{"id":4639,"date":"2018-10-26T12:33:23","date_gmt":"2018-10-26T09:33:23","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/carlos-reygadas-natalia-lopez-si-ioana-uricaru-special-guests-of-the-3rd-edition-les-films-de-cannes-a-iasi-cinema-ateneu-26-28-october\/"},"modified":"2018-10-30T13:26:04","modified_gmt":"2018-10-30T11:26:04","slug":"carlos-reygadas-natalia-lopez-si-ioana-uricaru-special-guests-of-the-3rd-edition-les-films-de-cannes-a-iasi-cinema-ateneu-26-28-october","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/carlos-reygadas-natalia-lopez-si-ioana-uricaru-special-guests-of-the-3rd-edition-les-films-de-cannes-a-iasi-cinema-ateneu-26-28-october\/","title":{"rendered":"Carlos Reygadas, Natalia Lopez and Ioana Uricaru \u2013 special guests of the 3rd edition Les Films de Cannes \u00e0 Ia\u015fi &#8211; Cinema Ateneu, 26-28 October"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><p><strong>Today, October 26th<\/strong>, the third edition of Les Films de Cannes \u00e0 Ia\u015fi begins<strong>.<\/strong> The festival is opened this year by Ioana Uricaru, who will present her debut feature film, <em>Lemonade<\/em>, The film is scheduled on Friday at 20:00, at Cinema Ateneu, and the director will be available at the end for a discussion with the public. Also, Ia\u0219i film lovers will have the unique opportunity to meet with the Mexican director Carlos Reygadas and the actress Natalia Lopez, who will be present at the <em>Our Time<\/em> screening, on Saturday, October 27th, at 18:30, at Cinema Ateneu. The Ia\u0219i edition takes place from 26th to 28th October at Cinema Ateneu.<\/p>\n<p>Ioana Uricaru graduated from the Academy of Theater and Film in Bucharest and holds a doctorate in critical studies at the University of South California, Los Angeles. From 2015, she lives in the United States where she has a university teaching career. Before his feature-lenght debut with <em>Lemonade<\/em>, she co-directed the collective multi-episodes film <em>Amintiri din Epoca de Aur<\/em> \/ <em>Memories from the Golden Age<\/em> and made short films. <em>Lemonade<\/em> was presented in premiere this year at the Berlinale, after which it was selected in over 25 festivals, purchased for distribution in 12 countries and received six awards at international festivals, including the Sarajevo Film Festival directing prize.<\/p>\n<p>The guest of honor of this edition is Mexican director Carlos Reygadas, who will be present in Ia\u015fi for the screening of his latest film <strong><em>Our Time \/ Nuestro Tiempo<\/em><\/strong>, during the festival. Reygadas also plays the leading role alongside his real-life partner,, <strong>Natalia L\u00f3pez<\/strong>. The Mexican director is considered to be the most radical voice of contemporary Mexican cinema because of his successive selections in Cannes Festival which the press has adored and hated with the same passion. He debuted with his first feature-length film in the section <em>Quinzaine des R\u00e9alisateurs<\/em>, in 2002. <strong><em>Jap\u00f3n<\/em><\/strong> has immediately drawn the attention of both the critics and the jury, and the film received a special Cam\u00e9ra d&#8217;Or mention.<\/p>\n<p>Reygadas was selected for the first time in competition at Cannes Festival with <strong><em>Battle in Heaven<\/em><\/strong>, in 2005, then, in 2007, he won the Jury award with <strong><em>Silent Light<\/em><\/strong>, a tribute to Carl Th. Dreyer, a film about forbidden love in the midst of a Mexican Mennonites community. <strong><em>Post Tenebras Lux<\/em><\/strong>, received in 2012, the Cannes Festival Best Director Award. In <strong><em>Our Time<\/em><\/strong>, he takes his radical approach even further and is strongly inspired by his personal life in creating a story about passion, treason, family and freedom Presented in the official competition of the Venice Film Festival 2018, <strong><em>Our Time<\/em><\/strong> has brought to Reygadas eloquent comments from international critics. Natalia L\u00f3pez, who plays the main female role, is the film\u2019s editor and screenwriter. She has been active in the field as a film editor since 2006, working with Amat Escalante and Carlos Reygadas. She is known for editing films such as <strong><em>Heli, Silent Light, Jauja <\/em><\/strong>and<strong><em> Post Tenebras Lux<\/em><\/strong>.