{"id":5923,"date":"2019-10-03T17:06:10","date_gmt":"2019-10-03T14:06:10","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/?p=5923"},"modified":"2019-10-03T17:06:10","modified_gmt":"2019-10-03T14:06:10","slug":"10-cities-and-10-palmes-dor-at-the-10th-edition-of-les-films-de-cannes","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2019\/10-cities-and-10-palmes-dor-at-the-10th-edition-of-les-films-de-cannes\/","title":{"rendered":"10 cities and 10 Palmes d\u2019Or at the 10th edition of LES FILMS DE CANNES"},"content":{"rendered":"

A<\/strong> selection of ten films awarded with the Palme d\u2019Or at Cannes can be seen at the 10th<\/sup> edition of Les Films de Cannes \u00e0 Bucarest, at the Union Cinematheque. The films will be preceded by short video interviews with some of the greatest contemporary filmmakers, who will provide an answer to the following question: How has cinema changed in the last 30 years and where is it headed?<\/p>\n

At the same time, the 10th<\/sup> edition of Les Films de Cannes <\/em>brings the most anticipated films of the year to Romania, sprawling over 10 of its cities: besides Les Films de Cannes \u00e0 Bucarest, <\/em>there will be festival editions in Ia\u0219i, Cluj-Napoca, Timi\u0219oara, Boto\u0219ani, Bra\u0219ov, Arad, Suceava, Br\u0103ila and Slobozia.<\/p>\n

Between the 18th<\/sup> and 20th<\/sup> of October, cinephiles will be able to enjoy awarded films from the Croisette in Cluj-Napoca, <\/strong>at Victoria Cinema, in an edition financed by the Cluj-Napoca Town Hall and the Local Council, in Timi<\/strong>\u0219oara<\/strong> at the West University of Timi\u0219oara\u2019s Aula Magna, with the support of the Timi\u0219oara Town Hall and the Cultural Community Center Timi\u0219oara, and in Ia<\/strong>\u0219i<\/strong> at the Athenaeum Cinema, with the support of the Ia\u0219i Town Hall and the National Athenaeum Ia\u0219i.<\/p>\n

Unirea Cinema in Boto\u0219ani<\/strong> will host Les Films de Cannes, between 20th and 22nd October, at the first edition presented by Elsaco and the Boto\u0219ani Town Hall.<\/p>\n

Then there is Bra\u0219ov<\/strong>, with its third edition, which takes place at the Reduta Cultural Center and at One Cinema, between 23rd and 27th October, financed by the Bra\u0219ov Local Council.<\/p>\n

Films then move on to Arad,<\/strong> Arta Cinema, between 25th and 27th October, with the support of the Municipal Cultural Center in Arad. In November, the festival reaches Suceava<\/strong>, Modern Cinema, between the 1st and 3rd of November, where the fourth edition is organized by the Radio As Association in partnership with City of Suceava and the Suceava Local Council. Les Films de Cannes also arrives in Br\u0103ila<\/strong>, Cinefeel Cinema, between 15th and 17th November, in colaboration with the Cinefeel Association, and then finally in Slobozia <\/strong>\u2013 Municipal Center of Culture.<\/p>\n

In Bucharest, in addition to the traditional cinema theaters of the festival (Elvire Popesco Cinema, Pro Cinema, Peasent Museum Cinema), the screenings will also take place in the Auditorium Hall of the Romanian National Museum of Arts and at Instituto Cervantes.<\/p>\n

Among the productions that will screen at the editions of the festival all over the country are the public and jury\u2019s favourite films from this year\u2019s edition of Cannes: Parasite<\/em> (Palme d\u2019Or), Dolor y Gloria <\/em>(Best Actor Award, Antonio Banderas), Matthias et Maxime<\/em> (Official Competition), Portrait de la jeune fille en feu <\/em>(Best Screenplay Award) or Little Joe<\/em> (Best Actress Award, Emily Beecham).<\/p>\n

Actor Vlad Ivanov and filmmaker Adi Voicu, two of the Romanian representatives at this year\u2019s edition of Cannes, will be present at several Les Films de Cannes<\/em> in the country.<\/p>\n

