{"id":14850,"date":"2022-10-29T14:54:14","date_gmt":"2022-10-29T14:54:14","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/filmminute-x-les-films-de-cannes-a-bucarest-2022\/"},"modified":"2022-10-29T15:20:32","modified_gmt":"2022-10-29T15:20:32","slug":"filmminute-x-les-films-de-cannes-a-bucarest-2022","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/en\/filmminute-x-les-films-de-cannes-a-bucarest-2022\/","title":{"rendered":"Filmminute x Les Films de Cannes \u00e0 Bucarest 2022"},"content":{"rendered":"

<\/div><\/div>

Vote for your favorite one minute film<\/b> | Filminute x Les Films de Cannes \u00e0 Bucarest 2022\u00a0<\/b><\/p>\n

Filminute is the international one-minute film festival that challenges filmmakers, writers, animators, artists, designers, and creative producers to develop and submit the world’s best one-minute films. 60 seconds \u2014 no more, no less. In collaboration with Les Films de Cannes \u00e0 Bucarest, all the 25 films will be screened before the main titles Go between the 21<\/span>st<\/span> \u2013 30<\/span>th<\/span> October.\u00a0<\/span><\/p>\n

The films are eligible for the Audience Award. You can vote your favourite film on <\/span>https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022<\/span><\/a>. The winners will be announced on the 30<\/span>th<\/span> of October at the Closing Gala of Les Films de Cannes \u00e0 Bucarest.<\/span><\/p>\n<\/div>

The films can be also voted in the official competition of Filminute on <\/span>www.<\/span>filminute.com<\/span><\/a>. The winners will be announced on the 15<\/span>th<\/span> of November.<\/span><\/p>\n<\/div>

<\/div><\/div>

CAMARA<\/b><\/span><\/p>\n

COUNTRY:<\/b> UK<\/span><\/p>\n

DIRECTOR:<\/b> Nora Jaccaud<\/span><\/p>\n

SYNOPSIS:<\/b>\u00a0 A refugee tells us of his journey from a brutal existence to a place of opportunity.<\/span><\/p>\n

\n

BLACK POWER IS GREEN POWER<\/b><\/span><\/p>\n

COUNTRY<\/b>: France<\/span><\/p>\n

DIRECTOR:<\/b> Etienne Husson<\/span><\/p>\n

SYNOPSIS:<\/b>\u00a0 A single voice with very few words can inspire a revolution, or many revolutions.<\/span><\/p>\n

\n

PAPER-THIN WALLS<\/b><\/span><\/p>\n

COUNTRY:<\/b> Spain<\/span><\/p>\n

DIRECTOR:<\/b> Ignacio Rod\u00f3<\/span><\/p>\n

SYNOPSIS:<\/b>\u00a0 Two neighbours meet in the elevator.<\/span><\/p>\n

\n

MARS 3752<\/b><\/span><\/p>\n

COUNTRY:<\/b> France<\/span><\/p>\n

DIRECTORS<\/b>: Nicolas Bianco-Levrin<\/span><\/p>\n

SYNOPSIS:<\/b> A delightful low-tech, lo-fi, space odyssey told from a kid\u2019s POV.<\/span><\/p>\n

\n

DADDY<\/b><\/span><\/p>\n

COUNTRY:<\/b> Australia<\/span><\/p>\n

DIRECTOR:<\/b> Noel Vinson<\/span><\/p>\n

SYNOPSIS:<\/b>\u00a0 Hair-raising fun in a faux-gruesome zombie spoof.<\/span><\/p>\n

\n

ECHO<\/b><\/span><\/p>\n

COUNTRY:<\/b> Poland<\/span><\/p>\n

DIRECTOR:<\/b> Jakub Krzyszpin<\/span><\/p>\n

SYNOPSIS:<\/b>\u00a0 Trauma can replay like a film in one\u2019s memory.<\/span><\/p>\n

\n

MELT<\/b><\/span><\/p>\n

COUNTRY: <\/b>Canada\u00a0<\/span><\/p>\n

DIRECTOR: <\/b>Calvin Liu<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>A meditative story about memory, sensation and the power of touch.<\/span><\/p>\n

\n

NIGHT SESSION<\/b><\/span><\/p>\n

COUNTRY: <\/b>Georgia<\/span><\/p>\n

DIRECTOR: <\/b>Petre Tomadze<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>Neighbours sharing a courtyard are both shaped by and indifferent to the domestic violence they witness.<\/span><\/p>\n

\n

NOT FOR SALE<\/b><\/span><\/p>\n

COUNTRY: <\/b>Romania<\/span><\/p>\n

DIRECTOR: <\/b>C\u0103t\u0103lin Bungean<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>A story within a story. A suspenseful drama that remains a mystery\u2026 even at the end.<\/span><\/p>\n

\n

PITCHFORK ANNIE<\/b><\/span><\/p>\n

COUNTRY: <\/b>USA<\/span><\/p>\n

DIRECTOR: <\/b>Erik Weed<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>A curious traveller stops to investigate a strange road sign. Gothic horror ensues.<\/span><\/p>\n

\n

PMS: PREMENSTRUAL SUPERHEARING<\/b><\/span><\/p>\n

COUNTRY: <\/b>UK<\/span><\/p>\n

DIRECTOR: <\/b>Owen Tooth<\/span><\/p>\n

SYNOPSIS:<\/b>\u00a0 Most women who suffer from PMS do not find humour in the experience. This comedy does.<\/span><\/p>\n

