{"id":3843,"date":"2018-10-09T17:52:17","date_gmt":"2018-10-09T14:52:17","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/?p=3843"},"modified":"2018-10-09T17:52:17","modified_gmt":"2018-10-09T14:52:17","slug":"guillaume-nicloux","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/guillaume-nicloux\/","title":{"rendered":"Guillaume Nicloux"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><p>From experimental films (<strong><em>Les Enfants volant<\/em><em>s<\/em><\/strong><em><strong>, La Vie crev\u00e9e, The End<\/strong>), <\/em>trilogy film noir (<strong>A<em> Private Affair, That woman, The Key<\/em><\/strong>), and offbeat comedy (<strong><em>Le Poulpe, Holiday<\/em><\/strong>) to political film (<strong><em>L\u2019Affaire Gordji<\/em><\/strong>), passing by drama (<strong><em>Faut pas rire du bonheur, La Reine des connes<\/em><\/strong>), Guillaume Nicloux has built dense and unique works by exploring all the genres. <em><strong>The Nun<\/strong><\/em> and <strong><em>The Kidnapping of Michel Houellebecq<\/em><\/strong>, presented at the Berlin Festival are no exception to the rule. In 2015, <strong><em>Valley of Love <\/em><\/strong>(presented in Cannes) inaugurated a cycle of intimacy where existential quests and passionate love is the principal stakes of his films. <strong><em>The Ends of <\/em><em>t<\/em><em>he World<\/em><\/strong> is his sixteenth feature length film. He worked with actors such as Isabelle Huppert, Monica Bellucci, G\u00e9rard Depardieu, Jean Rochefort, Vanessa Paradis, Clotilde Courau, Laura Morante. Guillaume Nicloux is also a writer, he founded the theatre company La Troupe, and teaches cinema at La F\u00e9mis.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":3748,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[496,442,603,612],"class_list":["post-3843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guests","tag-496","tag-cannes","tag-guillaume-nicloux","tag-les-confins-du-monde"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/3843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/comments?post=3843"}],"version-history":[{"count":1,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/3843\/revisions"}],"predecessor-version":[{"id":3845,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/3843\/revisions\/3845"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/media\/3748"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/media?parent=3843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/categories?post=3843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/tags?post=3843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}