{"id":2136,"date":"2017-10-17T12:20:08","date_gmt":"2017-10-17T09:20:08","guid":{"rendered":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2017\/?p=2136\/"},"modified":"2017-10-17T12:20:08","modified_gmt":"2017-10-17T09:20:08","slug":"andrey-zvyagintsev","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2017\/andrey-zvyagintsev\/","title":{"rendered":"Andrey Zvyagintsev"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><p>(R\u00e9alisateur\/ Sc\u00e9nariste)<\/p>\n<p>N\u00e9 \u00e0 Novossibirsk en Russie. Apr\u00e8s son dipl\u00f4me \u00e0 l&#8217;Institut de\u00a0Th\u00e9\u00e2tre Novossibirsk, Zvyagintsev rejoint Evgeny Lazarev \u00e0 Moscou dans les ann\u00e9es 90 et travaille \u00e0 l&#8217;Acad\u00e9mie russe des arts du Th\u00e9atre. Il int\u00e8gre par la suite des productions de th\u00e9\u00e2tre ind\u00e9pendant et joue de petits r\u00f4les dans des t\u00e9l\u00e9films et au cin\u00e9ma.<\/p>\n<p>L\u2019an 2000 marque ses d\u00e9buts en tant que r\u00e9alisateur. En 2003, A. Zvygintsev tourne son premier film, Le retour, qui fait alors sensation ; C\u2019est un d\u00e9but pour le r\u00e9alisateur mais \u00e9galement pour la majorit\u00e9 de l\u2019\u00e9quipe. Le film est s\u00e9lectionn\u00e9 pour le Festival International du Film de Venise, o\u00f9 il remporte le Lion d\u2019Or, premier prix de la comp\u00e9tition. Il rafle \u00e9galement le Prix du meilleur premier Film avec, en commentaire, \u00abUn sublime film \u00e0 propos d\u2019amour, de la perte et du passage de la majorit\u00e9\u00bb.<\/p>\n<p>Le bannissement, son second film, est pr\u00e9sent\u00e9 au 60e Festival de Cannes. Le premier r\u00f4le, Konstantin Lavronenko, est alors le premier acteur Russe \u00e0 recevoir le Prix d&#8217;Interpr\u00e9tation masculine. Son troisi\u00e8me film Elena, est pr\u00e9sent\u00e9 en avant premi\u00e8re lors du 64e Festival de Cannes en s\u00e9lection un Certain Regard &#8211; il remporte le Prix du Jury.<\/p>\n<p>67e \u00e9dition Festival de Cannes, Leviathan en comp\u00e9tition officielle re\u00e7oit le Prix du meilleur sc\u00e9nario. Leviathan est aussi le premier film russe depuis 1969 qui remporte un Golden Globe. La m\u00eame ann\u00e9e, le film est \u00e9galement nomin\u00e9 aux Oscars dans la cat\u00e9gorie Oscar du meilleur film en langue \u00e9trang\u00e8re.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":2109,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[437,451,450,311,36],"class_list":["post-2136","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-invites","tag-elena","tag-le-bannissement","tag-le-retour","tag-leviathan","tag-loveless"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2017\/wp-json\/wp\/v2\/posts\/2136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2017\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2017\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2017\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2017\/wp-json\/wp\/v2\/comments?post=2136"}],"version-history":[{"count":1,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2017\/wp-json\/wp\/v2\/posts\/2136\/revisions"}],"predecessor-version":[{"id":2137,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2017\/wp-json\/wp\/v2\/posts\/2136\/revisions\/2137"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2017\/wp-json\/wp\/v2\/media\/2109"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2017\/wp-json\/wp\/v2\/media?parent=2136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2017\/wp-json\/wp\/v2\/categories?post=2136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/les-films-de-cannes\/editia-2017\/wp-json\/wp\/v2\/tags?post=2136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}