{"id":6297,"date":"2019-10-21T13:02:20","date_gmt":"2019-10-21T10:02:20","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/?p=6297"},"modified":"2019-10-21T13:02:20","modified_gmt":"2019-10-21T10:02:20","slug":"elia-suleiman","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/elia-suleiman\/","title":{"rendered":"Elia Suleiman"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><p>N\u00e9 \u00e0 Nazareth le 28 juillet 1960, Elia Suleiman vit \u00e0 New-York de 1981 \u00e0 1993. Durant cette p\u00e9riode, il r\u00e9alise ses deux premiers courts-m\u00e9trages: Introduction \u00e0 la fin d\u2019un argument et Hommage par assassinat, qui lui valent plusieurs r\u00e9compenses. En 1994, il s\u2019installe \u00e0 J\u00e9rusalem o\u00f9 la Commission Europ\u00e9enne le charge de cr\u00e9er un d\u00e9partement Cin\u00e9ma et M\u00e9dia \u00e0 l\u2019Universit\u00e9 de Birzeit. Son premier long-m\u00e9trage Chronique d\u2019une disparition re\u00e7oit le prix du Meilleur Premier Film au Festival de Venise de 1996. En 2002, Intervention Divine remporte le Prix du Jury au Festival de Cannes et le prix du Meilleur Film \u00c9tranger aux European Awards \u00e0 Rome. Son dernier long-m\u00e9trage,\u00a0Le Temps qu\u2019il reste, a \u00e9t\u00e9 s\u00e9lectionn\u00e9 en Comp\u00e9tition lors du Festival de Cannes 2009. En 2012, Elia Suleiman r\u00e9alise le court-m\u00e9trage Diary of a Beginner, inclus dans le long-m\u00e9trage collectif 7 Jours \u00e0 La Havane pr\u00e9sent\u00e9 la m\u00eame ann\u00e9e au Festival de Cannes, dans la section Un Certain Regard.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":6785,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[896,761,1322],"class_list":["post-6297","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-invites","tag-896","tag-cannes-fr","tag-elia-suleiman-fr-2"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/wp-json\/wp\/v2\/posts\/6297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/wp-json\/wp\/v2\/comments?post=6297"}],"version-history":[{"count":1,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/wp-json\/wp\/v2\/posts\/6297\/revisions"}],"predecessor-version":[{"id":6298,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/wp-json\/wp\/v2\/posts\/6297\/revisions\/6298"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/wp-json\/wp\/v2\/media\/6785"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/wp-json\/wp\/v2\/media?parent=6297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/wp-json\/wp\/v2\/categories?post=6297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/wp-json\/wp\/v2\/tags?post=6297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}