{"id":4606,"date":"2018-10-26T13:35:13","date_gmt":"2018-10-26T10:35:13","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/?p=4606"},"modified":"2018-10-26T13:35:13","modified_gmt":"2018-10-26T10:35:13","slug":"carlos-reygadas-natalia-lopez-si-ioana-uricaru-invitatii-speciali-ai-celei-de-a-treia-editii-les-films-de-cannes-a-iasi","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/carlos-reygadas-natalia-lopez-si-ioana-uricaru-invitatii-speciali-ai-celei-de-a-treia-editii-les-films-de-cannes-a-iasi\/","title":{"rendered":"Carlos Reygadas, Natalia Lopez \u0219i Ioana Uricaru \u2013 invita\u021bii speciali ai celei de-a treia edi\u021bii Les Films de Cannes \u00e0 Ia\u0219i"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><p style=\"text-align: center\"><strong>Cinema Ateneu, 26-28 octombrie\u00a0<\/strong><\/p>\n<p><strong>Ast\u0103zi, 26 octombrie<\/strong>, \u00eencepe cea de-a treia edi\u021bie a Les Films de Cannes \u00e0 Ia\u0219i. Festivalul este deschis anul acesta de Ioana Uricaru, care va introduce debutul s\u0103u \u00een lungmetraj, <em>Lemonade<\/em>, de la ora 20:00, la Cinema Ateneu, proiec\u021bia fiind urmat\u0103 de o discu\u021bie cu regizoarea. De asemenea, cinefilii din Ia\u0219i vor avea ocazia unic\u0103 de a se \u00eent\u00e2lni cu regizorul mexican Carlos Reygadas \u0219i cu actri\u021ba Natalia Lopez, care vor fi prezen\u021bi la proiec\u021bia filmului <em>Our Time<\/em>, s\u00e2mb\u0103t\u0103, 27 octombrie, de la ora 18:30, la Cinema Ateneu. Edi\u021bia de la Ia\u0219i se va desf\u0103\u0219ura \u00eentre 26 \u0219i 28 octombrie, la Cinema Ateneu.<\/p>\n<p>Ioana Uricaru a absolvit cursurile Academiei de Teatru \u015fi Film din Bucure\u015fti \u015fi de\u021bine un doctorat \u00een studii critice, la Universitatea din South California, Los Angeles. Din 2015, locuie\u0219te \u00een Statele Unite unde are o carier\u0103 didactic\u0103 universitar\u0103. \u00cenaintea debutului \u00een lungmetraj cu <em>Lemonade<\/em>, a co-regizat filmul colectiv episodic <em>Amintiri din Epoca de Aur<\/em> \u015fi a realizat filme de scurt metraj. <em>Lemonade<\/em> a debutat anul acesta la Berlinal\u0103, dup\u0103 care a fost selec\u021bionat \u00een peste 25 de festivaluri, achizi\u021bionat spre distribu\u021bie \u00een 12 \u021b\u0103ri \u0219i a primit \u0219ase premii \u00een festivaluri interna\u021bionale, printre care premiul pentru regie la Sarajevo Film Festival.<\/p>\n<p>Oaspetele de onoare al acestei edi\u0163ii este regizorul mexican Carlos Reygadas, care va fi prezent la Ia\u0219i cu ocazia proiec\u021biei celui mai recent film al s\u0103u, <strong><em>Our Time \/ Nuestro Tiempo<\/em><\/strong>, \u00een cadrul Les Films de Cannes \u00e0 Ia\u0219i. Reygadas joac\u0103 totodat\u0103 \u0219i rolul principal, al\u0103turi de partenera din via\u021ba real\u0103, <strong>Natalia L\u00f3pez<\/strong>. Regizorul mexican a fost consacrat drept cea mai radical\u0103 voce a cinematografiei mexicane contemporane prin selec\u021biile succesive de la Cannes, pe care presa le-a adulat \u0219i ur\u00e2t cu aceea\u0219i patim\u0103.\u00a0 A debutat cu primul s\u0103u film de lungmetraj \u00een sec\u021biunea paralel\u0103 a festivalului, <em>Quinzaine des R\u00e9alisateurs<\/em>, \u00een 2002. <strong><em>Jap\u00f3n<\/em><\/strong> a intrat imediat \u00een vizorul at\u00e2t al criticilor c\u00e2t \u0219i al juriului, filmul primind o men\u021biune special\u0103 Cam\u00e9ra d&#8217;Or.<\/p>\n<p>Reygadas a fost selectat pentru prima dat\u0103 \u00een competi\u021bie la Cannes cu <strong><em>Battle in Heaven<\/em><\/strong>, \u00een 2005, apoi, \u00een 2007, a c\u00e2\u0219tigat Premiului Juriului cu <strong><em>Silent Light<\/em><\/strong>, un omagiu adus lui Carl Th. Dreyer, film despre o iubire interzis\u0103 \u00een mijlocul unei comunit\u0103\u021bi de menoni\u021bi din Mexic. <strong><em>Post Tenebras Lux<\/em><\/strong>, a ob\u021binut, \u00een 2012, Premiul pentru regie la Cannes. \u00cen <strong><em>Our Time<\/em><\/strong>, el duce radicalismul mai departe \u0219i se inspir\u0103 puternic din via\u021ba personal\u0103 pentru o poveste despre pasiune, tr\u0103dare, familie \u0219i libertate. Prezentat \u00een competi\u021bia oficial\u0103 a festivalului de film de la Vene\u021bia 2018, <strong><em>Our Time<\/em><\/strong> i-a adus lui Reygadas comentarii elogioase din partea criticii interna\u021bionale. Natalia L\u00f3pez, cea care interpreteaz\u0103 rolul principal feminin \u00een film, este monteuz\u0103 \u0219i scenarist\u0103. Este activ\u0103 \u00een domeniu, ca editor de film, \u00eencep\u00e2nd din 2006, lucr\u00e2nd al\u0103turi de Amat Escalante \u0219i Carlos Reygadas. Este cunoscut\u0103 pentru montajul unor filme precum <strong><em>Heli, Silent Light, Jauja <\/em><\/strong>\u0219i<strong><em> Post Tenebras Lux<\/em><\/strong>.