">Qui rido io (The King of Laughter) <\/span><\/i><span style=\"font-weight: 400;\">with Toni Servillo in the title role. <\/span><i><span style=\"font-weight: 400;\">Qui rido io<\/span><\/i> <i><span style=\"font-weight: 400;\">(The King of Laughter) <\/span><\/i><span style=\"font-weight: 400;\">is in competition in Venice in 2021, and a few months later Martone is in competition in Cannes with <\/span><i><span style=\"font-weight: 400;\">Nostalgia<\/span><\/i><span style=\"font-weight: 400;\">. Over the years Martone, who constantly alternates between theater and cinema, has also made several short films, documentaries and films in other formats. His most recent documentary, on the director and actor Massimo Troisi, <\/span><i><span style=\"font-weight: 400;\">Laggi\u00f9 qualcuno mi ama<\/span><\/i><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">Somebody down there likes me<\/span><\/i><span style=\"font-weight: 400;\">) was presented in the last edition of the Berlinale.<\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-10 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-width-medium:25%;--awb-order-medium:0;--awb-width-small:25%;--awb-order-small:0;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-mask-url: url(https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/plugins\/fusion-builder\/\/assets\/images\/masks\/mask-17.svg);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-5 hover-type-none has-mask\"><img decoding=\"async\" width=\"400\" height=\"448\" title=\"Martone\" src=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Martone.jpg\" alt class=\"img-responsive wp-image-18963\" srcset=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Martone-200x224.jpg 200w, https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/wp-content\/uploads\/2023\/10\/Martone.jpg 400w\" sizes=\"400px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-10833","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/pages\/10833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/comments?post=10833"}],"version-history":[{"count":45,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/pages\/10833\/revisions"}],"predecessor-version":[{"id":18973,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/pages\/10833\/revisions\/18973"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2023\/en\/wp-json\/wp\/v2\/media?parent=10833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}