{"id":2763,"date":"2018-09-06T10:41:21","date_gmt":"2018-09-06T07:41:21","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/?p=2763"},"modified":"2018-09-07T13:04:49","modified_gmt":"2018-09-07T10:04:49","slug":"carlos-reygadas-guest-of-honour-at-les-films-de-cannes-a-bucarest","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/carlos-reygadas-guest-of-honour-at-les-films-de-cannes-a-bucarest\/","title":{"rendered":"Carlos Reygadas \u2013 guest of honour at Les Films de Cannes \u00e0 Bucarest"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><p><strong>The 9th edition of the festival will take place between October 19th \u2013 28th<\/strong><\/p>\n<p>The 9th edition of<strong> Les Films de Cannes \u00e0 Bucarest, <\/strong>the festival that brings the most important films of the year to Romania, will take place between <strong>October 19th \u2013 28th,<\/strong> in Bucharest, at Cinema PRO, Cinema Elvire Popescu, Cinema Muzeul \u021a\u0103ranului, Cinemateca Union.<\/p>\n<p>The <strong>guest of honour<\/strong> at the 9th edition of the festival is Mexican director <strong>Carlos Reygadas<\/strong>, who world premiered his latest film <a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/en\/silent-light\/\"><strong><em>Our Time\/Nuestro Tiempo<\/em><\/strong><\/a> yesterday, September 5th, in competition at the Venice International Film Festival.<\/p>\n<p>Discovered and awarded at Cannes, Carlos Reygadas is described, with five feature films under his belt, as the helmer and the &#8220;one-man third wave of Mexican Cinema,&#8221; according to <em>Sight &amp; Sound<\/em>. <em>Les Films de Cannes \u00e0 Bucarest<\/em> is dedicating a retrospective of his work, which will encompass his entire body of feature length works.<\/p>\n<p><a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/en\/silent-light\/\"><strong><em>Our Time<\/em><\/strong><\/a><strong> will premiere in Romania on the 21st of October at Cinema PRO, in the presence of the director and Natalia L\u00f3pez, <\/strong>screenwriter, editor, and the director\u2019s partner in real life,<strong> who also plays the female lead in the film. <\/strong>The male protagonist is Reygadas himself, who plays Juan, a man living together with his wife on a fighting bull farm. The couple has an open relationship, but problems arise when Juan\u2019s wife falls in love with another man, leading him to re-evaluate his own expectations with the reality he faces. <a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/en\/silent-light\/\"><strong><em>Our Time<\/em><\/strong><\/a> marks the first title where Reygadas wears multiple hats: director, producer, screenwriter, editor, and star<em>. <\/em><strong>The screening will be accompanied by a masterclass opened both to film professionals and the public. <\/strong><\/p>\n<p>At 31 years of age, Reygadas forwent a judiciary career in the Mexican diplomatic mission in favor of a cinematic path. He directed four short films and debuted with his first feature <a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/en\/japon\/\"><strong><em>Jap\u00f3n<\/em><\/strong><\/a>, which premiered in Rotterdam and Cannes, winning a Camera d\u2019Or Special Mention at the latter, in 2002. In 2005, Reygadas returned to Cannes with his sophomore effort <a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/en\/battle-in-heaven\/\"><strong><em>Battle in Heaven<\/em><\/strong><\/a>, which was presented in the Official Competition. He went on to win the Jury Prize with <a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/en\/silent-light\/\"><strong><em>Silent Light<\/em><\/strong><\/a> in 2007 and Best Director for <a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/en\/post-tenebras-lux\/\"><strong><em>Post Tenebras Lux<\/em><\/strong><\/a> in 2012, both at Cannes.<\/p>\n<p>\u201eThe film is full of such surprises; it has a lyrical and poetic power that puts it in a different class from most debuts,\u201c writes <em>The Guardian<\/em> about<a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/en\/japon\/\"> <strong><em>Jap\u00f3n<\/em><\/strong><\/a>, which tells the story of a depressed painter who leaves Mexico City for a small village hidden in a canyon. This is where he plans on commiting suicide, but his host, the elderly and faithful Ascen, teaches him, with few words, to love life once again.