INVITA\u021aI<\/span> SPECIALI<\/span><\/span> <\/span><\/h5><\/div><\/div><\/div>Luc Dardenne<\/h3>\n\n![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/LUC-DARDENNE-1.jpg\")
<\/p>\n
Luc Dardenne was born in Awirs, 10 March 1954.<\/span><\/p>\nLuc had studied philosophy and sociology. During the 1970s the brothers would make a series of politically engaged documentary films before founding their own production company in 1975: \u201cD\u00e9rives\u201d.\u00a0 Some years later, in 1994, they would found their film company: \u201cLes Films du Fleuve\u201d.\u00a0 They made their first full-length film, \u201cFalsch\u201d, in 1987; it was an adaptation of a theatre play concerning the last surviving member of a Jewish family exterminated by the Nazis.\u00a0 The film would mark a major turning point in their career as their first fictional work.<\/span><\/p>\nIn 1992 they directed \u201cJe pense \u00e0 vous\u201d, but would have to wait until 1996 before receiving wider recognition at the \u2018Directors Fortnight\u2019 in Cannes with \u201cLa Promesse\u201d (The Promise).\u00a0 They received their first <\/span>Palme d\u2019Or<\/span><\/i> at the Cannes Film Festival for \u201cRosetta\u201d in 1999.\u00a0 Three years later Olivier Gourmet received the Festival\u2019s Best Actor award for his role in \u201cLe Fils\u201d (The Son).\u00a0 In 2005 the brothers received another Palme d\u2019Or for \u201cL\u2019Enfant\u201d (The Child), thus joining the very exclusive club of filmmakers to have won the Palme d\u2019Or on two occasions.\u00a0 Furthermore at Cannes, they would also receive the 2008 Best Screenplay award for \u201cLe Silence de Lorna\u201d (Lorna\u2019s Silence)\u201d, a drama about clandestine immigrants; and the 2011 <\/span>Grand Prix<\/span><\/i> award for \u201cLe Gamin au V\u00e9lo\u201d (Kid With a Bike).<\/span><\/p>\nAfter this they went on to make \u201cDeux jours, une nuit\u201d (Two Days, One Night) with the actress Marion Cotillard and \u201cLa Fille inconnue\u201d (The Unknown Girl) with Ad\u00e8le Haenel.\u00a0 In 2019 they received the Cannes Film Festival\u2019s Best Director award for \u201cLe Jeune Ahmed\u201d (Young Ahmed), a film about the destiny of a teenager embracing Islamic extremism.<\/span><\/p>\nThe <\/span>Dardenne brothers<\/span><\/i> have won a <\/span>special 75th<\/span><\/i>–<\/span>anniversary<\/span><\/i> prize for ‘TORI AND LOKITA in Cannes Film Festival this year.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>Arnaud Desplechin<\/h3>\n\n![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/Arnaud-Desplechin-1.jpg\")
<\/p>\n
Arnaud Desplechin grew up in the northern French town of Roubaix. He attended the IDHEC film school in Paris and made two short films during his studies. At graduation, he had already written the screenplay for his feature d\u00e9but <\/span>La sentinelle <\/span><\/i>(1992<\/span>)<\/span><\/i>, which would world premiere in the official competition of the 45<\/span>th<\/span> edition of Cannes Film Festival. He then made <\/span>My Sex Life… or How I Got into an Argument<\/span><\/i> (1996), which introduced a new generation of actors and received the C\u00e9sar trophy for Most Promising Actor for Mathieu Amalric\u2019s performance. In 2016 Arnaud received a C\u00e9sar for Best Directing for <\/span>My Golden Days<\/span><\/i>. His most recent feature is <\/span>Brother and Sister<\/span><\/i>, which world premiered this year in the official competition at Cannes Film Festival.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>Tarik Saleh<\/h3>\n\n![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/Tarik-Saleh-1.jpg\")
<\/p>\n
Tarik Saleh started as one of the top graffiti artists in Stockholm in the 80\u2019s. He directed and wrote the screenplay for The Nile Hilton Incident that won \u2018The Grand Jury Prize\u2019 at Sundance 2017, received a Guldbagge Award for \u2018Best Film\u2019 in 2018, was nominated as \u2018Best Foreign Film\u2019 at the C\u00e9sar Awards and was a box office hit with more than 400,000 tickets sold in France. <\/span><\/p>\nHe directed action thriller, The Contractor (2022) with staring Chris Pine, Ben Foster and Kiefer Sutherland. Several episodes of the futuristic HBO-series Westworld (2018) and Showtimes-series Ray Donovan. The thriller Tommy (2014) with Ola Rapace, Moa Gammel and singer-songwriter Lykke Li for whom he also directed the music video I Follow Rivers that have about 80 million views on YouTube. His film debut came with Metropia (2009), a dystopic animation with Stellan Skarsg\u00e5rd, Juliette Lewis, Vincent Gallo and Udo Kier. <\/span><\/p>\nThe film premiered at the Venice Film Festival as the opening film for Critics\u2019 Week. Tarik Saleh also directed the documentaries Gitmo: The New Rules of War (2005) and Sacrificio: Who Betrayed Che Guevara (2001) together with Erik Gandini. Tarik Saleh founded the production company Atmo with producer Kristina \u00c5berg.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>St\u00e9phane Briz\u00e9<\/h3>\n\n![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/BRLFDC-1.jpg\")
<\/p>\n
St\u00e9phane Briz\u00e9 was born in 1966. He has directed nine features, among them <\/span>Not Here to Be Loved<\/span><\/i>, <\/span>Mademoiselle Chambon<\/span><\/i> (C\u00e9sar Award for Best Adapted Screenplay in 2010), <\/span>A Few Hours of Spring<\/span><\/i> and <\/span>The Measure of a Man<\/span><\/i>. The latter was selected in the official competition at the 2015 Cannes Film Festival, where Vincent Lindon won the Best Actor Award, followed by a C\u00e9sar. <\/span>A Woman’s Life<\/span><\/i>, the adaptation of Maupassant’s novel of the same title, followed. This film had its world premiere in the main competition at the Venice Film Festival in 2016, later winning the Louis Delluc Award. <\/span><\/p>\nIn 2018 his next film <\/span>At War<\/span><\/i> screened in the competition at Cannes. Several of these films explore the financialization of economy showing the effects of this trend on regular people. <\/span>Another World<\/span><\/i>, his newest film, was shown in the competition at the Venice Film Festival in 2021 and later became a box office hit in France when it was released in February 2022.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>Thomas Salvador<\/h3>\n\n![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/THOMAS-SALVADOR-1.jpg\")
