{"id":13631,"date":"2023-04-12T09:39:15","date_gmt":"2023-04-12T09:39:15","guid":{"rendered":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2023\/?p=13631"},"modified":"2023-04-12T10:54:48","modified_gmt":"2023-04-12T10:54:48","slug":"s-au-pus-in-vanzare-biletele-pentru-aiff-7","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2023\/s-au-pus-in-vanzare-biletele-pentru-aiff-7\/","title":{"rendered":"S-au pus i\u0302n va\u0302nzare biletele pentru AIFF.7"},"content":{"rendered":"
<\/div><\/div>

Filme premiate anul acesta cu Oscar, \u00een premier\u0103 na\u021bional\u0103 la <\/b><\/h3>\n

American Independent Film Festival .7<\/span><\/b><\/h3>\n

<\/b>Biletele sunt disponibile online \u00eencep\u00e2nd de ast\u0103zi<\/i><\/b><\/h4>\n<\/div>

WOMEN TALKING<\/b>, filmul regizoarei Sarah Polley premiat anul acesta de membrii Academiei Americane de Film cu <\/span>Oscar pentru cel mai bun scenariu adaptat<\/i><\/b> \u0219i <\/span>THE WHALE<\/b>, recompensat cu<\/span> Oscar pentru cel mai bun actor \u00eentr-un rol principal<\/i><\/b> pentru interpretarea lui Brendan Fraser, vor putea fi v\u0103zute \u00een premier\u0103 \u00een Rom\u00e2nia la cea de-a 7-a edi\u021bie a <\/span>American Independent Film Festival<\/span><\/i> ce va avea loc \u00een Bucure\u0219ti la <\/span>Cinema Elvire Popesco<\/span><\/i> \u0219i <\/span>Cinemateca Eforie<\/span><\/i>, \u00eentre 21 \u0219i 24 aprilie.<\/span><\/p>\n

Biletele sunt disponibile \u00eencep\u00e2nd de ast\u0103zi pe Eventbook.ro:<\/strong> <\/strong><\/span><\/p>\n

Ca \u00een fiecare an, AIFF \u00ee\u0219i propune totodat\u0103 s\u0103 aduc\u0103 \u00een aten\u021bia publicului chestiuni sociale sau umanitare a c\u0103ror rezolvare depinde de implicarea comunit\u0103\u021bii \u0219i \u00eendeamn\u0103 spectatorii s\u0103 sus\u021bin\u0103 aceste cauze particip\u00e2nd la discu\u021biile organizate dar \u0219i cump\u0103r\u00e2nd bilete la filmele din program. Toate \u00eencas\u0103rile ce revin organizatorilor vor fi donate c\u0103tre sprijinirea cauzei respective, iar anul acesta chestiunea pe care AIFF o supune aten\u021biei \u00eempreun\u0103 cu Asocia\u021biile: <\/span>ARCA \u2013 Animal Rescue and Care<\/span><\/i>, <\/span>Animals International<\/span><\/i> \u0219i <\/span>BRUNO Shelter Association<\/span><\/i>, este cea a interzicerii transportului de animale vii.\u00a0<\/span><\/p>\n

Asist\u00e2nd la o proiec\u021bie \u00een cadrul festivalului pute\u021bi deopotriv\u0103 contribui la sprijinirea celor care se implic\u0103 \u00een rezolvarea acestei probleme \u0219i viziona filme premiate \u00een cele mai importante competi\u021bii de gen din lume, cu interpreti precum Rooney Mara, Claire Foy, Frances McDormand sau Joaquin Phoenix, \u00eentr-o selec\u021bie de film indie \u00een premier\u0103 na\u021bional\u0103.<\/span><\/p>\n