\u201cI really want to be in a part that is powerful and which comes from very deep inside. Even if it\u2019s just in a sequence\u201d, Vlad Ivanov declared in an interview for the American publication Variety<\/em>. The actor, one of the most versatile and appreciated European performers of his time, to whom Les Films de Cannes \u00e0 Bucarest devotes the anniversary section Ivanov 50<\/em>, will open the first edition of Les Films de Cannes in Boto\u015fani. The opening screening will be La Gomera<\/em>, film with which the actor was present at Cannes this year, for the fifth time in the Official Competition \u2013 a record for a Romanian actor.<\/p>\n

Filmmaker Adi Voicu will go to Cluj, Bra\u0219ov and Suceava with the short film The Last Trip to the Seaside, <\/em>included this year in the selection of the La Semaine de la Critique section.<\/p>\n

The \u201cvoice\u201d of films from the \u201880s, film critic Irina Margareta Nistor will present in Ia\u0219i, Bra\u0219ov, and in Bucharest, as well at the Instituto Cervantes, for the documentary Cannes, le festival libre<\/em>, directed by Fr\u00e9d\u00e9ric Chaudier \u0219i Fr\u00e9d\u00e9ric Zamochnikoff (2018), which follows the attempt of organizing the first edition of the Cannes Film Festival in 1939, a failure because of the breaking out of the Second World War. The screenings will be accompanied by the presentation of the book Cannes 1939, le festival qui n’a pas eu lieu<\/em>, by Olivier Loubes (Libris & Mioritic Publishing House, 2019), translated into Romanian by Irina Margareta Nistor. Irina Margareta Nistor will meet with the public for book and film discussions in each of these cities. At the same time, Irina Margareta Nistor will introduce screenings at Les Films de Cannes<\/em> \u00e0 Ia\u0219i<\/em> and Bra\u0219ov<\/em> and will be Vlad Ivanov\u2019s discussion partner on November 20th<\/sup>, in Boto\u0219ani.<\/p>\n

10 Palmes d\u2019Or for the 10th<\/sup> edition <\/strong><\/p>\n

At the 10th<\/sup> edition of Les Films de Cannes \u00e0 Bucarest, <\/em>the public will be able to discover or re-watch ten of the Palme d\u2019Or awarded masterpieces. They will screen from the first until the last day of the festival, at Union Cinema.<\/p>\n

Entre les murs<\/em><\/strong>, directed by Laurent Cantet \/ Palme d\u2019Or, Cannes 2008<\/strong><\/p>\n

\u201cVibrant and sharp, this hybrid of documentary and dramatic intrigue contemplates the present and future of France by zooming in on a teacher and his students in a periphery school. and The film raises important questions about learning, authority and discipline, and is honest enough to admit that it doesn’t really have any answers.\u201d Times UK<\/p>\n

Dheepan<\/em><\/strong>, directed by Jacques Audiard \/ Palme d\u2019Or, Cannes 2015<\/strong><\/p>\n

An exciting, humanist story about survival. A heart-breaking saga about three strangers brought together by circumstances and personal struggles, Dheepan<\/em> embodies a tour de force<\/em> thriller. \u201cLike the best fiction, it takes the most incomprehensible stories of our time and makes them hauntingly, inescapably clear.\u201d Washington Post<\/p>\n

The Square<\/em><\/strong>, directed by Ruben \u00d6stlund \/ Palme d<\/strong>\u2019Or, Cannes 2017<\/strong><\/p>\n

\u201cNavigating the nexus of hype, commerce, ego, and bullshit that drives the modern art scene, The Square is almost too perfect in its cunning simplicity. The art world\u2019s always been easy to drag, what with its interiority, weirdos, and frustrating games of pin-the-tail-on-the-thesis. [\u2026] But rarely are these ideas lampooned so beautifully. Ruben \u00d6stlund’s barbed take on the emptiness of modern art culture is savagely hilarious.\u201d Consequence of Sound<\/p>\n

I, Daniel Blake<\/em><\/strong>, directed by Ken Loach \/ Palme d\u2019Or, Cannes 2016<\/strong><\/p>\n

\u201cWriter-director Ken Loach has been making movies about the British working class since the mid-60s, and this masterful dramatic feature proves that even after all these years he can still work himself up into righteous, white-hot rage. A captivating story, profoundly humane, about the impact one single man can have.\u201d Chicago Reader<\/p>\n

La vie d\u2019Ad\u00e8le<\/em><\/strong>, directed by Abdellatif Kechiche \/ Palme d\u2019Or, Cannes 2013<\/strong><\/p>\n