<\/p>\n
Thomas Salvador is a filmmaker, screenwriter, and actor in his own films. He has directed six short films that have been selected and awarded in numerous festivals, including <\/span>Petits pas<\/span><\/i> (Cannes Directors\u2019 Fortnight) and <\/span>De sortie<\/span><\/i> (Jean Vigo Prize 2006). Hosted at the Villa Medici in Rome, he wrote his first feature film <\/span>Vincent<\/span><\/i>, released in 2015 and selected in more than forty festivals in France and abroad. His second feature, <\/span>The Mountain<\/span><\/i>, world premiered at this year\u2019s Cannes Film Festival, winning the SACD Award.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>Stefano Francia di Celle<\/h3>\n\n![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/Stefano-Francia-di-Celle-1-1.jpg\")
<\/p>\n
Italian, born in Turin on February 22, 1966<\/span>
\n<\/span><\/p>\nStefano Francia di Celle is a cultural manager, film historian, and curator. He studied in Turin, receiving a Bachelor’s of Arts degree in film history and critique (with honors and publication recommended). At an early age, he began collaborating with important film institutions, in Turin and throughout Italy: Festival da Sodoma a Hollywood, National Film Archive of the Resistance, Festival Internazionale Cinema Giovani, Taormina Film Fest, Bellaria Film Festival, Rai Radiotelevisione Italiana. He curated retrospectives and monographs for the Torino Film Festival from 2003 to 2010, organizing events which saw the participation of important directors such as Roman Polanski, Wim Wenders, and Claude Chabrol.<\/span><\/p>\nHis collaboration with Rai became steady in 1996, when he began a bright and rising career overseeing the programming of movies, art house cinema, and cultural programs for Rai3. This role allowed him to develop curatorial facets in a popularizing key and to bring to light and further develop his managerial talents.<\/span><\/p>\nBetween 2004 and 2010, he was the president and producer of <\/span>Il Vento del Cinema<\/span><\/i> at Procida, an event dedicated to the interaction between film and philosophy, attended by important directors and internationally-famous philosophers.<\/span><\/p>\nIn 2008, he began collaborating with the Fondazione Prada on film projects, high points of which saw the participation of Alejandro Gonz\u00e1lez I\u00f1arritu, Agn\u00e8s Varda, Nicolas Winding Refn, Bernardo Bertolucci, and Pedro Almod\u00f3var. He thus has experience in dealing with celebrities and is familiar with the logic of brand sponsorship for film-related cultural initiatives.<\/span><\/p>\nSince 2012, he has been collaborating with the Venice International Film Festival as the curator of the section <\/span>Venice Classics<\/span><\/i>.<\/span><\/p>\nHe has been artistic director of Torino Film Festival in 2020 and 2021.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>MANAGING<\/span> TALENTS<\/span><\/span> <\/span><\/h5><\/div><\/div><\/div>Teodora Ana Mihai<\/h3>\n
![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/Teodora-Ana-Mihai.jpeg\")
<\/p>\n
Teodora Ana Mihai was born in Bucharest, under Ceausescu\u2019s regime. In 1989 she joined her parents who had fled to Belgium the year before. She discovered her love for cinema as a high school student in San Francisco, California and went on to study film at Sarah Lawrence College, in upstate New York. Upon returning to Belgium, she started working in the industry as a script supervisor and assistant director. However, after several years on diverse film sets, Teodora decided to dedicate herself to her own film projects.<\/p>\n
After directing her debut documentary Waiting for August, awarded with over 10 international prizes (amongst which Best Feature Documentary at Karlovy Vary IFF and Hot Docs) and later on nominated for the European Film Awards, Teodora directed her first fiction feature, La Civil, which premiered in Cannes Film Festival\u2019s Un Certain Regard competition in 2021 and won the Prix de l\u2019Audace (Audacity award). Teodora\u2019s films take on the challenge of striking a balance between social relevance and audiovisual poetry<\/p>\n<\/div>
<\/div><\/div>Dr. David Zitzlsperger<\/h3>\n\n![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/Dr.-David-Zitzlsperger.jpg\")
<\/p>\n
Dr. David Zitzlsperger is CEO of the German based Denkungsart GmbH, a LLC specialised on software as a service (SAAS) digitalisation of production processes in the media industry.<\/span><\/div>\n\u00a0<\/span><\/div>\nDenkungsart licenses its SAAS to Film Commissions, regional Film-Offices, and large Production Companies. Key customers are UFA, Beta Film with subsidiaries as Seapoint, Bantry Bay,\u00a0<\/span>Brot&Butter; All3media with subsidiaries as filmpool, Medienboard Berlin Brandenburg, Berlin Brandenburg Film Commission, Constantin Entertainment and SevenOne Media.<\/span><\/div>\n\u00a0<\/span><\/div>\nDenkungsart runs its own SAAS \u201cCastupload\u201d (<\/span>www.castupload.com<\/span><\/a>) and \u201cfilmmakers\u201d (<\/span>www.filmmakers.de<\/span><\/a>). These networks are exclusive for professional filmmakers especially catering to actors, agents, and casting directors. Together they represent the largest pool of professional actors, agents, and casting directors in the EU. Most of the relevant EU based roles are cast directly or indirectly through filmmakers or Castupload. The networks are used for productions ranging from small local student-films all the way to feature films. They are vetted for use by international studios, production companies and streamers as Netflix and AMAZON Studios. Recently ARDA (the French Casting Directors Association) announced to officially work with Castupload.<\/span><\/div>\n\u00a0<\/span><\/div>\nKey for Denkungsart is the direct partnership with the regional associations of actors, agents, casting directors and producers. The software offering to local film-commissions\/offices, allows smaller regions also outside the EU to integrate directly into the established network of filmmakers working with the systems on their film, TV, Theatre, and advertising projects.<\/span><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>WORK IN <\/span> PROGRESS<\/span><\/span> <\/span><\/h5><\/div><\/div><\/div>Paolo Bertolin<\/h3>\n