<\/p>\n<p><strong>Programul celei de-a treia edi\u021bii a Les Films de Cannes \u00e0 Ia\u0219i\u00a0\u00a0 <\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Vineri, 26 octombrieCinema Ateneu18:00<\/strong> \u2013\u00a0DOGMAN, de Matteo Garrone (2018, 102 min, IT). Premiul pentru interpretare masculin\u0103, Cannes 2018<strong>20:00<\/strong>\u00a0\u2013\u00a0LEMONADE, de Ioana Uricaru (2018, 88 min, RO, CA, DE, SE). Selec\u021bie Panorama, Berlin 2018. \u00cen prezen\u021ba regizoarei + Q&amp;A<strong>S\u00e2mb\u0103t\u0103, 27 octombrieCinema Ateneu14:00<\/strong> \u2013 BORDER, de Ali Abbasi (2018, 108 min, SE, DK). Premiul Un Certain Regard, Cannes 2018<strong>16:00<\/strong> \u2013\u00a0GIRL, de Lukas Dhont (2018, 105 min, BE). Cam\u00e9ra d\u2019Or, Cannes 2018. Premiul pentru interpretare \u0219i Premiul FIPRESCI \u00een Un Certain Regard<strong>18:30<\/strong> \u2013\u00a0OUR TIME, de Carlos Reygadas (2018, 173 min, MEX, FR, GER, OLA, SUE). \u00cen competi\u021bie, Vene\u021bia 2018. \u00cen prezen\u021ba regizorului Carlos Reygadas \u0219i a actri\u021bei Natalia Lopez + Q&amp;A<strong>Duminic\u0103, 28 octombrieCinema Ateneu15:00<\/strong> \u2013 NIKI ARDELEAN, colonel \u00een rezerv\u0103, de Lucian Pintilie (2008, 95 min, RO)<strong>17:30<\/strong> \u2013 SHOPLIFTERS, de Kore-Eda Hirokazu (2018, 121 min, JP). Palme d\u2019Or, Cannes 2018<strong>20:00<\/strong> \u2013 BURNING, de Lee Chang-Dong (2018, 148 min, KR). Premiul FIPRESCI, Cannes 2018<\/p>\n<p>&nbsp;<\/p>\n<p>Intrarea la filmele din Les Films de Cannes \u00e0 Ia\u0219i este liber\u0103, cu rezervare \u00een prealabil pe siteul <strong>ateneuiasi.ro<\/strong>.<\/p>\n<p>Detalii: <a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/\">www.filmedefestival.ro<\/a>. Ne pute\u021bi urm\u0103ri pe Facebook: <a href=\"http:\/\/www.facebook.com\/pages\/Les-Films-de-Cannes-a-Bucarest\/119598318098272\">Les Films de Cannes a Bucarest<\/a> \u0219i <a href=\"https:\/\/www.facebook.com\/events\/2028720710482437\/\">Facebook event<\/a><\/p>\n<p>***<\/p>\n<p>Festivalul este prezentat de <strong>Orange Rom\u00e2nia<\/strong>, partener de tradi\u021bie al evenimentului.<\/p>\n<p>Ma\u0219ina oficial\u0103 a festivalului: <strong>Renault<\/strong><\/p>\n<p><strong>Un proiect cultural finan\u021bat\u00a0de<\/strong>: Ministerul Culturii \u0219i Identit\u0103\u021bii Na\u021bionale,\u00a0Centrul Na\u0163ional al Cinematografiei<\/p>\n<p><strong>Cu sprijinul: <\/strong>Prim\u0103ria Municipiului Ia\u0219i, Cinema Ateneu, BRD &#8211; Groupe Soci\u00e9t\u00e9 G\u00e9n\u00e9rale, Catena<\/p>\n<p><strong>Parteneri: <\/strong>Air France, Institutul Cultural Rom\u00e2n, Ambasada Fran\u021bei \u0219i Institutul Francez din Bucure\u015fti<\/p>\n<p><strong>Parteneri de organizare<\/strong>: Artis, Asocia\u0163ia Studen\u0163ilor Jurnali\u015fti, Asocia\u021bia Cinemascop<\/p>\n<p><strong>Parteneri media<\/strong>: TVR, Radio Rom\u00e2nia Cultural, Adev\u0103rul, Dilema Veche, OK! Magazine, Zile \u0219i Nop\u021bi, Agerpres, Senso TV, Tonica, Cinemagia, Ziare.com, Business24, Observator Cultural, VIVA Fm, Ziarul de Ia\u015fi, Radio Rom\u00e2nia Ia\u015fi, Radio Hit, Ia\u015fi TV Live, TELE M, Ia\u015fi Fun.<\/p>\n<p><strong>Parteneri de comunicare<\/strong>: PiArt Vision. <strong>Parteneri de monitorizare<\/strong>: MediaTRUST<\/p>\n<p>&nbsp;<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":4548,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,44],"tags":[],"class_list":["post-4606","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-comunicate-presa","category-noutati"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/4606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/comments?post=4606"}],"version-history":[{"count":1,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/4606\/revisions"}],"predecessor-version":[{"id":4607,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/4606\/revisions\/4607"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/media\/4548"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/media?parent=4606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/categories?post=4606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/tags?post=4606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}