\u201cLa vie d\u2019Ad\u00e8le<\/em> left me so astounded that I had to walk aimlessly for an hour to get over its gut wrenching examination of our ability to love and lose so profoundly. After nearly 2 hours and 20 minutes the film builds to a series of scenes that make you feel like your heart has been scraped by a knife, leaving only a battered shell of veins intact. Forget all the talk of explicit and long sex scenes, these just small bits of La vie d\u2019Ad\u00e8le<\/em>, a very modern story of love and its power over all of us. Is it really possible to feel so profoundly? And can we possibly move on?\u201d Lowbrow Cinema<\/p>\n

Shoplifters<\/em><\/strong>, directed by Hirokazu Koreeda \/ Palme d\u2019Or, Cannes 2018<\/strong><\/p>\n

\u201cA film that just grows and grows and grows. It seems very quiet, but you are absolutely hooked.\u201d FilmWeek<\/p>\n

\u201cWriter-director Hirokazu Kore-eda fills the film with grace notes, humor and fine observations, circling and filling out each character while leaning more on innocence than corruption.\u201d Detroit News<\/p>\n

Amour<\/em><\/strong>, directed by Mikael Haneke \/ Palme d\u2019Or, Cannes 2012<\/strong><\/p>\n

With astounding performances and a ruthless screenplay, Amour<\/em> is an honest, devastating description of true love and responsibility. \u201cA masterpiece, not just the best of the year, but one of the best ever: Michael Haneke\u2019s Amour.\u201d The New Republic<\/p>\n

Winter Sleep<\/em><\/strong>, directed by Nuri Bilge Ceylan \/ Palme d\u2019Or, Cannes 2014<\/strong><\/p>\n

\u201cWinter<\/em> feels very much like an epic novel, mirroring the pacing and themes of Chekov, whose work was its inspiration.\u201d Los Angeles Times<\/p>\n

\u201cCeylan’s latest is a claustrophobic chamber piece spun out into a vast, rich and beautifully intricate tapestry.\u201d CineVue<\/p>\n

L\u2019enfant<\/em><\/strong>, directed by Jean-Pierre Dardenne and Luc Dardenne \/ Palme d\u2019Or, Cannes 2005<\/strong><\/p>\n

The Dardenne brothers continue to excel in making works of a rigorous naturalism, with detached observations on authentic heroes torubled by complex moral dilemmas. \u201cUnfolding in real time on the scruffy working-class streets of industrial Belgium, this harrowingly intense odyssey charts Bruno’s desperate search for redemption.\u201d Newsweek<\/p>\n

Un homme et une femme<\/em><\/strong>, directed by Claude Lelouch \/ Palme d\u2019Or, Cannes 1966<\/strong><\/p>\n

\u201cA tender, beautiful and charming romantic movie\u2026 with dialogues that are both meaningless and meaningful, shallow and deep. Beautifully written and developed, the leading characters feel real and very relatable, and yet there’s something about them, maybe it\u2019s their beauty, that makes them exceptional…\u201d A Film a Day<\/p>\n

The complete program of all editions of Les Films de Cannes in the country will soon be available on filmedefestival.ro.<\/p>\n

Tickets for the Bucharest edition will be available to the public starting October 1st on Eventbook.ro. <\/strong><\/p>\n

Les Films de Cannes \u00e0 Bucarest is presented by<\/strong> Orange Romania, a traditional partner of the event.
\nOfficial Car of the Festival<\/strong>: Renault.
\nWith the support of<\/strong>: Catena, Apa Nova, Groupama Asigur\u0103ri.
\nThe tenth edition of Les Films de Cannes \u00e0 Bucarest is organized by<\/strong> the Cinemascop Association and Voodoo Films, in partnership<\/strong> with Embassy of France and the French Institute in Bucharest.
\nLes Films de Cannes \u00e0 Bucarest is a cultural project financed by <\/strong>the Ministry of Culture and National Identity, the National Centre of Cinematography, and and realized with the support of SACD \/ Soci\u00e9t\u00e9 des Auteurs et Compositeurs Dramatiques.
\nPartners<\/strong>: Air France, KLM, The Romanian Cultural Institute, Europa Cinemas, Hotel Mercure, SERVE, UPS, Eventbook.
\nMedia partners<\/strong>: Radio Rom\u00e2nia Cultural, Elle, Zile \u0219i Nop\u021bi, Cinemap, News.ro, Agerpres, Observator Cultural, Igloo, Banchiza Urban\u0103.<\/p>\n<\/div>

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