![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/Paolo-Bertolin-1.jpg\")
<\/p>\n
Paolo Bertolin is a film programmer, critic and producer. He has been a\u00a0film selector for the Venice International\u00a0Film Festival since 2008.\u00a0He worked as Artistic Consultant for Locarno Open Doors between 2016 and 2021. In 2019 and 2020, he\u00a0also\u00a0joined the selection\u00a0committee of Cannes’ Directors’ Fortnight. He has collaborated with international\u00a0film institutions and festivals\u00a0such as the Doha Film Institute, IFFRotterdam,\u00a0the\u00a0Beijing IFF, Mumbai FF, Hanoi IFF, IFFBratislava, Nyon Visions du R\u00e9el, Udine Far East Film Festival\u00a0and Torino FF.\u00a0He is a member of the Asia Pacific Screen Awards Academy and of the European Film Academy.\u00a0As a journalist and film reviewer, he wrote for Italian and international publications, including \u201cil manifesto\u201d, \u201cCineforum\u201d, \u201cSegnocinema\u201d, \u201cThe Korea Times\u201d, \u201cCahiers du Cin\u00e9ma\u201d, \u201cPositif\u201d and \u201cSenses of Cinema\u201d.\u00a0He also has credits as film producer on, among others,\u00a0Big Father, Small Father and Other Stories\u00a0by Phan Dang Di (Vietnam, 2015),\u00a0Chitrashala\u00a0by Amit Dutta (India, 2015) and\u00a0A Lullaby to the Sorrowful Mystery\u00a0by Lav Diaz (Philippines, 2016).<\/p>\n<\/div>
<\/div><\/div>Giovanni Marchini Camia<\/h3>\n![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/Giovanni-Marchini-Camia-1.jpg\")
Giovanni Marchini Camia is a member of the Locarno Film Festival\u2019s selection committee for feature films, as well as the co-founder of the publishing house Fireflies Press and a film critic for publications including Sight & Sound and Film Comment.<\/p>\n<\/div>\n<\/div><\/div><\/div>Lorenzo Esposito<\/h3>\n\n![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/Lorenzo-Esposito-1.jpg\")
<\/p>\n
Lorenzo Esposito is a programmer and curator. He is a member of the selection committee of the Berlin International Film Festival. He is also currently an international consultant on Italy to the Karlovy Vary International Film Festival, and is the editor of the online cinema magazine \u201cFilm Parlato\u201d. From 2013 to 2018 he was a member of the selection committee of the Locarno Film Festival. Previously he worked on programmes for the film festivals in Venice (2001), Turin (from 2002 to 2006) and the Rome Film Fest in 2007. In 2003 he began working for \u201cFuori Orario\u201d, a programme broadcast by the Italian public TV channel Rai 3, curating shows about films and directors.<\/p>\n<\/div>\n<\/div>
<\/div><\/div>Herv\u00e9 Aubron<\/h3>\n\n![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/Herve-Aubron-1-1.jpg\")
<\/p>\n
Former editor-in-chief of the Magazine litt\u00e9raire, Herv\u00e9 Aubron is a critic for Cahiers du cin\u00e9ma and a selector for the Quinzaine des cin\u00e9astes. He has long taught cinema at the University of Paris 3-Sorbonne Nouvelle and intervenes as a trainer or lecturer in cinemas and for various institutions (Cin\u00e9math\u00e8que fran\u00e7aise, Centre Georges-Pompidou, Forum des images…). He is also the author of essays on David Lynch and the Pixar studios, as well as two books devoted to Werner Herzog, in collaboration with Emmanuel Burdeau.<\/p>\n<\/div>\n<\/div>
<\/div><\/div>Evgeny Gusyatinskiy<\/h3>\n\n![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/Evgeny-Gusyatinskiy-1.jpg\")
<\/p>\n
Evgeny Gusyatinskiy is a programmer of International Film Festival Rotterdam and a frequent writer on films and culture.<\/p>\n
He did his MA in film studies in Moscow at VGIK and for several years worked as an editor as well as contributor of Iskusstvo Kino (Film Art Monthly), one of the oldest film magazines in Europe. He is also a member of the selection committee of Kinotavr Film Festival (Sochi).<\/p>\n<\/div>\n<\/div>
<\/div><\/div>Alessandro del Vigna<\/h3>\n\n![\"\"](\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2022\/wp-content\/uploads\/2022\/10\/Alessandro-del-Vigna-1-1.jpg\")
<\/p>\n
Alessandro Del Vigna (b. 1993) is an Italian-Romanian producer and writer. He is an executive producer of Ruben \u00d6stlund\u2019s Triangle of Sadness, which received the Palme d\u2019Or at the 2022 Cannes Film Festival. He is an executive producer of Abel Ferrara\u2019s Siberia, which received a Golden Bear nomination after it premiered at the 70th Berlin Film Festival.<\/p>\n
He is a co-founder of the production company Fantasmagoria. He is a former film critic who has contributed articles and interviews with William Friedkin, Joe Dante, Bret Easton Ellis, and Emir Kusturica to La Septi\u00e8me Obsession and Positive Magazine.<\/p>\n<\/div>\n<\/div>
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Luc Dardenne<\/h3>\n\n<\/p>\n