\"\"Adaptare ingenioas\u0103 a romanului scris de Miriam Toews, <\/span>WOMEN TALKING<\/b> \u00eencepe cu o declara\u021bie: <\/span>\u201eCeea ce urmeaz\u0103 este un act de imagina\u021bie feminin\u0103\u201d<\/span><\/i>.<\/span> Expresia, preluat\u0103 direct de la Toews, a fost folosit\u0103 de b\u0103tr\u00e2nii unei colonii religioase izolate \u00een \u00eencercarea de a explica ani \u00eentregi de agresiuni sexuale – atribuite fantomelor, demonilor sau chiar isteriei (\u201eimagina\u021bia feminin\u0103 s\u0103lbatic\u0103\u201d) care au l\u0103sat femei \u0219i fete terorizate, \u00eens\u0103rcinate sau decedate. C\u00e2nd atacatorii sunt \u00een cele din urm\u0103 prin\u0219i \u0219i aresta\u021bi \u201epentru propria lor protec\u021bie\u201d, femeile au o scurt\u0103 fereastr\u0103 \u00een care s\u0103-\u0219i imagineze viitorul. Ar trebui s\u0103 r\u0103m\u00e2n\u0103 \u00een comunitatea care le-a abuzat sau s\u0103 plece, rup\u00e2ndu-se astfel din Gr\u0103dina Edenului, \u00eenstr\u0103inate de Dumnezeul \u00een care continu\u0103 \u00eenc\u0103 s\u0103 cread\u0103?<\/span><\/p>\n

Filmul ce le are \u00een distribu\u021bie pe Rooney Mara (<\/span>The Girl with the Dragon Tattoo<\/span><\/i>, <\/span>Carol<\/span><\/i>, <\/span>Her<\/span><\/i>), Claire Foy (<\/span>The Crown<\/span><\/i>), Jessie Buckley (<\/span>Fargo<\/span><\/i>, <\/span>Judy<\/span><\/i>) sau Frances McDormand (<\/span>Three Billboards Outside Ebbing, Missouri<\/span><\/i>, <\/span>Nomadland<\/span><\/i>, <\/span>The French Dispatch<\/span><\/i>) <\/span>\u201eeste \u00een acela\u0219i timp \u00eenfior\u0103tor, palpitant, enervant \u0219i plin de inspira\u021bie<\/span><\/i>\u201d nota The New Yorker <\/span>\u0219i \u201erealizeaz\u0103 ceva extraordinar: pe m\u0103sur\u0103 ce personajele discut\u0103 \u00eentre ele, acestea vorbesc direct spectatorului, iar hambarul este \u00een acela\u0219i timp o metafor\u0103 pentru \u00eentreaga lume \u0219i loca\u021bia fizic\u0103 \u00een care se afl\u0103 aceste femei \u00een pragul schimb\u0103rii\u201d<\/span><\/i> dup\u0103 cum observ\u0103 Financial Times.<\/span><\/p>\n

\"\"Regizat de Darren Aronofsky \u2013 cunoscut publicului larg pentru <\/span>Requiem for a Dream<\/span><\/i>, <\/span>Black Swan<\/span><\/i> sau mai recentul <\/span>Mother!<\/span><\/i>,<\/span> cu un Brendan Fraser <\/span>\u201e<\/span><\/i>remarcabil \u00eentr-o dram\u0103 \u00eentortocheat\u0103 a auto-distrugerii\u201d (The Guardian), <\/span>THE WHALE<\/b> spune povestea unui profesor de englez\u0103 destul de izolat, suferind de obezitate morbid\u0103, care \u00eencearc\u0103, oarecum tardiv, s\u0103 reia leg\u0103tura cu fiica sa adolescent\u0103. <\/span>
\n<\/span>\u201eAronofsky ne provoac\u0103 s\u0103 vedem dincolo de prejudec\u0103\u021bile \u0219i ideile noastre pre-programate legate de atrac\u021bie, pentru a g\u0103si frumuse\u021bea \u00een personajul central, \u00een melodia cald\u0103 \u0219i \u00eenv\u0103luitoare a vocii sale, \u00een sufletul s\u0103u poetic \u0219i pasional. Dar, \u00een acela\u0219i timp, \u00eel filmeaz\u0103 \u00eentr-un mod care accentueaz\u0103 stadiul nedemn al vie\u021bii sale ce se desf\u0103\u0219oar\u0103 aproape \u00een \u00eentregime pe canapea.\u201d<\/span><\/i> continu\u0103 The Guardian.<\/span><\/p>\n

