{"id":7840,"date":"2021-10-05T17:14:17","date_gmt":"2021-10-05T14:14:17","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2021\/?p=7840"},"modified":"2021-10-15T08:14:06","modified_gmt":"2021-10-15T08:14:06","slug":"titane-castigatorul-palme-dor-2021-in-premiera-la-les-films-de-cannes-a-bucarest-festivalul-are-loc-indoors-outdoors-si-online-intre-22-si-31-octombrie","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2021\/titane-castigatorul-palme-dor-2021-in-premiera-la-les-films-de-cannes-a-bucarest-festivalul-are-loc-indoors-outdoors-si-online-intre-22-si-31-octombrie\/","title":{"rendered":"Titane, c\u00e2\u0219tig\u0103torul Palme d\u2019Or 2021, \u00een premier\u0103 la Les Films de Cannes \u00e0 Bucarest Festivalul are loc indoors, outdoors \u0219i online \u00eentre 22 \u0219i 31 octombrie"},"content":{"rendered":"

A 12-a edi\u021bie <\/span>Les Films de Cannes \u00e0 Bucarest<\/i><\/b> \u00ee\u0219i propune, ca de fiecare dat\u0103, s\u0103 aduc\u0103 \u00een premier\u0103 publicului rom\u00e2nesc cele mai importante \u0219i premiate filme ale anului, adapt\u00e2ndu-se \u00eens\u0103 condi\u021biilor sanitare astfel \u00eenc\u00e2t s\u0103 ofere un acces la filme \u00een condi\u021bii de siguran\u021b\u0103 \u0219i confort.<\/span><\/p>\n

Anul acesta, festivalul va avea proiec\u021bii \u00een patru s\u0103li de cinema \u00een Bucure\u0219ti: la Cinema Elvire Popesco, Cinema Muzeul \u021a\u0103ranului, Sala Auditorium a Muzeului Na\u021bional de Art\u0103 al Rom\u00e2niei \u0219i la Cinemateca Union. Gradul de ocupare al s\u0103lilor \u0219i condi\u021biile de acces vor fi cele permise de autorit\u0103\u021bi pentru perioada \u00een care se desf\u0103\u0219oar\u0103 festivalul, \u00eentre 22 \u0219i 31 octombrie. Vor avea loc \u00een accea\u0219i perioad\u0103 \u0219i proiec\u021bii \u00een aer liber la Pergola Gr\u0103dinii Verona\u00a0din spatele Libr\u0103riei C\u0103rture\u0219ti Verona \u2013 iar la o parte dintre filme \u0219i evenimente, publicul va avea acces online. Totodat\u0103, \u0219i \u00een acest an vor avea loc \u0219i edi\u021bii regionale ale evenimentului la Ia\u0219i, Cluj \u0219i Timi\u0219oara.<\/span><\/p>\n

Festivalul de la Cannes s-a reluat anul acesta dup\u0103 o edi\u021bie anulat\u0103 din cauza pandemiei, fiind organizat \u00een mod excep\u021bional \u00een luna august \u0219i beneficiind de o arie de selec\u021bie deosebit de larg\u0103, \u00een urma anul\u0103rii edi\u021biei precedente. Juriul a fost condus de c\u0103tre excentricul Spike Lee \u0219i a num\u0103rat \u00een r\u00e2ndurile sale persoanalit\u0103\u021bi ale filmului precum Myl\u00e8ne Farmer, M\u00e9lanie Laurent, Maggie Gyllenhaal sau Song Kang-Ho. Marii autori s-au re\u00eentors anul acesta la Cannes, filmele de calitate \u0219i surprizele din palmares au fost din bel\u0219ug iar <\/span>Les Films de Cannes \u00e0 Bucarest<\/i><\/b> va aduce cele mai importante filme premiate, \u00een premier\u0103 absolut\u0103 \u00een Rom\u00e2nia: <\/span>Titane<\/i><\/b>, c\u00e2\u0219tig\u0103toarul Palme d\u2019Or, <\/span>A Hero<\/i><\/b>, c\u00e2\u0219tig\u0103torul Grand Prix, <\/span>Memoria<\/i><\/b>, c\u00e2\u0219tig\u0103torul Prix du Jury, <\/span>Drive my car<\/i><\/b>, Premiul pentru cel mai bun scenariu \u0219i cel mai bun film din festival \u00een viziunea criticii de specialitate (Premiul FIPRESCI) sau <\/span>The Worse Person in the World<\/i><\/b>, c\u00e2\u0219tig\u0103tor al Premiul pentru interpretare feminin\u0103.<\/span><\/p>\n