Luc Dardenne was born in Awirs, 10 March 1954.<\/span><\/p>\nLuc had studied philosophy and sociology. During the 1970s the brothers would make a series of politically engaged documentary films before founding their own production company in 1975: \u201cD\u00e9rives\u201d.\u00a0 Some years later, in 1994, they would found their film company: \u201cLes Films du Fleuve\u201d.\u00a0 They made their first full-length film, \u201cFalsch\u201d, in 1987; it was an adaptation of a theatre play concerning the last surviving member of a Jewish family exterminated by the Nazis.\u00a0 The film would mark a major turning point in their career as their first fictional work.<\/span><\/p>\nIn 1992 they directed \u201cJe pense \u00e0 vous\u201d, but would have to wait until 1996 before receiving wider recognition at the \u2018Directors Fortnight\u2019 in Cannes with \u201cLa Promesse\u201d (The Promise).\u00a0 They received their first <\/span>Palme d\u2019Or<\/span><\/i> at the Cannes Film Festival for \u201cRosetta\u201d in 1999.\u00a0 Three years later Olivier Gourmet received the Festival\u2019s Best Actor award for his role in \u201cLe Fils\u201d (The Son).\u00a0 In 2005 the brothers received another Palme d\u2019Or for \u201cL\u2019Enfant\u201d (The Child), thus joining the very exclusive club of filmmakers to have won the Palme d\u2019Or on two occasions.\u00a0 Furthermore at Cannes, they would also receive the 2008 Best Screenplay award for \u201cLe Silence de Lorna\u201d (Lorna\u2019s Silence)\u201d, a drama about clandestine immigrants; and the 2011 <\/span>Grand Prix<\/span><\/i> award for \u201cLe Gamin au V\u00e9lo\u201d (Kid With a Bike).<\/span><\/p>\nAfter this they went on to make \u201cDeux jours, une nuit\u201d (Two Days, One Night) with the actress Marion Cotillard and \u201cLa Fille inconnue\u201d (The Unknown Girl) with Ad\u00e8le Haenel.\u00a0 In 2019 they received the Cannes Film Festival\u2019s Best Director award for \u201cLe Jeune Ahmed\u201d (Young Ahmed), a film about the destiny of a teenager embracing Islamic extremism.<\/span><\/p>\nThe <\/span>Dardenne brothers<\/span><\/i> have won a <\/span>special 75th<\/span><\/i>–<\/span>anniversary<\/span><\/i> prize for ‘TORI AND LOKITA in Cannes Film Festival this year.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>Arnaud Desplechin<\/h3>\n\n<\/p>\n
Arnaud Desplechin grew up in the northern French town of Roubaix. He attended the IDHEC film school in Paris and made two short films during his studies. At graduation, he had already written the screenplay for his feature d\u00e9but <\/span>La sentinelle <\/span><\/i>(1992<\/span>)<\/span><\/i>, which would world premiere in the official competition of the 45<\/span>th<\/span> edition of Cannes Film Festival. He then made <\/span>My Sex Life… or How I Got into an Argument<\/span><\/i> (1996), which introduced a new generation of actors and received the C\u00e9sar trophy for Most Promising Actor for Mathieu Amalric\u2019s performance. In 2016 Arnaud received a C\u00e9sar for Best Directing for <\/span>My Golden Days<\/span><\/i>. His most recent feature is <\/span>Brother and Sister<\/span><\/i>, which world premiered this year in the official competition at Cannes Film Festival.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>Tarik Saleh<\/h3>\n\n<\/p>\n
Tarik Saleh started as one of the top graffiti artists in Stockholm in the 80\u2019s. He directed and wrote the screenplay for The Nile Hilton Incident that won \u2018The Grand Jury Prize\u2019 at Sundance 2017, received a Guldbagge Award for \u2018Best Film\u2019 in 2018, was nominated as \u2018Best Foreign Film\u2019 at the C\u00e9sar Awards and was a box office hit with more than 400,000 tickets sold in France. <\/span><\/p>\nHe directed action thriller, The Contractor (2022) with staring Chris Pine, Ben Foster and Kiefer Sutherland. Several episodes of the futuristic HBO-series Westworld (2018) and Showtimes-series Ray Donovan. The thriller Tommy (2014) with Ola Rapace, Moa Gammel and singer-songwriter Lykke Li for whom he also directed the music video I Follow Rivers that have about 80 million views on YouTube. His film debut came with Metropia (2009), a dystopic animation with Stellan Skarsg\u00e5rd, Juliette Lewis, Vincent Gallo and Udo Kier. <\/span><\/p>\nThe film premiered at the Venice Film Festival as the opening film for Critics\u2019 Week. Tarik Saleh also directed the documentaries Gitmo: The New Rules of War (2005) and Sacrificio: Who Betrayed Che Guevara (2001) together with Erik Gandini. Tarik Saleh founded the production company Atmo with producer Kristina \u00c5berg.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>St\u00e9phane Briz\u00e9<\/h3>\n\n<\/p>\n
St\u00e9phane Briz\u00e9 was born in 1966. He has directed nine features, among them <\/span>Not Here to Be Loved<\/span><\/i>, <\/span>Mademoiselle Chambon<\/span><\/i> (C\u00e9sar Award for Best Adapted Screenplay in 2010), <\/span>A Few Hours of Spring<\/span><\/i> and <\/span>The Measure of a Man<\/span><\/i>. The latter was selected in the official competition at the 2015 Cannes Film Festival, where Vincent Lindon won the Best Actor Award, followed by a C\u00e9sar. <\/span>A Woman’s Life<\/span><\/i>, the adaptation of Maupassant’s novel of the same title, followed. This film had its world premiere in the main competition at the Venice Film Festival in 2016, later winning the Louis Delluc Award. <\/span><\/p>\nIn 2018 his next film <\/span>At War<\/span><\/i> screened in the competition at Cannes. Several of these films explore the financialization of economy showing the effects of this trend on regular people. <\/span>Another World<\/span><\/i>, his newest film, was shown in the competition at the Venice Film Festival in 2021 and later became a box office hit in France when it was released in February 2022.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>Thomas Salvador<\/h3>\n\n<\/p>\n
Thomas Salvador is a filmmaker, screenwriter, and actor in his own films. He has directed six short films that have been selected and awarded in numerous festivals, including <\/span>Petits pas<\/span><\/i> (Cannes Directors\u2019 Fortnight) and <\/span>De sortie<\/span><\/i> (Jean Vigo Prize 2006). Hosted at the Villa Medici in Rome, he wrote his first feature film <\/span>Vincent<\/span><\/i>, released in 2015 and selected in more than forty festivals in France and abroad. His second feature, <\/span>The Mountain<\/span><\/i>, world premiered at this year\u2019s Cannes Film Festival, winning the SACD Award.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>Stefano Francia di Celle<\/h3>\n\n<\/p>\n
