{"id":2622,"date":"2019-04-10T21:30:24","date_gmt":"2019-04-10T18:30:24","guid":{"rendered":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2019\/american-independent-ff\/?p=2622"},"modified":"2019-04-10T23:31:24","modified_gmt":"2019-04-10T20:31:24","slug":"paul-schrader-qa-prin-skype","status":"publish","type":"post","link":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2019\/paul-schrader-qa-prin-skype\/","title":{"rendered":"Paul Schrader Q&amp;A prin Skype"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><p>Numele lui Paul Schrader, critic de film, scenarist si regizor american, va r\u0103m\u00e2ne mereu legat \u00een istoria cinematografului de <strong><em>Taxi Driver<\/em><\/strong> (1976), filmul cult regizat de Martin Scorsese, la care Schrader a fost scenarist. \u00cen aceast\u0103 calitate a colaborat cu Martin Scorsese \u0219i pentru <strong><em>Raging Bull<\/em><\/strong> (1980), <strong><em>The Last Tempation of Christ<\/em><\/strong> (1988) \u015fi <strong><em>Bringing Out the Dead<\/em><\/strong> (1999) dar \u0219i cu Brian De Palma pentru <strong><em>Obsession<\/em><\/strong> (1976) sau cu Peter Weir pentru <strong><em>The Mosquito Coast<\/em><\/strong> (1986).\u00a0\u00cen domeniul criticii de film, Schrader s-a exprimat pe larg despre influen\u021bele sale \u00een volumul <em>Transcendental Style in Film<\/em>. <em>Ozu, Bresson, Dreyer<\/em> (1972) \u2013 \u00eembog\u0103\u021bind fiecare reeditare a c\u0103r\u021bii cu noi note despre curentele din cinematograful mondial actual.\u00a0Ca regizor, a realizat filme precum <strong><em>American Gigolo<\/em><\/strong> (1980) sau <strong><em>Cat People<\/em><\/strong> (1982) \u00eens\u0103 co-produc\u021bia cu Japonia <strong><em>Mishima: A Life in Four Chapters<\/em><\/strong> (1985) reprezint\u0103, \u00een viziunea multor critici, cel mai original film al s\u0103u.\u00a0Dup\u0103 o perioad\u0103 \u00een care a experimentat \u00een diferite stiluri \u0219i a lucrat mai degrab\u0103 filme independente cu buget mic, Schrader s-a re\u00eentors recent \u00een aten\u021bia criticilor \u0219i a publicului cu puternicul <strong><em>First Reformed<\/em><\/strong>, un film pentru care a primit, spre finalul carierei, o prim\u0103 nominalizate la premiile Oscar (pentru scenariu original).<\/p>\n<p><strong>Paul Schrader &#8211; Q&amp;A prin Skype <\/strong>la finalul premierei filmului s\u0103u <em>First Reformed<\/em><br \/>\n<strong>S\u00e2mb\u0103t\u0103, 13 aprilie, Cinema Muzeul \u021a\u0103ranului<\/strong><br \/>\n<strong>20:30<\/strong> \u2013 <a href=\"https:\/\/eventbook.ro\/film\/bilete-american-independent-film-festival-2019-first-reformed\">FIRST REFORMED<\/a>, de Paul Schrader (2017, 1h 53 min). \u00cen competi\u021bie, Vene\u021bia 2018; nominalizat la Oscar pentru Cel mai bun scenariu, 2019.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":2623,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-2622","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-invitati"],"_links":{"self":[{"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2019\/wp-json\/wp\/v2\/posts\/2622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2019\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2019\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2019\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2019\/wp-json\/wp\/v2\/comments?post=2622"}],"version-history":[{"count":0,"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2019\/wp-json\/wp\/v2\/posts\/2622\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2019\/wp-json\/wp\/v2\/media\/2623"}],"wp:attachment":[{"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2019\/wp-json\/wp\/v2\/media?parent=2622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2019\/wp-json\/wp\/v2\/categories?post=2622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmedefestival.ro\/american-independent-ff\/editia-2019\/wp-json\/wp\/v2\/tags?post=2622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}