C\u00e2\u0219tig\u0103torul premiului Palme d\u2019Or,<\/b> TITANE<\/b>, al doilea film al regizoarei Julia Ducournau, a st\u00e2rnit valuri de \u0219oc chiar \u00eenainte de proiec\u021bie cu un poster intrigant, un trailer colorat \u0219i un sinopsis bizar: \u201edup\u0103 o serie de crime inexplicabile, un tat\u0103 \u00ee\u0219i reg\u0103se\u0219te fiul care disp\u0103ruse cu 10 ani \u00een urm\u0103. <\/span>Titane<\/span><\/i> este cuv\u00e2ntul fran\u021buzesc pentru titan, un metal care se tope\u0219te la temperaturi ridicate, rezist\u0103 la coroziune \u0219i formeaz\u0103 leg\u0103turi solide ca piatra.\u201d<\/span><\/p>\n

Filmul abordeaz\u0103 violen\u021ba ca <\/span>\u201e\u00eenceputul a ceva important, ca o zguduire a unor funda\u021bii prea \u00een\u021bepenite\u201d, <\/span><\/i>explic\u0103 regizoarea. De asemenea, examineaz\u0103 \u0219i tema descenden\u021bei \u0219i a dragostei sau, mai precis, despre cum se na\u0219te dragostea. La primirea mult r\u00e2vnitului Palme d’Or, cineasta a declarat: <\/span>\u201eexist\u0103 at\u00e2ta frumuse\u021be \u0219i emo\u021bie ce nu pot fi ascunse. Mul\u021bumesc juriului pentru apelul la mai mult\u0103 diversitate \u00een vie\u021bile \u0219i \u00een experien\u021ba noastr\u0103 cinematografic\u0103. Mul\u021bumesc c\u0103 au deschis poarta mon\u0219trilor.\u201d <\/span><\/i>Ca \u0219i juriul, \u0219i critica de film a fost uluit\u0103: \u201emagia lui Titane se datoreaz\u0103 gra\u021biei cu care Ducournau cro\u0219eteaz\u0103 \u00eentre claritate \u0219i nebunie, \u00eentre \u0219oc \u0219i familiar, \u00eentre brusc\u0103ri \u0219i m\u00e2ng\u00e2ieri\u201d, scrie <\/span>Indiewire<\/span><\/i>. \u201eRegia lui Ducournau e la fel de pur\u0103 ca \u0219i temele ei profane: Titane e superb de privit, de ascultat, de feti\u0219izat. E obsedant\u201d jubileaz\u0103 <\/span>The Playlist<\/span><\/i>.<\/span><\/p>\n

Distins cu Grand Prix, al doilea cel mai important premiu al festivalului, A HERO, <\/b>n<\/span>oul film al autorului iranian Asghar Farhadi, invitatul special a celei de-a X-a edi\u021bii a <\/span>Les Films de Cannes <\/i><\/b>\u00e0<\/i><\/b> Bucarest,<\/i><\/b> spune povestea lui<\/span> Rahim, care se afl\u0103 \u00een \u00eenchisoare pentru o datorie nepl\u0103tit\u0103. \u00cen timpul unei permisii de dou\u0103 zile, \u00eencearc\u0103 s\u0103-\u0219i conving\u0103 creditorul s\u0103-\u0219i retrag\u0103 pl\u00e2ngerea \u00een schimbul return\u0103rii unei p\u0103r\u021bi din datorie. Rahim este apoi confruntat cu o criz\u0103 de neimaginat. Pove\u0219tile sale intime \u0219i provocatoare despre conflicte familiale i-au adus laude de-a lungul carierei lui Farhadi de la public, critici de film c\u00e2t \u0219i de la circuitul marilor festivaluri interna\u021bionale. Farhadi continu\u0103 s\u0103 adune admira\u021bie cu <\/span>A Hero<\/i><\/b>, <\/span>\u201e<\/span><\/i>o<\/span> poveste moral\u0103 superb\u0103 care ne scufund\u0103 profund \u00een ritualurile \u0219i valorile unei societ\u0103\u021bi \u0219i ne las\u0103 s\u0103 ghicim p\u00e2n\u0103 la puternica scen\u0103 final\u0103\u201d, <\/span>Time Out<\/span><\/i>.<\/span><\/p>\n