Mult-aclamatul maestru al genului horror, Ari Aster, se \u00eentoarce cu cel de-al treilea s\u0103u lungmetraj, <\/span>BEAU IS AFRAID<\/b>, dup\u0103 uluitoarele sale succese, filmele <\/span>Hereditary<\/span><\/i> \u0219i <\/span>Midsommar<\/span><\/i>. Regizorul \u0219i scenaristul \u0219i-a anun\u021bat viitoarea colaborare cu Joaquin Phoenix \u00eenc\u0103 din 2021, BEAU IS AFRAID fiind prezentat atunci ca un <\/span>\u201eportret intim – ce se \u00eentinde pe c\u00e2teva decenii – al unuia dintre cei mai de succes antreprenori ai tuturor timpurilor\u201d<\/span><\/i>, cu Phoenix \u2013 fost invitat special al American Independent Film Festival, \u00een rolul principal.\u00a0<\/span><\/p>\n

Descris de c\u0103tre Aster ca fiind o <\/span>\u201ecomedie de co\u0219mar\u201d<\/span><\/i> care a trebuit s\u0103 fie modificat\u0103 dintr-un scenariu original de patru ore, BEAU IS AFRAID este povestea unui b\u0103rbat bl\u00e2nd, dar \u00eenghi\u021bit de anxietate, ce este nevoit s\u0103-\u0219i \u00eenfrunte cele mai \u00eentunecate frici odat\u0103 ce porne\u0219te \u00eentr-o c\u0103l\u0103torie odiseic\u0103 \u00eenapoi spre cas\u0103 \u00een urma mor\u021bii subite a mamei sale. O c\u0103l\u0103torie <\/span>\u201e<\/span><\/i>ame\u021bitoare \u0219i obsedant\u0103 care \u00ee\u021bi st\u0103ruie \u00een minte\u201d \u2013 Screen Rant.<\/span><\/p>\n

POLITE SOCIETY<\/b>, lungmetrajul de debut al regizoarei Nida Manzoor, creatoarea celebrului serial de televiziune <\/span>We Are Lady Parts<\/span><\/i>, este <\/span>\u201egenul de produc\u021bie extrem de \u00eendr\u0103znea\u021b\u0103 care arat\u0103 un talent \u00een ascensiune care abia a\u0219teapt\u0103 s\u0103 arunce mai multe idei \u00een mixul cinematografic.\u201d<\/span><\/i> titrau cei de la The Hollywood Reporter dup\u0103 premiera mondial\u0103 de la Sundance.<\/span>
\n<\/span>Obsedat\u0103 de artele mar\u021biale, Ria Khan e convins\u0103 c\u0103 trebuie s\u0103 \u00ee\u0219i salveze sora mai mare, pe Lena, de la c\u0103s\u0103toria iminent\u0103. Dup\u0103 ce ob\u021bine ajutorul prietenilor ei, Ria pune \u00een ac\u021biune cel mai ambi\u021bios plan creat vreodat\u0103 de deturnare a unei nun\u021bi, totul \u00een numele independen\u021bei \u0219i al leg\u0103turii dintre cele dou\u0103 surori.<\/span><\/p>\n

\"\"FUNNY PAGES<\/b> este o comedie spumoas\u0103 care urm\u0103re\u0219te povestea unui ilustrator adolescent ce renun\u021b\u0103 la confortul vie\u021bii lui de cartier \u00eentr-o sucit\u0103 c\u0103utare de sine.<\/span><\/p>\n

Copil fiind, Owen Kline a jucat rolul fratelui mai mic al lui Jesse Eisenberg \u00een filmul <\/span>The Squid and the Whale<\/span><\/i> despre o familie din New York devastat\u0103 de divor\u021bul p\u0103rin\u021bilor. Kline interpreta la vremea respectiv\u0103 un copil tulburat de 12 ani care \u021bine partea mamei sale \u0219i care \u0219i-a dezvoltat un obicei \u00een a se masturba pe ascuns \u00een public, ca r\u0103spuns emotional la trauma pe care o traverseaz\u0103. Debutul s\u0103u regizoral nominalizat la Cam\u00e9ra d\u2019Or, Cannes 2022 <\/span>\u201eprezint\u0103 multe dintre acelea\u0219i teme nes\u0103n\u0103toase \u00eentr-un film indie cu adev\u0103rat bizar, surprinz\u0103tor chiar, voit indistinct \u0219i hazliu.\u201d<\/span><\/i> se amuzau cei de la The Guardian.<\/span><\/p>\n