<\/p>\n<p><strong>Program of the third edition Les Films de Cannes \u00e0 Ia\u015fi<\/strong><\/p>\n<p><strong>Friday, October 26, Cinema Ateneu <\/strong><\/p>\n<p><strong>18:00<\/strong> \u2013\u00a0DOGMAN, by Matteo Garrone (2018, 102 min, IT). Best Actor award, Cannes 2018<\/p>\n<p><strong>20:00<\/strong>\u00a0\u2013\u00a0LEMONADE, by Ioana Uricaru (2018, 88 min, RO, CA, DE, SE). Panorama Selection, Berlin 2018. In the presence of the director + Q&amp;A<\/p>\n<p><strong>Saturday, October 27 Cinema Ateneu<\/strong><\/p>\n<p><strong>14:00<\/strong> \u2013 BORDER, by Ali Abbasi (2018, 108 min, SE, DK).Prize \u201cUn Certain Regard\u00a0\u00bb, Cannes 2018<\/p>\n<p><strong>16:00<\/strong> \u2013\u00a0GIRL, by Lukas Dhont (2018, 105 min, BE). Cam\u00e9ra d\u2019Or, Cannes 2018. Best Actor and FIPRESCI Prize in the selection \u201cUn Certain Regard\u201d. In competition, Venice 2018. In the presence of the director Carlos Reygadas and actress Natalia Lopez + Q&amp;A<\/p>\n<p><strong>Sunday, October 28 Cinema Ateneu<\/strong><\/p>\n<p><strong>15:00<\/strong> \u2013 NIKI ARDELEAN, colonel \u00een rezerv\u0103\/ NIKI ARDELEAN, Colonel in Reserve, by Lucian Pintilie (2008, 95 min, RO)<\/p>\n<p><strong>17:30<\/strong> \u2013 SHOPLIFTERS, by Kore-Eda Hirokazu (2018, 121 min, JP). Palme d\u2019Or, Cannes 2018<\/p>\n<p><strong>20:00<\/strong> \u2013 BURNING, by Lee Chang-Dong (2018, 148 min, KR). FIPRESCI Prize, Cannes 2018<\/p>\n<p>The entrance to the films from Les Films de Cannes \u00e0 Ia\u015fi is free, with reservation in advance on the <strong>ateneuiasi.ro<\/strong>.<\/p>\n<p>Information: <a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/\">www.filmedefestival.ro<\/a>. You can follow us on Facebook: <a href=\"http:\/\/www.facebook.com\/pages\/Les-Films-de-Cannes-a-Bucarest\/119598318098272\">Les Films de Cannes a Bucarest<\/a> and <a href=\"https:\/\/www.facebook.com\/events\/2028720710482437\/\">Facebook event<\/a><\/p>\n<p>***<\/p>\n<p>The festival is <strong>presented by <\/strong>Orange Rom\u00e2nia, traditional partner of the event.<\/p>\n<p><strong>Official car of the festival<\/strong>: Renault<\/p>\n<p><strong>A cultural project financed by <\/strong>the Ministry of Culture and National Identity, The National Cinematography Center<\/p>\n<p><strong>With the support of: <\/strong>Ia\u0219i City Hall, Cinema Ateneu, BRD &#8211; Groupe Soci\u00e9t\u00e9 G\u00e9n\u00e9rale, Catena<\/p>\n<p><strong>Partners: <\/strong>Air France, Romanian Cultural Institute, French Embassy and the French Institute in Bucharest<\/p>\n<p><strong>Organization Partners<\/strong>: Artis, Association of Student Journalists, Association Cinemascop<\/p>\n<p><strong>Media partners<\/strong>: TVR, Radio Rom\u00e2nia Cultural, Adev\u0103rul, Dilema Veche, OK! Magazine, Zile \u0219i Nop\u021bi, Agerpres, Senso TV, Tonica, Cinemagia, Ziare.com, Business24, Observator Cultural, VIVA Fm, Ziarul de Ia\u015fi, Radio Rom\u00e2nia Ia\u015fi, Radio Hit, Ia\u015fi TV Live, TELE M, Ia\u015fi Fun.<\/p>\n<p><strong>Communication partners<\/strong>: PiArt Vision. <strong>Monitoring partners<\/strong>: MediaTRUST<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":4549,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46,9],"tags":[],"class_list":["post-4639","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-press-releases"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/4639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/comments?post=4639"}],"version-history":[{"count":2,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/4639\/revisions"}],"predecessor-version":[{"id":4657,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/4639\/revisions\/4657"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/media\/4549"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/media?parent=4639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/categories?post=4639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/tags?post=4639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}