Premiul Juriului a fost acordat pentru MEMORIA iconicului autor Apichatpong Weerasethakul. <\/b>\u201e<\/span><\/i>Fermec\u0103tor \u0219i superb de perplexant ca restul filmelor sale\u201d, autorul thailandez a revenit anul acesta la Cannes cu p<\/span>rimul s\u0103u film \u00een limba englez\u0103, care o prezint\u0103 pe<\/span> Jessica (Tilda Swinton) ce se afl\u0103 \u00een vizit\u0103 la sora sa \u00een Bogot\u00e1 unde se \u00eemprietene\u0219te cu Agnes care studiaz\u0103 r\u0103m\u0103\u0219itele umane descoperite \u00eentr-un tunel \u00een construc\u021bie. \u00cen or\u0103\u0219elul \u00eenvecinat, \u00eent\u00e2lne\u0219te un pescar. Ambii \u00eemp\u0103rt\u0103\u0219esc amintiri pe malul r\u00e2ului, iar Jessica vede brusc lucrurile mai clar.<\/span> A\u0219a numitul \u201eDavid Lynch al Asiei\u201d, filmele sale prezentate la Cannes au generat o pre\u021buire imens\u0103 de-a lungul timpului, aduc\u00e2ndu-i Premiul Un Certain Regard \u00een 2002, Premiul Juriului \u00een 2004 \u0219i Palme d\u2019Or-ul \u00een 2010 cu <\/span>Uncle Boonmee Who Can Recall His Past Lives<\/span><\/i> (2010).<\/span>\u00a0<\/span><\/p>\n

Premiul criticii pentru cel mai bun film din festival (FIPRESCI) \u0219i Premiul pentru cel mai bun scenariu \u00een viziunea juriului competi\u021biei oficiale, a fost acordat cineastului japonez <\/b>Ry\u016bsuke<\/b> Hamaguchi pentru DRIVE MY CAR.<\/b><\/p>\n

\u201eO experien\u021b\u0103 extrem de captivant\u0103 \u0219i exaltant\u0103\u201d, potrivit <\/span>The Guardian<\/span><\/i>, filmul \u00eel urm\u00e2re\u0219te pe <\/span>Yusuke Kafuku, actor \u0219i regizor de teatru, \u00eenc\u0103 incapabil s\u0103 fac\u0103 fa\u021b\u0103 pierderii so\u021biei sale dup\u0103 doi ani, care accept\u0103 s\u0103 regizeze piesa <\/span>Unchiul Vania<\/span><\/i> \u00een Hiroshima. Acolo o \u00eent\u00e2lne\u0219te pe Misaki, o t\u00e2n\u0103r\u0103 introvertit\u0103, desemnat\u0103 s\u0103 \u00eei conduc\u0103 ma\u0219ina. \u00centre plimb\u0103ri, secrete din trecut \u0219i m\u0103rturisiri sincere vor fi dezv\u0103luite. Regizorul japonez Ry\u016bsuke Hamaguchi a explodat pe scena <\/span>arthouse<\/span><\/i> cu filmele sale care pun \u00een prim plan rela\u021biile interumane. <\/span>Asako I & II<\/span><\/i><\/a>\u00a0a debutat \u00een competi\u021bia cannez\u0103 \u00een 2018, urm\u00e2nd ca \u00een 2021 s\u0103 ias\u0103 cu dou\u0103 filme la marile festivaluri de film interna\u021bionale <\/span>Wheel of Fortune and Fantasy, <\/span><\/i>c\u00e2\u0219tig\u0103tor al Ursului de Argint<\/span> la Berlinale<\/span> \u0219i Drive My Car <\/span><\/i>la Cannes.<\/span>\u00a0<\/span><\/p>\n