Italian, born in Turin on February 22, 1966<\/span>
\n<\/span><\/p>\nStefano Francia di Celle is a cultural manager, film historian, and curator. He studied in Turin, receiving a Bachelor’s of Arts degree in film history and critique (with honors and publication recommended). At an early age, he began collaborating with important film institutions, in Turin and throughout Italy: Festival da Sodoma a Hollywood, National Film Archive of the Resistance, Festival Internazionale Cinema Giovani, Taormina Film Fest, Bellaria Film Festival, Rai Radiotelevisione Italiana. He curated retrospectives and monographs for the Torino Film Festival from 2003 to 2010, organizing events which saw the participation of important directors such as Roman Polanski, Wim Wenders, and Claude Chabrol.<\/span><\/p>\nHis collaboration with Rai became steady in 1996, when he began a bright and rising career overseeing the programming of movies, art house cinema, and cultural programs for Rai3. This role allowed him to develop curatorial facets in a popularizing key and to bring to light and further develop his managerial talents.<\/span><\/p>\nBetween 2004 and 2010, he was the president and producer of <\/span>Il Vento del Cinema<\/span><\/i> at Procida, an event dedicated to the interaction between film and philosophy, attended by important directors and internationally-famous philosophers.<\/span><\/p>\nIn 2008, he began collaborating with the Fondazione Prada on film projects, high points of which saw the participation of Alejandro Gonz\u00e1lez I\u00f1arritu, Agn\u00e8s Varda, Nicolas Winding Refn, Bernardo Bertolucci, and Pedro Almod\u00f3var. He thus has experience in dealing with celebrities and is familiar with the logic of brand sponsorship for film-related cultural initiatives.<\/span><\/p>\nSince 2012, he has been collaborating with the Venice International Film Festival as the curator of the section <\/span>Venice Classics<\/span><\/i>.<\/span><\/p>\nHe has been artistic director of Torino Film Festival in 2020 and 2021.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>MANAGING<\/span> TALENTS<\/span><\/span> <\/span><\/h5><\/div><\/div><\/div>Teodora Ana Mihai<\/h3>\n
<\/p>\n
Teodora Ana Mihai was born in Bucharest, under Ceausescu\u2019s regime. In 1989 she joined her parents who had fled to Belgium the year before. She discovered her love for cinema as a high school student in San Francisco, California and went on to study film at Sarah Lawrence College, in upstate New York. Upon returning to Belgium, she started working in the industry as a script supervisor and assistant director. However, after several years on diverse film sets, Teodora decided to dedicate herself to her own film projects.<\/p>\n
After directing her debut documentary Waiting for August, awarded with over 10 international prizes (amongst which Best Feature Documentary at Karlovy Vary IFF and Hot Docs) and later on nominated for the European Film Awards, Teodora directed her first fiction feature, La Civil, which premiered in Cannes Film Festival\u2019s Un Certain Regard competition in 2021 and won the Prix de l\u2019Audace (Audacity award). Teodora\u2019s films take on the challenge of striking a balance between social relevance and audiovisual poetry<\/p>\n<\/div>
<\/div><\/div>Dr. David Zitzlsperger<\/h3>\n\n<\/p>\n
Dr. David Zitzlsperger is CEO of the German based Denkungsart GmbH, a LLC specialised on software as a service (SAAS) digitalisation of production processes in the media industry.<\/span><\/div>\n\u00a0<\/span><\/div>\nDenkungsart licenses its SAAS to Film Commissions, regional Film-Offices, and large Production Companies. Key customers are UFA, Beta Film with subsidiaries as Seapoint, Bantry Bay,\u00a0<\/span>Brot&Butter; All3media with subsidiaries as filmpool, Medienboard Berlin Brandenburg, Berlin Brandenburg Film Commission, Constantin Entertainment and SevenOne Media.<\/span><\/div>\n\u00a0<\/span><\/div>\nDenkungsart runs its own SAAS \u201cCastupload\u201d (<\/span>www.castupload.com<\/span><\/a>) and \u201cfilmmakers\u201d (<\/span>www.filmmakers.de<\/span><\/a>). These networks are exclusive for professional filmmakers especially catering to actors, agents, and casting directors. Together they represent the largest pool of professional actors, agents, and casting directors in the EU. Most of the relevant EU based roles are cast directly or indirectly through filmmakers or Castupload. The networks are used for productions ranging from small local student-films all the way to feature films. They are vetted for use by international studios, production companies and streamers as Netflix and AMAZON Studios. Recently ARDA (the French Casting Directors Association) announced to officially work with Castupload.<\/span><\/div>\n\u00a0<\/span><\/div>\nKey for Denkungsart is the direct partnership with the regional associations of actors, agents, casting directors and producers. The software offering to local film-commissions\/offices, allows smaller regions also outside the EU to integrate directly into the established network of filmmakers working with the systems on their film, TV, Theatre, and advertising projects.<\/span><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>WORK IN <\/span> PROGRESS<\/span><\/span> <\/span><\/h5><\/div><\/div><\/div>Paolo Bertolin<\/h3>\n
<\/p>\n