\n

SIDE EFFECTS<\/b><\/span><\/p>\n

COUNTRY: <\/b>Colombia<\/span><\/p>\n

DIRECTOR: <\/b>Andr\u00e9s G\u00f3mez Tovar<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>A timely and clever send-up about rumoured vaccination side effects. A cautionary tale.<\/span><\/p>\n

\n

STONELY LANGUAGE<\/b><\/span><\/p>\n

COUNTRY:<\/b> Iran<\/span><\/p>\n

DIRECTOR:<\/b> Reza Saveys<\/span><\/p>\n

SYNOPSIS:<\/b>\u00a0 A person forced to communicate urgently finds a creative and resourceful solution.<\/span><\/p>\n

\n

THE GAME\u00a0<\/b><\/span><\/p>\n

COUNTRY: <\/b>Georgia<\/span><\/p>\n

DIRECTOR: <\/b>Gvanta Sarashvili<\/span><\/p>\n

SYNOPSIS: <\/b>A boy invents a game he can play with his deceased grandfather. The audience gets to play along too.<\/span><\/p>\n

\n

THE BURIED LIFE<\/b><\/span><\/p>\n

COUNTRY:<\/b> Iran\u00a0<\/span><\/p>\n

DIRECTOR: <\/b>Sattar Naserabadi<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>A moving depiction of a young boy whose life is confined and restricted by unfair circumstances.<\/span><\/p>\n

\n

THE GNOME\u00a0<\/b><\/span><\/p>\n

COUNTRY: <\/b>UK<\/span><\/p>\n

DIRECTOR: <\/b>Rory Hern<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>A late-night jogger receives a strange message. The \u2018travelling gnome\u2019 strikes back.<\/span><\/p>\n

\n

TO SAVE A FJORD\u00a0<\/b><\/span><\/p>\n

COUNTRY:<\/b> Norway<\/span><\/p>\n

DIRECTOR:<\/b> Edith Lindtner<\/span><\/p>\n

SYNOPSIS:<\/b>\u00a0 A captivating documentary of a protest against a mining project in Norway.<\/span><\/p>\n

\n

THE FINAL SHOT\u00a0<\/b><\/span><\/p>\n

COUNTRY:<\/b> USA<\/span><\/p>\n

DIRECTOR:<\/b> Justin O\u2019Neill<\/span><\/p>\n

SYNOPSIS:<\/b>\u00a0\u00a0<\/span><\/p>\n

\n

HALTED<\/b><\/span><\/p>\n

COUNTRY:<\/b> Romania<\/span><\/p>\n

DIRECTOR: <\/b>Vlad Bobe<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>The sounds and images of war are reflected in the content of children\u2019s play.<\/span><\/p>\n

\n

THE PAINTER OF FISH\u00a0<\/b><\/span><\/p>\n

COUNTRY: <\/b>Iran<\/span><\/p>\n

DIRECTOR: <\/b>Ashgar Besharati<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>A striking one-shot film that brings focus to environmental issues and child labour practices within the fishing industry.<\/span><\/p>\n

\n

UPSTAIRS\u00a0<\/b><\/span><\/p>\n

COUNTRY: <\/b>Turkey<\/span><\/p>\n

DIRECTOR: <\/b>Seyhan Emrah Nergis<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>Real-time violence competes with a man\u2019s attention to his video game.<\/span><\/p>\n

\n

WOMEN WHO CARRY MEN\u00a0<\/b><\/span><\/p>\n

COUNTRY:<\/b> Brazil<\/span><\/p>\n

DIRECTOR: <\/b>Andr\u00e9a Veruska<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>A public performance of women carrying men. You won\u2019t see this on mainstream media.<\/span><\/p>\n

\n

OH! MOTHER, MOTHER\u2026\u00a0<\/b><\/span><\/p>\n

COUNTRY:<\/b> Georgia<\/span><\/p>\n

DIRECTOR: <\/b>Khatuna Tatuashvili<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>Overprotective parenting taken to the next level.<\/span><\/p>\n

\n

BOTTLE AND PIPE\u00a0<\/b><\/span><\/p>\n

COUNTRY:<\/b> Ukraine<\/span><\/p>\n

DIRECTOR: <\/b>Igor Gladkov<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>When artists and \u2018tiktokers\u2019 collide.<\/span><\/p>\n

\n

LEGACY\u00a0<\/b><\/span><\/p>\n

COUNTRY:<\/b> Russia<\/span><\/p>\n

DIRECTOR: <\/b>Alexandr Krasilnikov<\/span><\/p>\n

SYNOPSIS:\u00a0 <\/b>Mother Nature\u2019s revenge? Or is it something else?<\/span><\/p>\n

\n

 <\/p>\n<\/div><\/div><\/div><\/div><\/div>

VOTE<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14850","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/en\/wp-json\/wp\/v2\/posts\/14850","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/en\/wp-json\/wp\/v2\/comments?post=14850"}],"version-history":[{"count":4,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/en\/wp-json\/wp\/v2\/posts\/14850\/revisions"}],"predecessor-version":[{"id":14858,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/en\/wp-json\/wp\/v2\/posts\/14850\/revisions\/14858"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/en\/wp-json\/wp\/v2\/media?parent=14850"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/en\/wp-json\/wp\/v2\/categories?post=14850"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/en\/wp-json\/wp\/v2\/tags?post=14850"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}