Premiul pentru cea mai bun\u0103 actri\u021b\u0103 a fost acordat lui <\/b>Renate Reinsve<\/b> pentru presta\u021bia sa din <\/b>THE WORST PERSON IN THE WORLD, \u00een regia lui <\/b>Joachim Trier. <\/b>Filmul<\/span> \u00eencheie trilogia <\/span>Oslo<\/span><\/i> a lui Joachim Trier cu <\/span>\u201e<\/span>o dram\u0103 romantic\u0103 pentru cei care ur\u0103sc dramele romantice\u201d (<\/span>The Toronto Star<\/span><\/i>), despre c\u0103utarea iubirii \u0219i a sensului \u00een contemporanul Oslo. Filmul urm\u0103re\u0219te patru ani din via\u021ba lui Julie (Renate Reinsve), o t\u00e2n\u0103r\u0103 care navigheaz\u0103 furtuni amoroase, se lupt\u0103 s\u0103-\u0219i fac\u0103 o carier\u0103 \u0219i \u00eencearc\u0103 s\u0103-\u0219i dea seama, cu luciditate, cine e cu adev\u0103rat.\u00a0 <\/span>Slant Magazine<\/span><\/i> scrie cum <\/span>\u201e<\/span>f<\/span>ilmul e un excelent exemplu de cum s\u0103 restaurezi <\/span>fun<\/span><\/i>-ul, semnifica\u021bia \u0219i chiar sexul pe terenul b\u0103t\u0103torit al comediilor romantice\u201d.<\/span> Venind dintr-o familie de cinea\u0219ti, nu e surpriz\u0103tor c\u0103 Joachim Trier a urm\u0103rit aceea\u0219i cale. \u00cens\u0103 stilul \u0219i fine\u021bea sa, c\u00e2t \u0219i studiul dens de caracter l-au remarcat ca o nou\u0103 voce \u00een cinematografia european\u0103, vizibil \u00een operele lui <\/span>Oslo, August 31st<\/span><\/i> (2011) \u0219i <\/span>Louder Than Bombs <\/span><\/i>(2015), \u0219i, acum, <\/span>The Worst Person in the World<\/span><\/i>, \u00een premier\u0103 na\u021bional\u0103 la festival<\/span>.<\/span><\/i><\/p>\n

Evoc\u00e2nd declara\u021bia Delegatului General al Festivalului de la Cannes, Thierry Fr\u00e9maux, a XII-a edi\u021bie a <\/span>Les Films de Cannes<\/i><\/b> \u00e0 Bucarest<\/i><\/b> \u00ee\u0219i propune, la r\u00e2ndul ei <\/span>\u201es\u0103 aduc\u0103 cinema-ul la via\u021b\u0103, s\u0103 protejeze arti\u0219tii, s\u0103 expun\u0103 starurile \u0219i s\u0103 ajute industria. E o viziune universal\u0103. Cinematograful nu e niciodat\u0103 uniform, se schimb\u0103, se perfec\u021bioneaz\u0103 \u0219i toate festivalurile trebuie s\u0103 se adapteze. Festivalul sus\u021bine cinema-ul, iar acesta are nevoie de s\u0103li de proiec\u021bie. Sala de cinema nu \u0219i-a spus \u00eenc\u0103 ultimul cuv\u00e2nt. Multiplicarea platformelor \u00een \u00eentreaga lume \u00eenseamn\u0103 c\u0103, pe m\u0103sur\u0103 ce timpul trece, s\u0103lile tradi\u021bionale \u00ee\u0219i vor dovedi puterea singular\u0103\u201d<\/span><\/i>.\u00a0<\/span><\/p>\n

Programul festivalului, detalii despre evenimentele paralele precum \u0219i informa\u021bile despre punerea \u00een v\u00e2nzare a biletelor vor fi disponibile \u00een cur\u00e2nd pe site-ul: <\/span>www.filmedefestival.ro<\/span><\/a> dar \u0219i pe paginile de <\/span>Facebook<\/span><\/a> \u0219i <\/span>Instagram<\/span><\/a>.<\/span><\/p>\n

Festivalul <\/span>Les Films de Cannes \u00e0 Bucarest<\/b> este prezentat de <\/span>Orange Rom\u00e2nia<\/b>, partener de tradi\u021bie al evenimentului.<\/span><\/p>\n

