Guillaume Nicloux
From experimental films (Les Enfants volants, La Vie crevée, The End), trilogy film noir (A Private Affair, That woman, The Key), and offbeat comedy (Le Poulpe, Holiday) to political film (L’Affaire Gordji), passing by drama (Faut pas rire du bonheur, La Reine des connes), Guillaume Nicloux has built dense and unique works by exploring [...]