Paolo Bertolin is a film programmer, critic and producer. He has been a\u00a0film selector for the Venice International\u00a0Film Festival since 2008.\u00a0He worked as Artistic Consultant for Locarno Open Doors between 2016 and 2021. In 2019 and 2020, he\u00a0also\u00a0joined the selection\u00a0committee of Cannes’ Directors’ Fortnight. He has collaborated with international\u00a0film institutions and festivals\u00a0such as the Doha Film Institute, IFFRotterdam,\u00a0the\u00a0Beijing IFF, Mumbai FF, Hanoi IFF, IFFBratislava, Nyon Visions du R\u00e9el, Udine Far East Film Festival\u00a0and Torino FF.\u00a0He is a member of the Asia Pacific Screen Awards Academy and of the European Film Academy.\u00a0As a journalist and film reviewer, he wrote for Italian and international publications, including \u201cil manifesto\u201d, \u201cCineforum\u201d, \u201cSegnocinema\u201d, \u201cThe Korea Times\u201d, \u201cCahiers du Cin\u00e9ma\u201d, \u201cPositif\u201d and \u201cSenses of Cinema\u201d.\u00a0He also has credits as film producer on, among others,\u00a0Big Father, Small Father and Other Stories\u00a0by Phan Dang Di (Vietnam, 2015),\u00a0Chitrashala\u00a0by Amit Dutta (India, 2015) and\u00a0A Lullaby to the Sorrowful Mystery\u00a0by Lav Diaz (Philippines, 2016).<\/p>\n<\/div>
<\/div><\/div>Giovanni Marchini Camia<\/h3>\nGiovanni Marchini Camia is a member of the Locarno Film Festival\u2019s selection committee for feature films, as well as the co-founder of the publishing house Fireflies Press and a film critic for publications including Sight & Sound and Film Comment.<\/p>\n<\/div>\n<\/div><\/div><\/div>Lorenzo Esposito<\/h3>\n\n<\/p>\n
Lorenzo Esposito is a programmer and curator. He is a member of the selection committee of the Berlin International Film Festival. He is also currently an international consultant on Italy to the Karlovy Vary International Film Festival, and is the editor of the online cinema magazine \u201cFilm Parlato\u201d. From 2013 to 2018 he was a member of the selection committee of the Locarno Film Festival. Previously he worked on programmes for the film festivals in Venice (2001), Turin (from 2002 to 2006) and the Rome Film Fest in 2007. In 2003 he began working for \u201cFuori Orario\u201d, a programme broadcast by the Italian public TV channel Rai 3, curating shows about films and directors.<\/p>\n<\/div>\n<\/div>
<\/div><\/div>Herv\u00e9 Aubron<\/h3>\n\n<\/p>\n
Former editor-in-chief of the Magazine litt\u00e9raire, Herv\u00e9 Aubron is a critic for Cahiers du cin\u00e9ma and a selector for the Quinzaine des cin\u00e9astes. He has long taught cinema at the University of Paris 3-Sorbonne Nouvelle and intervenes as a trainer or lecturer in cinemas and for various institutions (Cin\u00e9math\u00e8que fran\u00e7aise, Centre Georges-Pompidou, Forum des images…). He is also the author of essays on David Lynch and the Pixar studios, as well as two books devoted to Werner Herzog, in collaboration with Emmanuel Burdeau.<\/p>\n<\/div>\n<\/div>
<\/div><\/div>Evgeny Gusyatinskiy<\/h3>\n\n<\/p>\n
Evgeny Gusyatinskiy is a programmer of International Film Festival Rotterdam and a frequent writer on films and culture.<\/p>\n
He did his MA in film studies in Moscow at VGIK and for several years worked as an editor as well as contributor of Iskusstvo Kino (Film Art Monthly), one of the oldest film magazines in Europe. He is also a member of the selection committee of Kinotavr Film Festival (Sochi).<\/p>\n<\/div>\n<\/div>
<\/div><\/div>Alessandro del Vigna<\/h3>\n\n<\/p>\n
Alessandro Del Vigna (b. 1993) is an Italian-Romanian producer and writer. He is an executive producer of Ruben \u00d6stlund\u2019s Triangle of Sadness, which received the Palme d\u2019Or at the 2022 Cannes Film Festival. He is an executive producer of Abel Ferrara\u2019s Siberia, which received a Golden Bear nomination after it premiered at the 70th Berlin Film Festival.<\/p>\n
He is a co-founder of the production company Fantasmagoria. He is a former film critic who has contributed articles and interviews with William Friedkin, Joe Dante, Bret Easton Ellis, and Emir Kusturica to La Septi\u00e8me Obsession and Positive Magazine.<\/p>\n<\/div>\n<\/div>
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<\/p>\n
Luc Dardenne was born in Awirs, 10 March 1954.<\/span><\/p>\n Luc had studied philosophy and sociology. During the 1970s the brothers would make a series of politically engaged documentary films before founding their own production company in 1975: \u201cD\u00e9rives\u201d.\u00a0 Some years later, in 1994, they would found their film company: \u201cLes Films du Fleuve\u201d.\u00a0 They made their first full-length film, \u201cFalsch\u201d, in 1987; it was an adaptation of a theatre play concerning the last surviving member of a Jewish family exterminated by the Nazis.\u00a0 The film would mark a major turning point in their career as their first fictional work.<\/span><\/p>\n In 1992 they directed \u201cJe pense \u00e0 vous\u201d, but would have to wait until 1996 before receiving wider recognition at the \u2018Directors Fortnight\u2019 in Cannes with \u201cLa Promesse\u201d (The Promise).\u00a0 They received their first <\/span>Palme d\u2019Or<\/span><\/i> at the Cannes Film Festival for \u201cRosetta\u201d in 1999.\u00a0 Three years later Olivier Gourmet received the Festival\u2019s Best Actor award for his role in \u201cLe Fils\u201d (The Son).\u00a0 In 2005 the brothers received another Palme d\u2019Or for \u201cL\u2019Enfant\u201d (The Child), thus joining the very exclusive club of filmmakers to have won the Palme d\u2019Or on two occasions.\u00a0 Furthermore at Cannes, they would also receive the 2008 Best Screenplay award for \u201cLe Silence de Lorna\u201d (Lorna\u2019s Silence)\u201d, a drama about clandestine immigrants; and the 2011 <\/span>Grand Prix<\/span><\/i> award for \u201cLe Gamin au V\u00e9lo\u201d (Kid With a Bike).<\/span><\/p>\n After this they went on to make \u201cDeux jours, une nuit\u201d (Two Days, One Night) with the actress Marion Cotillard and \u201cLa Fille inconnue\u201d (The Unknown Girl) with Ad\u00e8le Haenel.\u00a0 In 2019 they received the Cannes Film Festival\u2019s Best Director award for \u201cLe Jeune Ahmed\u201d (Young Ahmed), a film about the destiny of a teenager embracing Islamic extremism.