{"id":4113,"date":"2018-10-17T03:05:18","date_gmt":"2018-10-17T00:05:18","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/asghar-farhadi\/"},"modified":"2018-10-17T03:05:29","modified_gmt":"2018-10-17T00:05:29","slug":"asghar-farhadi","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/asghar-farhadi\/","title":{"rendered":"Asghar Farhadi"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><p>L\u2019un des r\u00e9alisateurs iraniens les plus connus, Asghar Farhadi (n. 1972) a \u00e9t\u00e9 inclus par la revue Time sur la liste des 100 personnes les plus influentes au monde, en 2012. Il avait 40 ans et son film Une s\u00e9paration avait gagn\u00e9 plus de 70 prix : parmi eux l\u2019Ours d\u2019Or et lex prix d\u2019interpr\u00e9tation \u00e0 Berlin, Oscar, Golden Globe, le C\u00e9sar du meilleur film \u00e9tranger. C\u2019\u00e9tait son cinqui\u00e8me long m\u00e9trage et il confirmat &#8211; apr\u00e8s A propos d\u2019Elly (2009), qui a fait forte impression au Berlin (Ours d\u2019Argent du Meilleur<\/p>\n<p>R\u00e9alisateur &#8211; une voix tout \u00e0 fait sp\u00e9ciale, un cin\u00e9aste lucide qui diss\u00e8que la soci\u00e9t\u00e9 iranienne avec une acuit\u00e9 exceptionnelle. En 1998, \u00e0 Teheran, il sort dipl\u00f4m\u00e9 avec une ma\u00eetrise de mise en sc\u00e8ne. Le bilan de ses ann\u00e9es d\u2019\u00e9tude \u00e9tait d\u00e9j\u00e0 imposant : six courts-m\u00e9trages, sc\u00e9narios et deux s\u00e9ries pour la t\u00e9l\u00e9vision. En 2003, il d\u00e9bute avec Danse dans la poussi\u00e8re, le premier d\u2019une s\u00e9rie des films complexes sur les collisions subtiles entre les classes sociales et les mentalit\u00e9s. Il est suivi, outre des titres d\u00e9j\u00e0 mentionn\u00e9s, par Les Enfants de Belle Ville (2004), La F\u00eate du feu (2006), Le Pass\u00e9 (Prix d\u2019interpr\u00e9tation feminine \u00e0 Cannes pour B\u00e9r\u00e9nice Bejo, 2013), Le Client (Oscar du meilleur film \u00e9tranger, Prix du sc\u00e9nario et d\u2019interpr\u00e9tation masculine &#8211; Shahab Hosseini, Cannes 2016). Cette ann\u00e9e, Todos lo Saben, avec Penelope Cruz et Javier Bardem \u00e0 l\u2019affiche, avait ouvert le Festival de Cannes.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":4108,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[643,763,644,764,639,442,765,686,626],"class_list":["post-4113","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-invites","tag-a-separation","tag-a-separation-fr","tag-about-elly","tag-about-elly-fr","tag-asghar-farhadi","tag-cannes","tag-the-salesman-fr","tag-the-salesman","tag-todos-lo-saben"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/4113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/comments?post=4113"}],"version-history":[{"count":3,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/4113\/revisions"}],"predecessor-version":[{"id":4116,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/4113\/revisions\/4116"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/media\/4108"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/media?parent=4113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/categories?post=4113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/tags?post=4113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}