<\/p>\n<p><a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/en\/battle-in-heaven\/\"><strong><em>Battle in Heaven<\/em><\/strong><\/a> is a story at the crossroads between the grotesque and the sacred. Continuing his collaboration with cinematographer Diego Martinez Vignatti, Reygadas &#8220;doesn&#8217;t just seize our attention; he commands it &#8212; forcing us into a world of terror and beauty,\u201c according to <em>The New York Times.<\/em><\/p>\n<p>Winner of the Jury Prize in Cannes in 2007, <a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/en\/silent-light\/\"><strong><em>Silent Light<\/em><\/strong><\/a>, an homage to Carl Theodor Dreyer, tells the story of a forbidden love in the middle of a Mennonite community in Mexico. \u201eAt its very best, Carlos Reygadas&#8217;s new film has the richness of Malick or the transcendental simplicity of Ozu,\u201c writes film critic Peter Bradshaw in <em>The Guardian,<\/em> about the film which makes \u201ea giant leap into the first rank of world cinema.\u201c<\/p>\n<p><a href=\"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/en\/post-tenebras-lux\/\"><strong><em>Post Tenebras Lux<\/em><\/strong><\/a>, Reygadas\u2019 fourth film, is a semi-autobiographical story about a wealthy couple with two children, who leave the city and move to a villa in the middle of nature.<\/p>\n<p>The Carlos Reygadas retrospective will be presented within the framework of the <strong>Mexican Focus<\/strong> section.<\/p>\n<p><strong>We invite you to stay up to date with the latest news of the 2018 edition of <em>Les Films de Cannes \u00e0 Bucarest<\/em>, by following filmedefestival.ro and the official Facebook page. All films will be subtitled in Romanian. The selection of titles also featuring English and French subtitles will be announced at a later date. Tickets will be available soon through Eventbook.ro <\/strong><\/p>\n<p>***<\/p>\n<p>The festival is presented by <strong>Orange Romania<\/strong>, a traditional partner of the event.<\/p>\n<p>Official car of the festival: <strong>Renault<\/strong><\/p>\n<p>With the support of: <strong>Catena, Groupama Asigur\u0103ri, Apa Nova, Silva<\/strong><\/p>\n<p>The ninth edition of the <strong>Les Films de Cannes \u00e0 Bucarest<\/strong> is organized by the <strong>Cinemascop Association<\/strong> and <strong>Voodoo Films<\/strong>, in partnership with <strong>Embassy of France <\/strong>and the <strong>French Institute in Bucharest<\/strong>.<\/p>\n<p><strong>Les Films de Cannes \u00e0 Bucarest<\/strong>\u00a0is a cultural project financed by the <strong>National Center of Cinematography<\/strong>, with the support of <strong>SACD \/ Soci\u00e9t\u00e9 des Auteurs et Compositeurs Dramatiques<\/strong> <strong>(<\/strong><strong>Society of Dramatic Authors and Composers)<\/strong> and the <strong>Representation of the European Commission in Romania<\/strong><strong>.<\/strong><\/p>\n<p><strong>Partners: <\/strong>Air France, KLM, Romanian Cultural Institute, the Mexican Embassy in Romania, Hotel Mercure, UPS.<\/p>\n<p>The local editions of the festival will be carried out in <strong>Bra\u0219ov<\/strong> with the support of the Local Council of Bra\u0219ov and in <strong>Cluj-Napoca<\/strong>, with the support of the City Hall and Local Council of Cluj-Napoca.<\/p>\n<p><strong>***<\/strong><\/p>\n<p>Follow us on Facebook: <a href=\"http:\/\/www.facebook.com\/pages\/Les-Films-de-Cannes-a-Bucarest\/119598318098272\">Les Films de Cannes a Bucarest<\/a>.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":2744,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46,9],"tags":[496,486,442,489,482,502,497,493,491],"class_list":["post-2763","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-press-releases","tag-496","tag-battle-in-heaven","tag-cannes","tag-carlos-reygadas","tag-japon","tag-nuestro-tiempo","tag-our-time","tag-post-tenebras-lux","tag-silent-light"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/2763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/comments?post=2763"}],"version-history":[{"count":2,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/2763\/revisions"}],"predecessor-version":[{"id":2835,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/posts\/2763\/revisions\/2835"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/media\/2744"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/media?parent=2763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/categories?post=2763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2018\/wp-json\/wp\/v2\/tags?post=2763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}