<\/span><\/p>\n The <\/span>Dardenne brothers<\/span><\/i> have won a <\/span>special 75th<\/span><\/i>–<\/span>anniversary<\/span><\/i> prize for ‘TORI AND LOKITA in Cannes Film Festival this year.<\/span><\/p>\n<\/div>\n<\/div> Arnaud Desplechin grew up in the northern French town of Roubaix. He attended the IDHEC film school in Paris and made two short films during his studies. At graduation, he had already written the screenplay for his feature d\u00e9but <\/span>La sentinelle <\/span><\/i>(1992<\/span>)<\/span><\/i>, which would world premiere in the official competition of the 45<\/span>th<\/span> edition of Cannes Film Festival. He then made <\/span>My Sex Life… or How I Got into an Argument<\/span><\/i> (1996), which introduced a new generation of actors and received the C\u00e9sar trophy for Most Promising Actor for Mathieu Amalric\u2019s performance. In 2016 Arnaud received a C\u00e9sar for Best Directing for <\/span>My Golden Days<\/span><\/i>. His most recent feature is <\/span>Brother and Sister<\/span><\/i>, which world premiered this year in the official competition at Cannes Film Festival.<\/span><\/p>\n<\/div>\n<\/div> Tarik Saleh started as one of the top graffiti artists in Stockholm in the 80\u2019s. He directed and wrote the screenplay for The Nile Hilton Incident that won \u2018The Grand Jury Prize\u2019 at Sundance 2017, received a Guldbagge Award for \u2018Best Film\u2019 in 2018, was nominated as \u2018Best Foreign Film\u2019 at the C\u00e9sar Awards and was a box office hit with more than 400,000 tickets sold in France. <\/span><\/p>\n He directed action thriller, The Contractor (2022) with staring Chris Pine, Ben Foster and Kiefer Sutherland. Several episodes of the futuristic HBO-series Westworld (2018) and Showtimes-series Ray Donovan. The thriller Tommy (2014) with Ola Rapace, Moa Gammel and singer-songwriter Lykke Li for whom he also directed the music video I Follow Rivers that have about 80 million views on YouTube. His film debut came with Metropia (2009), a dystopic animation with Stellan Skarsg\u00e5rd, Juliette Lewis, Vincent Gallo and Udo Kier. <\/span><\/p>\n The film premiered at the Venice Film Festival as the opening film for Critics\u2019 Week. Tarik Saleh also directed the documentaries Gitmo: The New Rules of War (2005) and Sacrificio: Who Betrayed Che Guevara (2001) together with Erik Gandini. Tarik Saleh founded the production company Atmo with producer Kristina \u00c5berg.<\/span><\/p>\n<\/div>\n<\/div> St\u00e9phane Briz\u00e9 was born in 1966. He has directed nine features, among them <\/span>Not Here to Be Loved<\/span><\/i>, <\/span>Mademoiselle Chambon<\/span><\/i> (C\u00e9sar Award for Best Adapted Screenplay in 2010), <\/span>A Few Hours of Spring<\/span><\/i> and <\/span>The Measure of a Man<\/span><\/i>. The latter was selected in the official competition at the 2015 Cannes Film Festival, where Vincent Lindon won the Best Actor Award, followed by a C\u00e9sar. <\/span>A Woman’s Life<\/span><\/i>, the adaptation of Maupassant’s novel of the same title, followed. This film had its world premiere in the main competition at the Venice Film Festival in 2016, later winning the Louis Delluc Award. <\/span><\/p>\n In 2018 his next film <\/span>At War<\/span><\/i> screened in the competition at Cannes. Several of these films explore the financialization of economy showing the effects of this trend on regular people. <\/span>Another World<\/span><\/i>, his newest film, was shown in the competition at the Venice Film Festival in 2021 and later became a box office hit in France when it was released in February 2022.<\/span><\/p>\n<\/div>\n<\/div> Thomas Salvador is a filmmaker, screenwriter, and actor in his own films. He has directed six short films that have been selected and awarded in numerous festivals, including <\/span>Petits pas<\/span><\/i> (Cannes Directors\u2019 Fortnight) and <\/span>De sortie<\/span><\/i> (Jean Vigo Prize 2006). Hosted at the Villa Medici in Rome, he wrote his first feature film <\/span>Vincent<\/span><\/i>, released in 2015 and selected in more than forty festivals in France and abroad. His second feature, <\/span>The Mountain<\/span><\/i>, world premiered at this year\u2019s Cannes Film Festival, winning the SACD Award.<\/span><\/p>\n<\/div>\n<\/div> Italian, born in Turin on February 22, 1966<\/span> Stefano Francia di Celle is a cultural manager, film historian, and curator. He studied in Turin, receiving a Bachelor’s of Arts degree in film history and critique (with honors and publication recommended). At an early age, he began collaborating with important film institutions, in Turin and throughout Italy: Festival da Sodoma a Hollywood, National Film Archive of the Resistance, Festival Internazionale Cinema Giovani, Taormina Film Fest, Bellaria Film Festival, Rai Radiotelevisione Italiana. He curated retrospectives and monographs for the Torino Film Festival from 2003 to 2010, organizing events which saw the participation of important directors such as Roman Polanski, Wim Wenders, and Claude Chabrol.<\/span><\/p>\n His collaboration with Rai became steady in 1996, when he began a bright and rising career overseeing the programming of movies, art house cinema, and cultural programs for Rai3. This role allowed him to develop curatorial facets in a popularizing key and to bring to light and further develop his managerial talents.<\/span><\/p>\n Between 2004 and 2010, he was the president and producer of <\/span>Il Vento del Cinema<\/span><\/i> at Procida, an event dedicated to the interaction between film and philosophy, attended by important directors and internationally-famous philosophers.<\/span><\/p>\n In 2008, he began collaborating with the Fondazione Prada on film projects, high points of which saw the participation of Alejandro Gonz\u00e1lez I\u00f1arritu, Agn\u00e8s Varda, Nicolas Winding Refn, Bernardo Bertolucci, and Pedro Almod\u00f3var. He thus has experience in dealing with celebrities and is familiar with the logic of brand sponsorship for film-related cultural initiatives.