Inspirat de: <\/span>UniCredit Bank<\/b><\/p>\n

Cu sprijinul: <\/span>Sun Wave Pharma<\/b>, <\/span>Apa Nova<\/b>, <\/span>Groupama<\/b>, <\/span>Dacin Sara<\/b>, <\/span>Mercure Hotels<\/b>, <\/span>Catena<\/b>\u00a0<\/span><\/p>\n

Proiect cultural finan\u021bat de: <\/span>Ministerul Culturii \u0219i Identit\u0103\u021bii Na\u021bionale<\/b>, <\/span>Centrul Na\u0163ional al Cinematografiei<\/b>, <\/span>SACD<\/b>, <\/span>Ambasada Fran\u021bei <\/b>\u0219i <\/span>Institutul Francez din Rom\u00e2nia<\/b>\u00a0<\/span><\/p>\n

Proiect co-finantat de <\/span>Prim\u0103ria Capitalei prin ARCUB<\/b> \u00een cadrul programului \u2018Bucure\u0219ti – Ora\u0219 deschis\u2019 2021. Pentru informa\u021bii detaliate despre Programul de finan\u021bare al Prim\u0103riei Municipiului Bucure\u0219ti prin ARCUB, pute\u021bi accesa <\/span>www.arcub.ro<\/span><\/a>\u00a0<\/span><\/p>\n

Ma\u0219ina oficial\u0103: <\/span>Renault<\/b>\u00a0<\/span><\/p>\n

Cafeaua festivalului: <\/span>Nespresso<\/b><\/p>\n

Festival hub:<\/span> Lokal<\/b><\/p>\n

Parteneri: <\/span>Muzeul Na\u021bional de Art\u0103 al Rom\u00e2niei<\/b>, <\/span>Cinema Muzeul \u021a\u0103ranului<\/b>, <\/span>Cinemateca Rom\u00e2n\u0103<\/b>, <\/span>Avanpost<\/b>, <\/span>Multimedia Est<\/b>, <\/span>Europa Cinemas<\/b>, <\/span>Serve<\/b>, <\/span>Libr\u0103riile C\u0103rture\u0219ti<\/b>, <\/span>Gr\u0103dina Verona<\/b>, <\/span>Eventbook<\/b><\/p>\n

Parteneri media principali: <\/span>Radio Guerrilla<\/b>,<\/span> Agerpres<\/b>, <\/span>TVR<\/b><\/p>\n

Parteneri media: <\/span>Zile \u0219i Nop\u021bi<\/b>, <\/span>Cinemap<\/b>, <\/span>Cinemagia<\/b>, <\/span>Ziarul Metropolis<\/b>, <\/span>Film Menu<\/b>, <\/span>iQAds<\/b>, <\/span>Smark<\/b>, <\/span>Movie News<\/b>, <\/span>LiterNet<\/b>, <\/span>The Institute<\/b>, <\/span>RFI<\/b>, <\/span>ELLE<\/b>, <\/span>Senso TV<\/b>, <\/span>Tonica<\/b>, <\/span>AARC<\/b>, <\/span>CineGhid<\/b>, <\/span>Munteanu<\/b>, <\/span>Radio Rom\u00e2nia Cultural<\/b>, <\/span>Blitz TV<\/b>, <\/span>Dentsu<\/b><\/p>\n

Cea de-a 12-a edi\u021bie <\/span>Les Films de Cannes \u00e0 Bucarest<\/span><\/i> este organizat\u0103 de <\/span>Asocia\u021bia Cinemascop<\/b> \u0219i <\/span>Voodoo Films<\/b>.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":8546,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86,89],"tags":[],"class_list":["post-7840","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-comunicate-presa","category-noutati"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2021\/wp-json\/wp\/v2\/posts\/7840","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2021\/wp-json\/wp\/v2\/comments?post=7840"}],"version-history":[{"count":2,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2021\/wp-json\/wp\/v2\/posts\/7840\/revisions"}],"predecessor-version":[{"id":8548,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2021\/wp-json\/wp\/v2\/posts\/7840\/revisions\/8548"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2021\/wp-json\/wp\/v2\/media\/8546"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2021\/wp-json\/wp\/v2\/media?parent=7840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2021\/wp-json\/wp\/v2\/categories?post=7840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2021\/wp-json\/wp\/v2\/tags?post=7840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}