Lawrence Kweller, un adolescent de 17 ani f\u0103r\u0103 prea multe aspira\u021bii dar pasionat de filme, se angajeaz\u0103 la un centru de \u00eenchirieri casete video unde \u00eencepe o rela\u021bie complicat\u0103 cu \u0219efa lui mai \u00een v\u00e2rst\u0103. <\/span>I LIKE MOVIES<\/b> este <\/span>\u201eproasp\u0103t, pl\u0103cut, captivant, un coming-of-age bl\u00e2nd \u0219i bine echilibrat\u201d<\/span><\/i> este <\/span>\u201e<\/span><\/i>genul de film care poate face chiar \u0219i unui critic cinic s\u0103-i plac\u0103 din nou filmele<\/span>\u201d concluziona IndieWire<\/span><\/i> despre debutul \u00een lungmetraj al regizorului Chandler Levack dup\u0103 proiec\u021bia din cadrul Toronto IFF.<\/span><\/p>\n

\u00cencep\u00e2nd de ast\u0103zi biletele pentru AIFF.7 pot fi achizi\u021bionate de pe: <\/span>https:\/\/bit.ly\/BileteAIFF7<\/span><\/a>, fiecare dintre ele vine anul acesta cu c\u00e2te un voucher Voyo. Spectatorii sunt \u00eendemna\u021bi s\u0103 sus\u021bin\u0103 cauzale sprijine anul acesta de festival prin achizi\u021bionarea biletelor sau don\u00e2nd direct c\u0103tre cele trei organiza\u021bii.<\/span><\/p>\n


\n<\/span>Rom\u00e2nia este unul dintre cei mai mari exportatori de animale vii din Europa. \u00cen fiecare an, sute de mii de necuv\u00e2nt\u0103toare, \u00een special oi, sunt \u00eenghesuite \u00een vapoare \u0219i transportate \u00een condi\u021bii greu de imaginat, \u00een special c\u0103tre Orientul Mijlociu \u0219i Africa. Acum c\u00e2teva luni imaginile groaznice cu cele peste 14 mii de oi moarte \u00een Portul Midia au f\u0103cut \u00eenconjurul lumii, iar asocia\u021biile interna\u021bionale de protec\u021bie a animalelor au acuzat o supra\u00eenc\u0103rcare a vaporului. De\u0219i exist\u0103 reglement\u0103ri na\u021bionale \u0219i interna\u021bionale cu privire la astfel de situa\u021bii, sunt \u00eenc\u0103 multe mecanisme care trebuiesc perfectate, \u00een lipsa lor, astfel de situa\u021bii se pot repeta, supun\u00e2nd alte sute de mii de animale la o suferin\u021b\u0103 prelungit\u0103 \u0219i inutil\u0103. Uniunea European\u0103 a recomandat deja vara trecut\u0103 Rom\u00e2niei interzicerea exportului de animale vii, dup\u0103 ce un cargou a pornit cu mii de oi la bord c\u0103tre Golful Persic, \u00een luna august, pe o c\u0103ldur\u0103 infernal\u0103. Sute de animale au murit atunci pe drum, sus\u021bin reprezentan\u021bii <\/span>Animals Interna\u021bional<\/span><\/i>.\u00a0<\/span><\/p>\n

AIFF invit\u0103 publicul la un <\/span>OPEN TALK: BAN LIVE ANIMAL EXPORT<\/b> menit s\u0103 atrag\u0103 aten\u021bia asupra acestui subiect, s\u0103 informeze dar \u0219i s\u0103 dezbat\u0103 posibile rezolv\u0103ri ale situa\u021biei. La discu\u021bia ce va avea loc la Cinema Elvire Popesco duminic\u0103, 23 aprilie, de la ora 18:30 vor participa Gabriel P\u0103un \u2013 activist \u0219i ini\u021biator al campaniei #Salveaz\u0103Miori\u021ba de interzicere a transportului de animale vii, prin <\/span>Animals International<\/span><\/i>, Ovidiu Ro\u0219u \u2013 medic veterinar implicat \u00een cazul de la Midia \u0219i Mihai Dragolea \u2013 regizor de film documentar, ce a investigat teme de mediu \u0219i lucreaz\u0103 \u00een prezent pentru un ad\u0103post de c\u00e2ini comunitari.\u00a0<\/span><\/p>\n