<\/span><\/p>\n Since 2012, he has been collaborating with the Venice International Film Festival as the curator of the section <\/span>Venice Classics<\/span><\/i>.<\/span><\/p>\n He has been artistic director of Torino Film Festival in 2020 and 2021.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div> Teodora Ana Mihai was born in Bucharest, under Ceausescu\u2019s regime. In 1989 she joined her parents who had fled to Belgium the year before. She discovered her love for cinema as a high school student in San Francisco, California and went on to study film at Sarah Lawrence College, in upstate New York. Upon returning to Belgium, she started working in the industry as a script supervisor and assistant director. However, after several years on diverse film sets, Teodora decided to dedicate herself to her own film projects.<\/p>\n After directing her debut documentary Waiting for August, awarded with over 10 international prizes (amongst which Best Feature Documentary at Karlovy Vary IFF and Hot Docs) and later on nominated for the European Film Awards, Teodora directed her first fiction feature, La Civil, which premiered in Cannes Film Festival\u2019s Un Certain Regard competition in 2021 and won the Prix de l\u2019Audace (Audacity award). Teodora\u2019s films take on the challenge of striking a balance between social relevance and audiovisual poetry<\/p>\n<\/div> Paolo Bertolin is a film programmer, critic and producer. He has been a\u00a0film selector for the Venice International\u00a0Film Festival since 2008.\u00a0He worked as Artistic Consultant for Locarno Open Doors between 2016 and 2021. In 2019 and 2020, he\u00a0also\u00a0joined the selection\u00a0committee of Cannes’ Directors’ Fortnight. He has collaborated with international\u00a0film institutions and festivals\u00a0such as the Doha Film Institute, IFFRotterdam,\u00a0the\u00a0Beijing IFF, Mumbai FF, Hanoi IFF, IFFBratislava, Nyon Visions du R\u00e9el, Udine Far East Film Festival\u00a0and Torino FF.\u00a0He is a member of the Asia Pacific Screen Awards Academy and of the European Film Academy.\u00a0As a journalist and film reviewer, he wrote for Italian and international publications, including \u201cil manifesto\u201d, \u201cCineforum\u201d, \u201cSegnocinema\u201d, \u201cThe Korea Times\u201d, \u201cCahiers du Cin\u00e9ma\u201d, \u201cPositif\u201d and \u201cSenses of Cinema\u201d.\u00a0He also has credits as film producer on, among others,\u00a0Big Father, Small Father and Other Stories\u00a0by Phan Dang Di (Vietnam, 2015),\u00a0Chitrashala\u00a0by Amit Dutta (India, 2015) and\u00a0A Lullaby to the Sorrowful Mystery\u00a0by Lav Diaz (Philippines, 2016).<\/p>\n<\/div> Lorenzo Esposito is a programmer and curator. He is a member of the selection committee of the Berlin International Film Festival. He is also currently an international consultant on Italy to the Karlovy Vary International Film Festival, and is the editor of the online cinema magazine \u201cFilm Parlato\u201d. From 2013 to 2018 he was a member of the selection committee of the Locarno Film Festival. Previously he worked on programmes for the film festivals in Venice (2001), Turin (from 2002 to 2006) and the Rome Film Fest in 2007. In 2003 he began working for \u201cFuori Orario\u201d, a programme broadcast by the Italian public TV channel Rai 3, curating shows about films and directors.<\/p>\n<\/div>\n<\/div> Former editor-in-chief of the Magazine litt\u00e9raire, Herv\u00e9 Aubron is a critic for Cahiers du cin\u00e9ma and a selector for the Quinzaine des cin\u00e9astes. He has long taught cinema at the University of Paris 3-Sorbonne Nouvelle and intervenes as a trainer or lecturer in cinemas and for various institutions (Cin\u00e9math\u00e8que fran\u00e7aise, Centre Georges-Pompidou, Forum des images…). He is also the author of essays on David Lynch and the Pixar studios, as well as two books devoted to Werner Herzog, in collaboration with Emmanuel Burdeau.<\/p>\n<\/div>\n<\/div> Evgeny Gusyatinskiy is a programmer of International Film Festival Rotterdam and a frequent writer on films and culture.<\/p>\n He did his MA in film studies in Moscow at VGIK and for several years worked as an editor as well as contributor of Iskusstvo Kino (Film Art Monthly), one of the oldest film magazines in Europe. He is also a member of the selection committee of Kinotavr Film Festival (Sochi).<\/p>\n<\/div>\n<\/div> Alessandro Del Vigna (b. 1993) is an Italian-Romanian producer and writer. He is an executive producer of Ruben \u00d6stlund\u2019s Triangle of Sadness, which received the Palme d\u2019Or at the 2022 Cannes Film Festival. He is an executive producer of Abel Ferrara\u2019s Siberia, which received a Golden Bear nomination after it premiered at the 70th Berlin Film Festival.<\/p>\n He is a co-founder of the production company Fantasmagoria. He is a former film critic who has contributed articles and interviews with William Friedkin, Joe Dante, Bret Easton Ellis, and Emir Kusturica to La Septi\u00e8me Obsession and Positive Magazine.<\/p>\n<\/div>\n<\/div>Arnaud Desplechin<\/h3>\n
<\/p>\nTarik Saleh<\/h3>\n
<\/p>\nSt\u00e9phane Briz\u00e9<\/h3>\n
<\/p>\nThomas Salvador<\/h3>\n
<\/p>\nStefano Francia di Celle<\/h3>\n
<\/p>\n
\n<\/span><\/p>\nMANAGING<\/span> TALENTS<\/span><\/span> <\/span><\/h5><\/div>
Teodora Ana Mihai<\/h3>\n
<\/p>\nDr. David Zitzlsperger<\/h3>\n
<\/p>\nWORK IN <\/span> PROGRESS<\/span><\/span> <\/span><\/h5><\/div>
Paolo Bertolin<\/h3>\n
<\/p>\nGiovanni Marchini Camia<\/h3>\n
Giovanni Marchini Camia is a member of the Locarno Film Festival\u2019s selection committee for feature films, as well as the co-founder of the publishing house Fireflies Press and a film critic for publications including Sight & Sound and Film Comment.<\/p>\n<\/div>\n<\/div>Lorenzo Esposito<\/h3>\n
<\/p>\nHerv\u00e9 Aubron<\/h3>\n
<\/p>\nEvgeny Gusyatinskiy<\/h3>\n
<\/p>\nAlessandro del Vigna<\/h3>\n
<\/p>\n