American Independent Film Festival revine anul acesta \u0219i la Cluj-Napoca, \u00eentre 21 \u0219i 23 aprilie cu proiectii la <\/span>Cinema Arta<\/span><\/i> \u0219i <\/span>Cinema Victoria<\/span><\/i>, edi\u021bie local\u0103 prezentat\u0103 de Fortech a GlobalLogic Company.<\/span><\/p>\n

Organizat de <\/span>Asocia\u021bia Cinemascop<\/span><\/i>, AIFF.7 este un proiect cultural finan\u021bat de <\/span>Ministerul Culturii<\/span><\/i>.<\/span>
\n<\/span>
\n<\/span>Cu sprijinul: <\/span>Banca Transilvania<\/span><\/i>, <\/span>Ambasada Statelor Unite ale Americii \u00een Rom\u00e2nia*<\/span><\/i>, <\/span>Institutul Cultural Rom\u00e2n<\/span><\/i>, <\/span>Dacin Sara<\/span><\/i>. <\/span>
\n<\/span>
\n<\/span>Parteneri<\/span>: <\/b>Institutul Francez din Rom\u00e2nia<\/span><\/i>, <\/span>Cinema Elvire Popesco<\/span><\/i>, <\/span>Arhiva Na\u021bional\u0103 de Filme<\/span><\/i>, <\/span>Cinemateca Rom\u00e2n\u0103<\/span><\/i>, <\/span>Europa Cinemas<\/span><\/i>, <\/span>Eventbook<\/span><\/i>, <\/span>Retromobil Club Rom\u00e2nia<\/span><\/i>.<\/span><\/p>\n

Parteneri media principali<\/span>:<\/b> PRO TV<\/span><\/i>, <\/span>Radio Guerrilla<\/span><\/i>, <\/span>AGERPRES<\/span><\/i>.<\/span><\/p>\n

Parteneri media<\/span>:<\/b> Zile \u0219i Nop\u021bi<\/span><\/i>, <\/span>Cinemap<\/span><\/i>, <\/span>Vice<\/span><\/i>, <\/span>Igloo<\/span><\/i>, <\/span>Films in Frame<\/span><\/i>, <\/span>Urban.ro<\/span><\/i>, <\/span>Ziarul Metropolis<\/span><\/i>, <\/span>Film Menu<\/span><\/i>, <\/span>IQ Ads<\/span><\/i>, <\/span>Smark<\/span><\/i>, <\/span>Observator Cultural<\/span><\/i>, <\/span>LiterNet<\/span><\/i>, <\/span>MovieNews<\/span><\/i>, <\/span>Cinefilia<\/span><\/i>, <\/span>CineFan<\/span><\/i>, <\/span>AARC – All About Romanian Cinema<\/span><\/i>, <\/span>Munteanu<\/span><\/i>, <\/span>CineGhid<\/span><\/i>, <\/span>Radio Rom\u00e2nia Cultural<\/span><\/i>, <\/span>Business Review<\/span><\/i>.<\/span><\/p>\n

*Acest proiect este finan\u021bat par\u021bial printr-un grant al Departamentului de Stat al SUA. Opiniile, constat\u0103rile \u015fi concluziile prezentate pe durata proiectului apar\u021bin autorilor \u015fi nu le reflect\u0103 neap\u0103rat pe cele ale Departamentului de Stat al SUA.<\/span><\/i><\/p>\n

\n

Mai multe despre AIFF.7 vor fi publicate \u00een cur\u00e2nd \u0219i pe:<\/strong>
\nwww.filmedefestival.ro<\/a>
\nFacebook<\/strong>:\u00a0https:\/\/www.facebook.com\/AmericanInedependentFF<\/a>
\nInstagram<\/strong>:\u00a0https:\/\/www.instagram.com\/americanindependentff<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":13655,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86],"tags":[],"class_list":["post-13631","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-comunicate-presa"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2023\/wp-json\/wp\/v2\/posts\/13631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2023\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2023\/wp-json\/wp\/v2\/comments?post=13631"}],"version-history":[{"count":0,"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2023\/wp-json\/wp\/v2\/posts\/13631\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2023\/wp-json\/wp\/v2\/media\/13655"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2023\/wp-json\/wp\/v2\/media?parent=13631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2023\/wp-json\/wp\/v2\/categories?post=13631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2023\/wp-json\/wp\/v2\/tags?post=13631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}